Where Do We Go From Here? - 1974 - Off-Broadway Articles Page 7

In celebration of the 24th season of THE SIMPSONS, FOX is giving fans of the animated series the opportunity to submit their written ideas for the iconic "couch gag" that appears during the opening credits of THE SIMPSONS.

Nigel Redden, Director of Lincoln Center Festival, announced the Festival's line-up, which runs from tonight, July 5 through August 5, 2012. Theater offerings include Mikhail Baryshnikov in Dmitry Krymov's staging of a new play, In Paris, as well as Sydney Theatre Company's acclaimed production of Uncle Vanya directed by Tamas Ascher and adapted by Andrew Upton. The stellar cast includes John Bell, Cate Blanchett, Hayley McElhinney, Richard Roxburgh, and Hugo Weaving.

A wild and wacky acting troupe will be making their way to the City by the Bay and they'll be holding court at the Orpheum Theatre April 10-22nd. San Francisco audience members will be playing host to Monty Python's SPAMALOT!

People's Light & Theatre presents John Steinbeck's Of Mice and Men, running through March 25, 2012 on the Main Stage.

Nigel Redden, Director of Lincoln Center Festival, today announced the Festival's line-up, which runs from July 5 through August 5, 2012. Single tickets go on sale on April 2. Theater offerings include Mikhail Baryshnikov in Dmitry Krymov's staging of a new play, In Paris, as well as Sydney Theatre Company's acclaimed production of Uncle Vanya directed by Tamas Ascher and adapted by Andrew Upton. The stellar cast includes John Bell, Cate Blanchett, Hayley McElhinney, Richard Roxburgh, and Hugo Weaving.

The Bay Area premiere of San Jose Rep's God of Carnage begins previews tonight. This winner of the 2009 Tony Award® for Best Play was written by Yasmina Reza and translated by Christopher Hampton. The production runs from March 22 to April 15, 2012, with Opening Night on Wednesday, March 28 at 7:30 pm.

In an absolutely uncannily coincidental occurrence last night, the Valentine's Day episode of GLEE included among its song-stack the all-time most memorable Whitney Houston ballad of all time, originally sung by Dolly Parton in 1974 but made famous by Houston on the soundtrack of the 1992 film THE BODYGUARD, in which she also starred, "I Will Always Love You". While this episode was filmed weeks ago - long before Houston's sudden passing, of course - the fact that this was the moment GLEE finally tackled one of the biggest songs ever - a single that originally stayed atop the chart for more than 3 months - comes as a definite shock and surprise; and, also, somehow, a fitting tribute. The tasteful "We Will Always Love You" card at the end of the program dedicated the episode to Houston's memory, in a last minute addition to the long-wrapped show by the powers-that-be. It hit just the right chord - as did the effervescently enjoyable if slight episode. Amber Riley wrought the high emotion out of the Houston barn-burner in a manner that surely would do the gospel singer of Whitney's own roots more than merely proud and the overall show was a sure success as far as knockout musical numbers go. As for the rest of the "Heart" Valentine's show, we were treated to a number of well-played guest appearances, such as Rachel's two dads, essayed all-too-deliciously by Jeff Goldblum and Brian Stokes Mitchell, in addition to THE GLEE PROJECT winner Samuel Larsen's much ballyhooed debut on the show. Former TGP finalist and Season Three GLEE featured player Damian McGinty also got more focus than usual, as did Amber Riley, who emerged as the star of this particular episode. Courtesy of a lively and raucous "Love Shack", Darren Criss made his welcome return after a few episodes out. The rest of the songs added to the overall candy-coated allure of the sweet and sugary confection of a show. No, "Heart" was not an episode that will linger forever in the memory like some in GLEE's past, but the music made the night - and, in the case of "I Will Always Love You", made it really pack a punch when we needed it. It most closely resembled the wedding episode from last season, I thought - which is certainly a compliment. Plus, "Heart" featured the return of Karofsky - in gorilla suit, no less - and many dramatic twists for the gleeks we have all come to know and love. And, just how adorable is Sugar Motta?!

