Theater Review: Ghost: The Musical Is Technically Impressive, and Musically Silly
6 / 10
I call Stewart (a former Eurythmic) and veteran popsmith Ballard “composers,” but “producers” is closer to the spirit of the thing: This is really not music but production, which is keeping with Ghost’s gestalt: It’s the most impressively overproduced entity on Broadway, and there’s no small thrill in witnessing the technical prowess on display, even when it batters your retinas like timpani on Orff night, drowning out everything else.

