Twentieth Century - 2004 - Broadway Articles Page 20

What happens when a strapping young Englishman suddenly finds he has become a woman? It's an amazing journey, to say the very least, in Sarah Ruhl's adaptation of Virginia Woolf's sweeping and witty Orlando, beginning a 5-week run at Stage West tonight, April 3.

What happens when a strapping young Englishman suddenly finds he has become a woman? It's an amazing journey, to say the very least, in Sarah Ruhl's adaptation of Virginia Woolf's sweeping and witty Orlando, beginning a 5-week run at Stage West on Thursday, April 3.

Pacific Northwest Ballet continues its 2013-2014 season with George Balanchine's A Midsummer Night's Dream. A complete delight for all ages, this full-length ballet is based on William Shakespeare's comedy about the romantic adventures, quarrels and reunions of two pairs of mortal lovers and the king and queen of the fairies. Balanchine's Midsummer, which New York City Ballet premiered in 1962, was the first original evening-length ballet he choreographed in America. Staged by PNB Founding Artistic Director Francia Russell, PNB's production is an enchanted landscape where misunderstandings and mayhem weave tangled paths through the opulent layers of Martin Pakledinaz's designs and Balanchine's marvelously crafted partnerings. All ends well in Act II's wedding festivities with the recognition of ideal love, tenderly portrayed in an exquisite pas de deux. A Midsummer Night's Dream plays for eight performances only, April 11-19 at McCaw Hall at Seattle Center Tickets start at $28 and may be purchased by calling the PNB Box Office at 206. 441.2424, online at PNB.org, or in person at the PNB Box Office at 301 Mercer Street.

The March broadcasts of The New York Philharmonic This Week - the weekly radio series of concerts and recordings by the New York Philharmonic, hosted by Alec Baldwin - begin with Music Director Alan Gilbert leading the Philharmonic in the World Premiere of The Marie-Josee Kravis Composer-in-Residence Christopher Rouse's Prospero's Rooms; Bernstein's Serenade (after Plato's "Symposium"), with Joshua Bell as soloist; and Ives's Symphony No. 4 with representatives of the New York Choral Consortium. The following week Alan Gilbert and Assistant Conductor Case Scaglione will lead the Philharmonic in a performance of Stravinsky's Ragtime for 11 Instruments; Shostakovich's Tahiti Trot; Copland's Clarinet Concerto featuring Associate Principal Clarinet Marc Nuccio; and Wynton Marsalis's Swing Symphony (Symphony No. 3) featuring the Jazz at Lincoln Center Orchestra.

Raoul Wallenberg's epic journey will be brought to life in a multi-media staged reading of Wallenberg, A New Musical Drama. The production will take place at Lynn University's Wold Center for the Performing Arts on February 12th and 13th only. With book and lyrics by the 2006 Kleban Award-winning team of Laurence Holzman and Felicia Needleman, and music by Benjamin Rosenbluth, Wallenberg, A New Musical Drama recounts the fascinating and uplifting story of one of the greatest heroes of the twentieth century.