Queens Boulevard (the musical) - Off-Broadway Creative Team

Broadway/Tours: Elf, Women on the Verge of a Nervous Breakdown, Spiderman Turn Off The Dark, A Life in the Theatre, Million Dollar Quartet, The Addams Family, Memphis, Next to Normal, Rock of Ages, In the Heights, Wicked, 9 to 5, South Pacific, Peepshow in Vegas. Off-Broadway: Atlantic, MCC, Signature. Film: Margin Call, Howl, Sex and the City 1 & 2, Jonah Hex, Main Street, Love and Other Impossible Pursuits, I Love You Phillip Morris, Rachel Getting Married, Dan in Real Life, Then She Found Me, Across the Universe, Ira & Abby, Rent, Pieces of April, Camp, The Grey Zone, Finding ... read more Designs for theater, dance, opera, and non-performance-based work. International work includes The Barbican, Festival Lyric d’Aix-en-Provence, La Comédie-Française, Angers Nantes Opera, La Monnaie, Venice Biennale, Dutch National Opera, Holland Festival, Festival Ljubljana, Canadian Opera Company and Sydney Festival. US work includes Juilliard Opera, Lyric Opera, Houston Grand Opera, Lyric Opera of Kansas City, Seattle Opera and most major regional theatre companies. New York work includes The Park Avenue Armory and The Public. He is a frequent collaborator with Theatre for a New Audience and Steppenwolf. Education: Wabash College, Yale Drama. Assistant Professor of Theatre at Northwestern University. Broadway: Jersey Boys, Doubt, Steel Magnolias, Dracula, Taboo, The Boy From Oz, Joe Egg, Master Harold And The Boys, Present Laughter, A Doll's House. Venues: Roundabout, M.T.C., Playwrights, Atlantic, The New Group, M.C.C., The Public, Second Stage, Williamstown, Yale Rep., McCarter, Hartford Stage, Primary Stages, Lincoln Center, Long Wharf, Westport. Film Contributions: Million Dollar Baby, Ballad Of Bettie Page, Confessions Of A Dangerous Mind, Boy's Don't Cry. Mimi Lien is a designer of sets/environments for theater, dance, and opera. Arriving at set design from a background in architecture, her work often focuses on the interaction between audience/environment and object/performer. She is an artistic associate with Pig Iron Theatre Company, and co-founder of JACK, a performance/art space in Brooklyn. Recent work includes Signature Plays, John (Signature Theatre), War, Preludes (LCT3), The Oldest Boy (Lincoln Center), Black Mountain Songs (BAM/Brooklyn Youth Chorus), Appropriate (Mark Taper Forum), and An Octoroon (Soho Rep/TFANA). Mimi's designs for dance have been presented in the Netherlands, Russia, and Taiwan, and her stage designs have ... read more Recently: The Little Foxes (NYTW); The Winter's Tale (The Public/Shakespeare in the Park). New York: Mabou Mines, Vineyard Theatre, 13P, Lincoln Center Theater Directors Lab, Ma-Yi Theater Company, Signature Theatre Company. Regional: Coronet Theatre; Kirk Douglas Theatre; The Theatre @ Boston Court; East West Players; Taper, Too; Walt Disney Concert Hall; Mark Taper Forum. NYTW Usual Suspect. Proud member of AEA. KEN TRAVIS (Sound Designer) Broadway: In Transit, Aladdin (MX,UK, DE, JP, AU, US), Jekyll and Hyde, A Christmas Story the Musical, Scandalous, Newsies, Memphis, The ThreePenny Opera, Barefoot in the Park and Steel Magnolias. Regional and Off Broadway: The Public Theater, The New Group, The Civilians, Atlantic Theater Company, Soho Rep, Classic Theater Company, Playwrights Horizons, Signature Theater, Mabou Mines, Old Globe, Alliance Theater, ACT Seattle, 5th Avenue Theater, La Jolla Playhouse, Seattle Repertory Theater, LA CTG, The Guthrie Theater, McCarter Theater, Papermill Playhouse