As You Like It Photos - Broadway

What did our critic think of DADDY LONG LEGS at Theatre 29?

What did our critic think of THE MUSIC MAN at Moorestown Theater Company?

How a director envisions a production makes all the difference in its prestation to an audience, starting with casting and continuing through rehearsals and all technical aspects of the show. I spoke with Branda Lock on bringing her vivid imagination and directing skills to George Bernard Show’s PYGMALION, filled with unique Lock-inspired changes to the casting which promise to shed new light on this classic tale of class struggles in Shaw’s time.

Yesterday, I had a chat to theatremaker and director, Connor Oscar Clarke about his upcoming production of Daddy Long Legs, the debut work of the new independent company Passion Productions.

News flash! Hamlet dies in Japan! @ShakespeareinDC's Simon Godwin directs Japanese version of Shakespeare's Hamlet.

AN INSPECTOR CALLS has been described in the Washington Post as, 'an episode of 'The Twilight Zone' wrapped in an Agatha Christie mystery,' and after seeing the show at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, I must say that about sums up the play for me. Running at almost two hours without an intermission, at first it seemed to be just a bunch of talking heads yelling loudly with strong British accents – that is until the end when a Rod Serling-like phone call delivers a twist that sets the whole thing into the realm of “what just really happened?”

Hershey Area Playhouse is pleased to present Daddy Long Legs. Daddy Long Legs is a stage musical with a book by John Caird, and music and lyrics by Paul Gordon. It is based on the 1912 novel of the same name by Jean Webster. It is set in turn-of-the-century New England, the musical tells the story of orphan Jerusha Abbott of the John Grier Home and her mysterious benefactor who agrees to send her to college, who she dubs 'Daddy Long Legs' after seeing his elongated shadow. Under the conditions of her benefactor, Jerusha sends him a letter once a month, describing her new-found experiences with life outside the orphanage.

The Wells Fargo Wagon is a-coming down the street and, from July 25th-August 19th, it'll be parked onstage of Farmers Branch's The Firehouse Theatre in their upcoming production of THE MUSIC MAN. Directed by Bruce Coleman, with music direction by Bryce Biffle and choreography by Bethany Lorentzen, the classic musical is sure to be a hot ticket.

ENGAGING SHAW begins in England in 1897 in a comfortable cottage in Stratford, England, where Shaw hopes to complete his new play. As he engages in conversation with his friends, the happily married cottage owners, Beatrice and Sidney Webb, we learn Shaw is a notorious flirt and heartbreaker who enjoys romancing women, attracting them to him "like a moth to the flame." But it is soon apparent he is not particularly interested in sex, a fact reflected in his real life where he remained a virgin until his 29th birthday. It's the thrill of the hunt that is the main attraction for Shaw, thoroughly enjoying the effect he has on women as he pursues them, not in the keeping of them. In present-day parlance, he'd be considered a sexist cad. Beatrice sees an opportunity to deflect Shaw's interest in her (and hers in him) by inviting their wealthy benefactor Charlotte to visit, knowing when she meets Shaw, the financially challenged but famous Irish playwright and political activist, that sparks will fly.

After two hours, plus intermission, I left the theater feeling as though I had just attended a concert superbly played by an orchestra of virtuoso performers and conducted by a maestro.

What does J.B. Priestley's An Inspector Calls, a play set in England in 1912, have to say to a modern-day American audience? A lot. Remy Bumppo will present this Tony and Olivier Award-winning masterpiece as the second production of its 17th season. An Inspector Calls plays almost constantly in England, but this is a rare opportunity to see it on an American professional stage. Press Opening is Monday, December 9, at 7:00 pm. BroadwayWorld has a first look at the cast in action below!

Walnut Street Theatre's 2013-2014 Independence Studio on 3 season opens with a bang as the 'first broad' of American Theatre takes the stage in Sophie Tucker: The Last of the Red Hot Mamas. Directed by Richard Hopkins, who is a co-creator of the show, the production opens tonight, November 21st and continues through December 29th in the Walnut's Independence Studio on 3. BroadwayWorld has a first look at the show below!

Broadway's Cort Theatre (138 West 48th Street), just celebrated its 100th Anniversary yesterday, December 20th. The theatre, which opened on December 20, 1912 with a Peg O'My Heart starring Laurette Taylor, is currently home to the Broadway Premiere of Grace, which will end its limited engagement on January 6, 2013. It will next be home to the World Premiere production of Truman Capote's Breakfast at Tiffany's, a new play written by Richard Greenberg, which starts performances on Monday, March 4 and opens on Wednesday, March 20. The Cort Theatre is owned and operated by The Shubert Organization. Check out photos from the celebration below!

The winners of the 2012 Globe Honors, the annual competition recognizing excellence in high school theater, were announced on Monday, May 21 after the final round of competition was held on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe's Conrad Prebys Theatre Center. Chase Fischer of Coronado School of the Arts and Nicolette Burton of Canyon Crest Academy won in the categories of Leading Actor and Actress in a High School Musical, respectively, and will receive an all-expenses-paid trip to New York City to participate in the National High School Musical Theater Awards/The Jimmy™ Awards competition to be held on June 25 at the Minskoff Theatre on Broadway. The other winners of this year's Globe Honors were Jonathan Edzant of Canyon Crest Academy and Kelly Prendergast of Grossmont High School (Outstanding Achievement in Musical Theatre), Patrick Gates of San Diego Virtual Schools and Sara Rose Carr of Canyon Crest Academy (Outstanding Achievement in Spoken Theatre) and Chad Mata of Coronado School of the Arts (Outstanding Achievement in Technical Theatre). This year's Globe Honors was presented in association with Broadway/San Diego - A Nederlander Presentation.