Under Conviction 1923

Building on the overwhelming success of last year's Expansive initiative, Opera Parallèle and The Transgender District have announced plans to renew their collaboration and present a showcase of transgender and non-binary classical artists for two performances at 7.30 p.m. on Thursday, August 3 and Friday, August 4 at A.C.T.'s intimate Strand Theater.

Looking for the best deals on Broadway shows? Welcome to our new weekly guide to the most popular shows listed on BroadwayWorld. Check out which shows are selling this week, February 27, 2023.

Mint Theater Company returns to New York City Ce nter Stage II with the American premiere of Noël Coward’s The Rat Trap, directed by Alexander Lass, opening Monday November 21st (7pm) at New York City Center Stage II for a limited Off-Broadway engagement through December 10th only. 

The Mint Theater company will be presenting the American Premiere of Noel Coward's The Rap Trap, and the world premiere of Becomes a Woman by Betty Smith (A Tree Grows in Brooklyn).

Discover the story behind one of the greatest musicals in history as we dive deep into the history of Broadway's longest-running American musical, John Kander, Fred Ebb, and Bob Fosse's, 'Chicago.'

Indecent is about the power of theater to dazzle and uplift. Playwright Vogel has discussed plays that make the hair stand up on her neck. That is exactly what Indecent does: makes the hairs stand up on the back of the neck, and we may be at a loss to explain.

Paula Vogel's 2015 play Indecent, in a production now arrived at Center Stage after stops at D.C.'s Arena Stage and the Kansas City Rep, is a staggering tour de force of playwriting prowess that is also a tour of a largely forgotten world: international Yiddish theater shortly after the turn of the last century. A play about a play about a play, it follows Sholem Asch's God of Vengeance on a circular path, from Lodz, Poland in 1906 to Warsaw, to various stages in Europe, through Ellis Island and various New York theaters, culminating with an abortive stay on Broadway, and thence back to Lodz once more, at the peak of the Holocaust. And then, in a sort of coda, it concludes in Connecticut with the last days of Mr. Asch. All these parts are contained within an initial framing device in which, like Pseudolus in A Funny Thing Happened on the Way to the Forum, a stage manager named Lemml (Ben Cherry), introduces the players and musicians, apparently members of a turn-of-the-century Yiddish theater troupe, and identifies the kinds of parts they will play (like male and female Ingenues). Everything that follows, i.e. a play about presenting a play, is presented as a play performed by this troupe.

The Guthrie Theater today announced the final two of nine productions to be offered as part of the theater's 2017-2018 subscription season: Indecent, a new play with music by Pulitzer Prize-winner Paula Vogel (How I Learned to Drive), conceived by Vogel and Rebecca Taichman; and the Guthrie's first production of the iconic American musical West Side Story, directed by Joseph Haj.

The Playroom Theater will present My Father's Voice: Letters From Ellis Island and The War in the Pacific 1938-1945, conceived and performed by Eric Krebs at The Playroom Theater (151 West 46th Street - just east of Broadway).

Playwright Susan Soon He Stanton and stage director Reginald Douglas were each appointed to a one year residency at the Lark Play Development Center as inaugural fellows in the company's brand-new Van Lier Fellowship Program.

Following four seasons of sold-out concerts, KEYS TO THE FUTURE celebrates its fifth anniversary at a brand new venue and with an even deeper mix of styles and talent. This unique piano festival takes place Tuesday through Thursday, May 25, 26, and 27, at Le Poisson Rouge, 158 Bleecker Street between Sullivan and Thompson St. Each hour-long concert begins at 7:30pm; doors open at 6:30pm.

Following four seasons of sold-out concerts, KEYS TO THE FUTURE celebrates its fifth anniversary at a brand new venue and with an even deeper mix of styles and talent. This unique piano festival takes place Tuesday through Thursday, May 25, 26, and 27, at Le Poisson Rouge, 158 Bleecker Street between Sullivan and Thompson St. Each hour-long concert begins at 7:30pm; doors open at 6:30pm.

Following four seasons of sold-out concerts, KEYS TO THE FUTURE celebrates its fifth anniversary at a brand new venue and with an even deeper mix of styles and talent. This unique piano festival takes place Tuesday through Thursday, May 25, 26, and 27, at Le Poisson Rouge, 158 Bleecker Street between Sullivan and Thompson St. Each hour-long concert begins at 7:30pm; doors open at 6:30pm.