To-Night's the Night - 1914 - Broadway Articles Page 10

TheatreWorks Silicon Valley presents the Northern California premiere of Archduke. Written by Pulitzer Prize finalist Rajiv Joseph, Archduke explores how one man, one moment, can derail an entire century. Focusing on the cataclysmic 1914 assassination of Archduke Franz Ferdinand in Sarajevo, three hapless insurgents embark on a darkly comic quest for immortality and purpose, unaware that their actions will launch World War I.

Asolo Repertory Theatre proudly continues its 60th season with SWEENEY TODD: The Demon Barber of Fleet Street. It will be directed and choreographed by Peter Rothstein, who helmed the theatre's critically acclaimed 2018 production of Ragtime. Featuring music and lyrics by Stephen Sondheim, a book by Hugh Wheeler and from an adaptation by Christopher Bond, this musical masterwork and global phenomenon previews May 1 - 3, opens May 4 and runs through June 1 in the Mertz Theatre, located in the FSU Center for the Performing Arts.

Utah Opera Artistic Director Christopher McBeth has announced the programming, initial casting, and creative teams for the company's 2019-20 season, which comprises four opera productions at the newly renovated Janet Quinney Lawson Capitol Theatre. Featuring improved seating and sightlines on the orchestra level, the theatre reopens after a six-month closure for the company's season-opening production of Verdi's La traviata in October 2019. The season continues with composer Kevin Puts and librettist Mark Campbell's Silent Night in January 2020, Rossini's The Barber of Seville in March 2020, and Massenet's Tha s in May 2020. Silent Night is presented as part of Utah Opera's American Opera Initiative, through which the company champions and commissions American contributions to the art form. Both Silent Night and Tha s are Utah Opera premieres.

FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents the Carnegie Mellon University School of Drama Class of 2019 in the NYC Showcase of New Talent on Tuesday, March 12 at 11:30 PM. CMU is headed to NYC once again!

Artistic Director Christopher McBeth today announced the programming, initial casting, and creative teams for Utah Opera's 2019-20 season, sponsored by the George S. and Dolores Dor Eccles Foundation. In its upcoming season, Utah Opera produces four operas at the Janet Quinney Lawson Capitol Theatre: Verdi's La traviata in October 2019, Kevin Puts and Mark Campbell's Silent Night in January 2020, Rossini's The Barber of Seville in March 2020, and Massenet's Tha s in May 2020. Both Silent Night and Tha s are company premieres. Season subscriptions are on sale now by calling (801) 533-6683 or visiting utahopera.org. Single-opera tickets go on sale to the general public on June 14, 2019 through Utah Opera and ArtTix outlets.

Charlotte Haymore is bringing her Women 50+ Success Conference to the Denver's Double Tree Hotel, located at 3203 Quebec Street, Denver, CO 80207. This workshop will take place March 30 through 31, 2019 lunch, insightful workshops, panel discussion and the 50+ Big Slumber Party. The cost of attending is $179. An early-registration special is available until 2/28/19 at $149. The Double Tree Hotel is also offering a hotel special for $99 per room, single or double - and this discount rate expires on 2/28/19. Hotel reservations can be made by calling the Double Tree Hotel directly at (303) 329-5298 and mention the group name "Women 50+ Conference" and the Group Code: WOW. Get additional information and register at www.CharlotteHaymore.com.

Here is the list of shows that The Public Theater of San Antonio will be producing in their upcoming 2019-2020 Season!

Austin Opera's SILENT NIGHT A Hard Look at The Unchanged Reality of War

LA CENERENTOLA, an opera, is playing at the National Theatre in Prague from January 31st to April 10th, 2019.

The Cincinnati Symphony Orchestra (CSO) and Music Director Louis Langree announced details of the much-anticipated 125th Anniversary Season beginning in September at Music Hall. The 2019-20 season welcomes acclaimed guest artists including Renee Fleming, Anne-Sophie Mutter, Artist-in-Residence Guy Braunstein and Grammy winner Isabel Leonard, among others. The season includes performances of Beethoven's legendary Akademie program, a fully staged production of Ravel's opera, L'Enfant et les sortileges, seven CSO commissions, five world premieres, three U.S. premieres, as well as an experimental new concert series titled CSO Proof. The 125th Anniversary Season marks the launch of new initiatives both on and off the stage that build on the CSO's legacy. Leading up to the season, the Orchestra presents CSO Look Around, a first-of-its-kind event celebrating community, diversity, and inclusivity on August 3.

With a terrific cast, led by the humorous Israeli TV and film star, Yehezkel Lazarov, this production made me think, made me ask newer and more interesting questions, and, oh, those gloriously memorable songs, the humor, the love stories. For me, Fiddler on the Roof remains perched firmly at the top.