The entire entertainment world is reeling. We have lost one of our most iconic pop, R&B and soundtrack performers this evening - as well as a formidable movie star in her own right - Whitney Houston was just reported dead at the age of 48. Having had one of the most successful and most multimedia of careers of any multi-hyphenate star in recent memory, Houston scored multiple Grammys and racked up countless nominations over the course of her multi-decade recording career, yet her most notable contributions to the world of music reside in her outstanding soundtrack work - most of all, the songs for the film in which she made the transition into feature film leading lady, 1992's THE BODYGUARD. The biggest hit from THE BODYGUARD's blockbuster soundtrack was undoubtedly Houston's rendition of a Dolly Parton song originally recorded in 1974 and later made famous by Parton in the feature film version of the Broadway hit THE BEST LITTLE WHOREHOUSE IN TEXAS, "I Will Always Love You". In addition to Houston's sensational work on that mega-selling soundtrack - one of the Top 5 best-selling soundtracks of all time - she also provided her dramatic and vocal skills to the multi-platinum soundtracks to THE PREACHER'S WIFE and WAITING TO EXHALE, both films which she also starred in to much box office success. An Oscar-winning duet with Mariah Carey, "When You Believe" by WICKED's Stephen Schwartz from THE PRINCE OF EGYPT is yet another diadem in Houston's triple crown of accomplishments in the realms of music, film and television - having dominated all. Theatre fans may know Houston best for her incomparable portrayal of the Fairy Godmother in the incredibly successful 1997 ABC TV adaptation of Rodgers & Hammerstein's CINDERELLA starring Brandy and produced by Craig Zadan and Neil Meron. In addition to Houston's contributions to THE BODYGUARD, THE PREACHER'S WIFE, WAITING TO EXHALE, THE PRINCE OF EGYPT and CINDERELLA, Houston also rose to fame early in her career for her rendition of "Home" from THE WIZ on THE Merv Griffin SHOW, as well as made a mark with a Cissy Houston duet on the CHESS international smash, "I Know Him So Well" on her second hit album. The last project Houston was working on prior to her death on Saturday night was the feature film musical SPARKLE, co-starring AMERICAN IDOL winner and Broadway standout Jordin Sparks. SPARKLE reportedly completed production of principal photography and soundtrack sessions, though it is not clear when the musical remake will now be released in light of Houston's unexpected death. No matter the circumstances of her life and death, Whitney Houston most surely left a legacy that will never be forgotten by those that adored her for her vast multitude of talents and many notable accomplishments in all areas of entertainment.

Casa 0101 Theater in association with CoActive Content will present a new co-production of "The King of the Desert," written by Stacey Martino, performed by Rene Rivera, and helmed by Sal Romeo, all Lifetime Members of The Actors Studio.

People's Light & Theatre will present John Steinbeck's Of Mice and Men, running February 15 - March 25, 2012 on the Main Stage.

Casa 0101 Theater in association with CoActive Content will present a new co-production of "The King of the Desert," written by Stacey Martino, performed by Rene Rivera, and helmed by Sal Romeo, all Lifetime Members of The Actors Studio.

MCC Theater has announced the complete cast for the newly reworked and fully re-imagined production of Carrie, the musical. Carrie features music by Michael Gore, lyrics by Dean Pitchford (Academy Award winning composer and lyricist for the original film Fame) and a book by Lawrence D. Cohen (who also adapted the 1974 novel by Stephen King for the 1976 Brian DePalma film). Directed by Stafford Arima, performances for Carrie begin January 31, 2012, at the Lucille Lortel Theatre (121 Christopher Street, NYC). The official opening night is set for March 1, 2012.

As 'Chicago' celebrates 15 years on Broadway, we profile its longest-running cast member.

