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Photos: Marilyn Maye Birthday Shows at 54 Below
by Kevin Alvey - Apr 18, 2023


'Come Celebrate With Marilyn Maye' April 8 - 10th (and continued the last week in May). Marilyn Maye followed her sold out Carnegie Hall Concert by celebrating her 95th birthday with a sold out run of shows at 54 Below. Featuring musical trio Tedd Firth, Tom Hubbard, and Mark McLean.

BWW Review: CAN'T PAY? DON'T PAY! Comically Reflects the Growing Social and Economic Divide Plaguing America
by Shari Barrett - Feb 22, 2020


This wildly funny satirical farce questions why, in a world of bailed-out banks and overpriced prescription drugs, theft is only a crime when it is committed by those truly in need, centering on humble housewife Antonia (Kaili Hollister) who joins a revolt of women at the local supermarket as they are all hungry and fed up by rising prices and stagnant wages. Determined to live with dignity and rejecting an austere diet of dog food and birdseed which is about all Antonia can afford to buy on her husband Giovvanni's (Jeremie Loncka) wages working on the production line at a local factory, the women's protest escalates and looting ensues.

BWW Interview: TheatreWorks Silicon Valley's Artistic Director Robert Kelley Talks About Winning The 2019 Regional Theatre Tony Award
by Linda Hodges - Jun 16, 2019


BWW's Linda Hodges talks with TheatreWorks Silicon Valley's founding artistic director Robert Kelley about winning the 2019 Regional Theatre Tony Award!

BWW REVIEW: New All Female Take on David Williamson's THE CLUB Shares The Enduring Story Of Sports Teams And Masculinity With A Magnified Lens
by Jade Kops - Dec 9, 2018


Adelaide based isthisyours? Theatre company brings their three actor take on David Williamson's THE CLUB with an all-female cast to the 25A Belvoir program. 

Review: SAFEHOUSE '77 Recruits Participants Into a 1970's Spy Versus Spy Immersive Party Game
by Shari Barrett - Nov 18, 2018


SAFEHOUSE '77 is a site-specific interactive show with a mixture of historical and pop-cultural influences in the exciting world of spy movies. The evening begins after parking in a Bank of America lot a few blocks away from the party house where Connie (Ashley Jones, decked out in high-waisted bell bottom jeans), the sister of our party host, Sharon (Katie Rediger), meets us and goes over a few rules for the evening before escorting us to the party. Just prior to entering, each guest is given an ERA YES badge, every one different in color with an animal sticker in its center. Of course, there is a purpose which soon becomes apparent once the party begins.

BWW Review: What is THE PRICE You Are Willing to Pay No Matter the Personal Cost to Your Own Life?
by Shari Barrett - Feb 2, 2018


THE PRICE by Arthur Miller premiered on Broadway in 1968 and was nominated for two Tony Awards, for Best Play and Best Scenic Design. It is a timeless piece regarding the choices we make and the consequences we eventually face. It is about family dynamics, the price of furniture and the price of one's decisions, taking place in a soon to be demolished family house where two brothers, estranged for decades, meet together to dispose of their late parents' property. The resulting confrontation leads them to examine the events and qualities of their very different lives and the price each of them has had to pay to have the lives they now lead.

BWW Review: SE MEU APARTAMENTO FALASSE... (Promises, Promises) Brings Bacharach-David's Smart Pop Music and the Wry Humor of Neil Simon to Sao Paulo.
by Claudio Erlichman - Jan 24, 2018


Burt Bacharach and Hal David, whose pop songs pretty much defined the mid-to-late 1960s and early 1970s, only wrote one Broadway show, Promises, Promises. There may have been many reasons for the success of the show. With stellar turns by Marcelo Medici as the big-corporation employee whose idea on how to get ahead in business consists of lending his bachelor apartment to his married bosses, and by Malu Rodrigues as the cafeteria waitress with whom he falls in love even though she is having an affair with the personnel director, and with Alonso Barros in charge of choreography and Claudio Botelho & Charles M eller directing, the musical proves that it is still as fresh and vibrant as it was when it was first created, opening in Brazil now, 50 years after his debut on Broadway.