Soprano Anna Netrebko takes on for the first time at the Met the title role of the 18th century actress Adriana Lecouvreur. A co-production of the Royal Opera House, Covent Garden, London, Gran Teatre del Liceu - Barcelona, Wiener Staatsoper, San Francisco Opera and L'Opera National de Paris conducted by Gianandrea Noseda and directed by Sir David McVicar, who ingeniously sets the action in a working replica of a Baroque theatre.

Soprano Anna Netrebko takes on for the first time at the Met the title role of the 18th century actress Adriana Lecouvreur. A co-production of the Royal Opera House, Covent Garden, London, Gran Teatre del Liceu - Barcelona, Wiener Staatsoper, San Francisco Opera and L'Opera National de Paris conducted by Gianandrea Noseda and directed by Sir David McVicar, who ingeniously sets the action in a working replica of a Baroque theatre.

Shortly after midnight, on Christmas Day of 1914, a German soldier whose name is now lost to history committed what might be the most subversive act in all of modern warfare.  He walked, unarmed, out of the front line trenches and into the middle of No Man's Land, faced the enemy British soldiers before him and, in his native tongue, began singing 'Silent Night.'

When San Diego Opera General Director David Bennett realized earlier this year that the scheduled Vancouver-derived production of Hansel and Gretel wouldn't fit comfortably on the Balboa Theater stage, All Is Calm: The Christmas Truce of 1914 was an obvious holiday-season alternative. He'd already been thinking about it for the company's Detour Series of less traditional works.

One of the most celebrated plays in Canadian history, MARY'S WEDDING by Stephen Massicotte, will have its first professional production in Toronto at Streetcar Crowsnest. A love story set against the backdrop of the Great War, this is an epic, unforgettable story of love, hope, and survival. MARY'S WEDDING stars Fraser Elsdon and Kate Ross, directed by Kent Staines, and is co-produced by Mary Young Leckie's Solo Productions and by Derrick Chua. It will be presented at Streetcar Crowsnest January 31 - February 16, 2019 (Media Night February 1).

KPFK Radio's Arts in Review, Los Angeles's longest-running radio showcase on live theater and cabaret, presents its annual one-hour Christmas Day Holiday Drama Special, highlighted by the premiere radio dramatization, Christmas at the Algonquin, performed by the Arts in Review (AIR) Repertory Players, and the 15th annual concert presentation of Dylan Thomas' A Child's Christmas in Wales, featuring actor Al Alu.  Also featured is the music of singer/songwriter Al Jarreau, guitarist AnnaMaria, Koto Keys (Mara Purl & Marilyn Harris) and Pacifica Archives Music For the Holidays. Hosted by entertainment journalist Julio Martinez, the program airs Tuesday, December 25 (10-11am) on KPFK 90.7.FM and is streamed live worldwide on kpfk.org.

The Broad Stage presents Theater Latte Da's All Is Calm: The Christmas Truce Of 1914, the highly celebrated docu-musical about an extraordinary moment in history for two performances only on Saturday, December 22, 2018 at 4:00pm and 7:30pm.  

Music Theatre Kansas City's professional company will present the Kansas City Premiere of 'All is Calm: The Christmas Truce of 1914, ' the true story of a group of World War I soldiers who chose to step out of the trenches and come together to celebrate Christmas for a single, memorable night of peace. It is their story told entirely through their words and their songs, featuring an 8-piece a cappella mens choir.

Laura Little Theatricals and Theater Latte Da present the American premiere production of the off-Broadway premiere of the new musical All Is Calm: The Christmas Truce of 1914, now playing off-Broadway at the Sheen Center for Thought & Culturein a limited holiday engagement through December 30. Performances are Wednesday, Thursday, Friday and Saturday at 7:30PM; Sunday at 7pPM; Wednesday, Saturday, Sunday at 2PM. (Exceptions: There are no performances on Sunday, December 9 at 2PM or Sunday, December 23 at 7PM; there is an additional performance on Monday, December 24 at 2PM.)

Music Theatre Kansas City's professional company will present the Kansas City Premiere of 'All is Calm: The Christmas Truce of 1914, ' the true story of a group of World War I soldiers who chose to step out of the trenches and come together to celebrate Christmas for a single, memorable night of peace. It is their story told entirely through their words and their songs, featuring an 8-piece a cappella mens choir.

Mark Campbell is a DC native, and librettist of 28 operas, including the Pulitzer Prize-winning opera 'Silent Night,' which is currently playing at the Kennedy Center. Campbell has also written a number of musicals, and is currently working on multiple projects.

On Sunday, November 11, the cast and creative team  All Is Calm honored the 100th anniversary of the armistice with a reading of an excerpt from "For the Fallen,' a poem by Robert Laurence Binyon, first published in The London Times on September 21st, 1914 and a singing of "Silent Night.'

FIDDLER ON THE ROOF is a wonderful show about joy amidst harsh circumstances, the importance of family and community. It's also about Tradition! It's nice to see familiar things updated but not bastardized. The cast is consistently wonderful with harmonious singing and excellent dancing throughout the show, with visually striking staging of sequences that don't technically qualify as dances.