Labyrinth Theater Company has announced final casting for the World Premiere Production of The Atmosphere of Memory by David Bar Katz. Performances begin Saturday, October 15th with Opening Night scheduled for October 30th at Labyrinth's new home, the Bank Street Theater for a limited engagement through Sunday, November 13th.

The Harris Theater for Music and Dance today announced its full Harris Theater Presents 2011-2012 season, offering Chicago audiences a ground-breaking collection of innovative, culturally diverse programming by the world's finest musicians and dance companies, as well as Harris' signature collaborations with Chicago's leading dance and music institutions.

Theatergoers of a certain age will remember walking past The Little Theatre (now the Helen Hayes) when Albert Innaurato's comedy GEMINI was running and seeing Kenn Duncan's black and white photographs outside. The one that received the most attention was that of the bare-chested Reed Birney who was featured in that long-running comedy. Birney also received even more attention when the television ads for that production were aired. The TV commercials not only popularized a phrase that became a buzz word throughout the tri-state area: ‘Herschel, take human bites!'; but gave Birney a few seconds of air time that were unmistakable.

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance.

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance.

Due to popular demand and rave reviews, JACKIE FIVE-OH! has extended its run yet again at Joe's Pub (425 Lafayette Street) through April 4th. In the all-new JACKIE FIVE-OH!, the blisteringly funny, filter-free Hoffman muses on her own decay at 50, her career of playing 'bit' parts, her thoughts about being in The Addams Family and an array of other topics running the gamut from Queen Latifah to Kristen Chenoweth. Hoffman also sings five new original songs (written with musical director Bobby Peaco). Hoffman will also continue in her hilarious, scene-stealing performance as Grandma inTHE ADDAMS FAMILY into the summer.

B.B. King Blues Club & Grill is located at 237 West 42nd Street (between 7th and 8th Avenues) New York, NY 10036

Even as its shows reach New York and London, Berkeley Repertory Theatre begins another season of fearless theatre here at home: Emmy- and Tony Award-winning actor Mandy Patinkin stars in the world-premiere production of Compulsion on Berkeley Rep's intimate Thrust Stage. Acclaimed director Oskar Eustis returns to the Bay Area with Rinne Groff's latest play, a kaleidoscopic collision of history and culture that combines stellar acting with marvelous marionettes. Compulsion, a world-premiere co-production from Berkeley Rep, The Public Theater, and Yale Repertory Theatre, begins previews on September 13, opens September 16, and closes October 31.

Roundabout Theatre Company (Todd Haimes, Artistic Director) announces Tony and Academy Award winner Joel Grey will return to Broadway to join the cast of the new Broadway production of Anything Goes, starring Tony Award winner Sutton Foster as 'Reno Sweeney.'

Roundabout Theatre Company (Todd Haimes, Artistic Director) announces Tony and Academy Award winner Joel Grey will return to Broadway to join the cast of the new Broadway production of Anything Goes, starring Tony Award winner Sutton Foster as 'Reno Sweeney.'

Roundabout Theatre Company (Todd Haimes, Artistic Director) announces Tony and Academy Award winner Joel Grey will return to Broadway to join the cast of the new Broadway production of Anything Goes, starring Tony Award winner Sutton Foster as 'Reno Sweeney.' Anything Goes will mark Mr. Grey's seventh Broadway production.

A wandering hump. Hyper-active hay rides. A tap-dancing, zipper-necked monster. One thing is clear: Mel Brooks is one silly man. In the world of comedy, silliness is definitely a positive trait. You certainly get a fair dose of his madcap genius in YOUNG FRANKENSTEIN, the stage musical adaptation of his cinematic cult classic, whose touring company continues performances at the Orange County Performing Arts Center through September 25. A well-intentioned adaptation that tries valiantly to reach its full summit, this musical mines most of its laughs from signature moments faithfully recreated from Brooks' 1974 genre-skewering film comedy of the same name.