BWW REVIEW: Andrew Upton's Contemporary Adaptation of Chekhov's THREE SISTERS Is Presented With Economy As It Seeks To Find A Modern Relatability
by Jade Kops - Nov 12, 2017


Sydney Theatre Company brings Anton Chekhov's much-loved tragi-comedy back to the mainstage with Andrew Upton's adaptation of THREE SISTERS, directed by Kip Williams.

BWW Review: A Female HAMLET Brings a Twist to the Play at Great Lakes Theater, Well, Almost . . .
by Roy Berko - Apr 3, 2017


Having been summoned home to Denmark from school in Germany to attend his father's funeral, he is shocked to find his mother Gertrude already remarried to his Uncle Claudius, the dead king's brother, who has declared himself the king, though young Hamlet is the actual heir to the crown. Hamlet, rightly, suspects foul play.

Photo Flashback: A Fond Farewell to Those We Lost in 2015
by Walter McBride - Dec 31, 2015


Below, BroadwayWorld sends a fond farewell to those who passed away in 2015.

BWW Review: BROADWAY BOUND Rounds Out Neil Simon's Eugene Trilogy at Theatre Palisades
by Shari Barrett - Sep 22, 2015


BROADWAY BOUND won the 1987 Pulitzer Prize for Drama, making part three the most serious of the Eugene trilogy plays in which we find Eugene and his older brother Stanley trying to break into the world of show business in 1949 as professional comedy writers while coping with their parents break-up and eventual divorce. Along the way, their material is broadcast on the radio for the first time, making the family upset to hear a thinly-veiled portrait of themselves played for laughs. Of course everyone else in their Brighton Beach neighborhood sees themselves in the characters, but that does lessen the hurt felt by their grandfather and parents when the show airs.

BWW Interview: Ahead of WatchThis' Production of COMPANY, BWW Chats To Director Kat Henry and Cast Members Nick Simpson-Deeks and Sally Bourne.
by Jade Kops - Sep 13, 2015


Stephen Sondheim's COMPANY will soon be presented by Watch This at Fortyfivedownstairs. BWW had the opportunity to ask Director Kat Henry and cast Nick Simpson-Deeks (Robert) and Sally Bourne (Joanne) a few questions ahead of opening night.

BWW Exclusive: NTI - A Launchpad to the Professional World
by National Theater Institute - Jul 2, 2015


This summer, 25 alums have returned to the O'Neill. We speak with five of them about their experience both as a NTI student and as a member of the O'Neill's professional summer season!

Photo Flashback: A Fond Farewell - Remembering The Stars We Lost in 2014
by Walter McBride - Jan 1, 2015


Broadway fans had plenty of reasons to celebrate this year, with dozens of shows having opened since January, hundreds of actors having made their debuts, and many more having returned to the stage for critically acclaimed performances. Not all news was good though, as we also suffered a loss of an incredible amount of talent. Below, BroadwayWorld sends a fond farewell to those who passed away in 2014.

BWW Reviews: Arts Criticism at Its Most Bracing in ART IN AMERICA 1945-1970
by Patrick Kennedy - Nov 6, 2014


An essential new anthology from the Library of America charts the glory days of Abstract Expressionism, Pop Art, and Minimalism--a time of almost-unmatched vitality in art writing.

BWW Exclusive: Introducing The National Theater Institute's Complete Theater Training
by National Theater Institute - Sep 1, 2014


The National Theater Institute is excited to partner with BroadwayWorld to give an inside look at the undergraduate training program that has launched the careers of thousands of actors, directors, dancers, composers, designers, and playwrights since 1970.

Photo Flash: Shakespeare Center Of LA Presents MUCH ADO ABOUT NOTHING
by Gabrielle Sierra - Dec 10, 2010


Since 1985, The Shakespeare Center of Los Angeles has been a vibrant hub of unique programs and events designed to make Shakespeare accessible and engaging in Los Angeles. At last April's annual "Simply Shakespeare" fundraiser, Helen Hunt read the role of Beatrice in "Much Ado About Nothing."

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