The Double Life

Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.

While the large majority of plays that make it to Broadway were written in English, a small fraction of plays were originally penned in a different language and translated. 

What did our critic think of SCHMITT'S PSALM 47 AND STRAVINSKY'S FIREBIRD at Houston Symphony?

Broadway's best have put pen to paper to turn out theatre page-turners of every kind. From theatre biographies to theatre fiction; theatre books for kids to theatre history; check out our collection of 24 new Broadway books for every theatre lover's Summer 2025 reading list.

Troupe, in association with Park Theatre, has announced the full cast for the world première of a new stage adaptation of John Galsworthy’s seminal work, The Forsyte Saga.

Marin Theatre reveals its 24/25 season featuring two U.S. premieres and more.

Programming is a key element in the lifeblood of every symphony orchestra.  Finding the right blend of old and new, of familiar and unfamiliar, of modern and traditional, of the accessible and the more challenging; this is the task.

54 Below is known for its seemingly endless variety of themes as happy reasons to group songs from musical theatre. Here's another, looking at some shows that came to the Marquis, starting in 1986. There were over 30 musicals that played the Marquis Theatre, and nine were revisited with songs and stories at 54 Below.

The recording, scheduled for release in physical and digital formats, traces with the Symphonies Nos. 2, 3, 12, and 13 a 35-year arc in the Russian composer's creative and personal evolution: from youthful idealism to mature disillusionment and resignation living and working under the Soviet regime.

The Colburn School has announced its 2022-23 season, which brings together the School's exceptional students and faculty with today's most esteemed artists in a wide variety of free or low-cost programs offered on campus and throughout Los Angeles. 

'Aunt Susan and Her Tennessee Waltz' by Toby Armour will be presented by Theater for the New City (TNC) April 28 to May 15.  The play dramatizes the leadership of Susan B. Anthony, Carrie Chapman Catt and Juno Frankie Pearce in the struggle to win the women's right to vote.

The Chamber Music Society of Lincoln Center has announced its 2022-23 season with a wide range of repertoire performed by its international, intergenerational roster of world-renowned artists. 

Need a restaurant near your Broadway show? We've got you covered! Browse restaurants by food type, with cuisines ranging from American to Asian, French, Italian, Mexican, and other top cuisines. Find where to eat.

'Her Tennessee Waltz,' a radio play by Toby Armour, will be presented by Theater for the New City for Women's History Month. 

San Francisco International Arts Festival has shared the full schedule for the 2020 Festival that will run at the Fort Mason Center for Arts & Culture from May 19 - 31.

The Kitchen, founded in 1971, is one of the most enduring non-profit arts organizations in the rapidly changing landscape of New York, and it continues to serve as an important catalyst for a broad community of groundbreaking artists working across disciplines.

A sweeping, grandiose, and emotionally-searing stage musical adaptation of E.L. Doctorow's expansive 1975 novel, RAGTIME is a gripping, multi-character, and multi-story theatrical experience that uses era-authentic specificity to depict America's past during a time when its increasingly diverse population has been forced to adjust to the ramifications of new technological, social, political, and economic changes that are spreading throughout the nation. Of course, one can't help but observe that, eerily, many of these very same issues are somehow still top-of-mind today, particularly in recent years with the surge in anti-immigrant policies and sentiments, the increasing gap between the rich and the poor, and, of course, the horrific rise of racist sentiments and, worse, racist acts against people of color. Perhaps this overarching motif---that many of these era-specific issues that RAGTIME's characters struggled with in 1906 are still alarmingly present in 2019---is the true motivator behind director Casey Stangl's impressive, 'intimate' theater reimagining of RAGTIME for Chance Theater, which continues performances in Anaheim through August 11, 2019.

Artistic Director Braden Abraham today announced Seattle Rep's new nine-play 2019/2020 season, which features the second Public Works Seattle production, two musical works, a world premiere, a Pulitzer-Prize nominated play, and more. To align with their vision of 'theater at the heart of public life,' Seattle Rep is also rolling out their new visual identity over the next few months, with a full campaign to be launched in August. With this announcement of the new season, Seattle will get a taste of what is coming at Seattle Rep.

The Hungarian State Opera (HSO), one of the world's busiest opera companies, comes to the United States this fall for the first time ever, presenting four operas by Hungarian composers, including two U.S. premieres, at Lincoln Center's David H. Koch Theater, October 30 to November 3. This week of opera is followed by another week of performances presented by the Hungarian National Ballet, November 6 to 11, as well as an opera and ballet gala on November 4 and the Carnegie Hall debut of the HSO Orchestra on November 5. These U.S. performances build upon the HSO's rich history of touring, which stretches back 100 years and includes performances in numerous European capitals including Amsterdam, Helsinki, Moscow, Paris, Rome, Stockholm, and Vienna, and in countries including Canada, China, Egypt, Japan (ten times), Mexico, Taiwan, and Peru. Ongoing renovations to the Hungarian State Opera House have presented an opportunity for increased touring this season, including the chance to introduce American audiences to the company and its repertoire, much of it rarely seen or heard.

Concertmaster Frank Huang will lead the New York Philharmonic from his chair as Concertmaster in a program spotlighting the Orchestra's string section. The concerts will feature Mozart's Violin Concerto No. 3, with Principal Associate Concertmaster Sheryl Staples as soloist; Mozart's Eine kleine Nachtmusik; and Tchaikovsky's Serenade for Strings, and take place on Thursday, May 31, 2018, at 7:30 p.m.; Friday, June 1 at 11:00 a.m.; Saturday, June 2 at 8:00 p.m.; Tuesday, June 5 at 7:30 p.m.; and Wednesday, June 6 at 7:30 p.m.

Manfred Honeck will return to the New York Philharmonic to conduct Sibelius's Violin Concerto, with Nikolaj Znaider as soloist; Mr. Honeck's own arrangement of Dvorák's Rusalka Fantasy, orchestrated by Tomáš Ille; and selections from Tchaikovsky's Sleeping Beauty, Thursday, May 3, 2018, at 7:30 p.m.; Friday, May 4 at 11:00 a.m.; Saturday, May 5 at 8:00 p.m.; and Tuesday, May 8 at 7:30 p.m. The following week, Nikolaj Znaider will make his New York Philharmonic conducting debut leading Elgar's Cello Concerto, with Jian Wang in his subscription debut, and Tchaikovsky's Symphony No. 1, Winter Dreams, Thursday, May 10, 2018, at 7:30 p.m.; Friday, May 11 at 8:00 p.m.; and Saturday, May 12 at 8:00 p.m.

Three hundred and fifty singers, dancers and musicians from the Hungarian State Opera will take over the David H. Koch Theater for two weeks when the Hungarian State Opera and Hungarian National Ballet make their U.S. debuts, October 30-November 11, in programs featuring a series of U.S. premieres and new productions. The announcement of the engagement was made by Szilveszter Ókovács, General Director of the Hungarian State Opera today (March 14) at the Hungarian Consulate in New York City.

Tennessee Shakespeare Company, now celebrating its Tenth Anniversary Season as the Mid-South's professional, classical theatre and education organization, will stage Samuel Beckett's tragicomedy, Waiting for Godot, at Dixon Gallery & Gardens from December 7-17.

Gingold Theatrical Group continues its 12th Season of PROJECT SHAW when it presents its 125th concert presentation, a rare staging of A Man's World by Rachel Crothers.

Josephine reigns supreme in THE LAST NIGHT OF JOSEPHINE BAKER.