DAMES AT SEA is a tap-happy celebration of the golden era of movie musicals with a heart as big as the ocean! Directed and choreographed by the three-time Tony Award-nominated choreographer Randy Skinner (42nd Street, Irving Berlin's White Christmas), this gem of a show has been reimagined for the bright lights of Broadway and taken to glamorous and spectacular new heights! Featuring rollicking tap dancing, love at first sight, joyful music and a boatload of laughs, this glittering musical extravaganza has everything you need for an unforgettable night at the theatre.
So the current big-time revival does what its late creators -- composer Jim Wise, author/lyricists George Haimsohn and Robin Miller -- apparently wanted their modest takeoff to accomplish. The production, directed and choreographed by Randy Skinner, has a hard-tapping, hardworking cast of six and enough varieties of I-love-to-dance smiles to become their own emoticons. What the musical does not have -- in addition to a breakout ingénue to elevate the unrelentingly, cheerfully lame nonsense -- is charm. This is, to put it gently, a one-joke show. And we get the joke -- we get it, we get it -- over and over the tap-happy two hours.
So why bring this trifle to Broadway, for the first time, 49 years after its downtown premiere? Never mind; just check your cares and pretensions at the door of the Helen Hayes Theatre...and prepare to be thoroughly charmed...Through it all, happily, Skinner keeps everyone dancing, providing exuberant tap routines that his cast executes with joyful facility. Eloise Kropp, the appealingly wholesome and lavishly athletic performer who plays Ruby, may not have the kewpie-doll allure that Peters surely brought to the part; but it's hard to imagine many leading ladies who could provide the inexhaustible tap prowess demanded here -- or deliver the understated sweetness that makes Kropp a pleasure to watch even when she's standing still. Less is required, at least physically, of Lesli Margherita's Mona, though the actress plays the tyrannical vamp with infectious relish.
1968 | Off-Broadway |
Original Off-Broadway Production Off-Broadway |
1969 | Off-Broadway |
Off-Broadway |
1969 | West End |
London Production West End |
1970 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
1970 | Regional (US) |
Regional Revival Regional (US) |
1973 | Milburn, NJ (Regional) |
Paper Mill Production Milburn, NJ (Regional) |
1985 | Regional (US) |
Regional Revival Regional (US) |
1985 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
1996 | West End |
London Revival West End |
2004 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
2015 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2016 | Drama Desk Awards | Outstanding Choreography | Randy Skinner |
2016 | Drama League Awards | Outstanding Revival of a Broadway or Off-Broadway Musical | Dames at Sea |
2016 | Outer Critics Circle Awards | Outstanding Choreography | Randy Skinner |
2016 | Outer Critics Circle Awards | Outstanding Revival of a Musical (Broadway or off-Broadway) | Dames at Sea |
2016 | Tony Awards | Best Choreography | Randy Skinner |
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