These are the Times - 1950 - Broadway Articles Page 14

The International Opera Awards are pleased to announce the finalists for this year's Awards. These were selected by an international jury chaired by John Allison, editor of Opera magazine and classical music critic with The Daily Telegraph: 'It's gratifying to see how the International Opera Awards just keep growing. With a record number of nominations to consider, and our biggest and most international jury yet, I'm delighted to say that our exciting shortlists-covering six continents and around 30 countries-reflect the truly cosmopolitan nature of the art form. Despite the challenges faced by opera companies almost everywhere, opera is vibrantly alive.'

Broadway Associate Director Michael Bradshaw Flynn The Front Page, It's Only A Play leads a talented cast, including Broadway Alums Autumn Guzzardi 9 to 5, Escape to Margaritaville (Pre-Broadway Tour) and Danielle Sue Jordan Follies (w/Bernadette Peters), Cinderella and The Music Man (1st National Tours) in the 2004 Award-Winning play, Dog Sees God: Confessions of a Teenage Blockhead written by acclaimed Stage, TV and Film writer Bert V. Royal (Easy 'A' (w/Emma Stone), Recovery Road (ABC) . The play runs Feb. 2-4 9-11, 2018, at the Matthew Corozine Studio Theatre, located at 357 West 36th St., #202, New York, NY, just a few blocks from the heart of Time Square.

As previously announced, Feinstein's/54 Below will present the rarely heard musical A Pound in Your Pocket as part of its popular Second Act Series on Wednesday, January 24th at 7:00pm. The very first collaboration from acclaimed songwriters Charles Strouse and Lee Adams, best known for Bye Bye Birdie, A Pound In Your Pocket is a delightful, Dickensian story about friendship and redemption. Strouse will be on hand at the one-night-only concert to greet fans and sign copies of his memoir, Put On A Happy Face.

Raven Theatre is pleased to announce its 2018-19 Season, kicking off this fall with the sharp and boisterous play CRUMBS FROM THE TABLE OF JOY by two-time Pulitzer Prize-winner Lynn Nottage (Sweat, Ruined). Tyrone Phillips directs this drama about family, faith and revolution.

Noche Flamenca returns to The Joyce Theater (175 8th Avenue) with Intimo, a flamenco performance exploring the possibilities and limitations of human relationships, and set to original, live music, February 13-25. Founded in 1993 by Artistic Director Martin Santangelo and globally acclaimed dancer Soledad Barrio, Noche Flamenca honors the raw and rapturous art of flamenco while stretching tradition to explore the human experience in its many varieties. Barrio, whom The New York Times has deemed one of today's great dancers of any genre, performs with a cast of exceptional flamenco dancers and musicians, many hailing from Spain.

A new play directed by the renowned Colombian Director Jorge Al Triana, starring Germ n Jaramillo and Zulema Clares. The production marks the second work of Repertorio Espa ol's 50th Anniversary Season. Previews begin on February 23rd and the premiere will take place on Tuesday, February 27, 2018

The Sheen Center for Thought & Culture has announced its 2018 Winter/Spring season, a rich program of theater, film, music, poetry and talk events featuring artists and thought leaders including NBC's Megyn Kelly, MSNBC host Chris Matthews and CNBC senior contributor Larry Kudlow, indie singer-songwriter mother-and-daughter duo Suzzy Roche and Lucy Wainwright Roche, celebrated author Sapphire,actress-singer-songwriter Grace McLean, Fox News' chief national correspondent Ed Henry, Director of the Vatican Observatory Br. Guy Consolmagno, S.J., author George Weigel, Cardinal Timothy Dolan, and events tackling themes ranging from civility in the American media, race in America, science and spirituality, J.R.R. Tolkien and C.S. Lewis, as well as Lessons In Hope.

Acclaimed multidisciplinary Iranian-American vocalist and artist Sussan Deyhim will perform The House Is Black Media Project, a years-in-the-making work that marshals various facets of her dauntless career opera, cinema, poetry, theater, video and performance art to manifest the world of Iranian modernist Forough Farrokhzad's poetry and film, February 1-3, 2018, at Los Angeles' Wallis Annenberg Center for the Performing Arts, and March 10, 2018, at New York's Metropolitan Museum of Art. Surrounding The Wallis performances will be an exhibit, Dawn of the Cold Season, on view from January 15-February 4, 2018.

Noche Flamenca returns to The Joyce Theater (175 8th Avenue) with ntimo, a flamenco performance exploring the possibilities and limitations of human relationships, and set to original, live music, February 13-25. Founded in 1993 by Artistic Director Mart n Santangelo and globally acclaimed dancer Soledad Barrio, Noche Flamenca honors the raw and rapturous art of flamenco while stretching tradition to explore the human experience in its many varieties. Barrio, whom The New York Times has deemed one of today's great dancers of any genre, performs with a cast of exceptional flamenco dancers and musicians, many hailing from Spain.

Let me begin by saying: Please don't misunderstand these men are 100% responsible for their actions. Our society is currently in upheaval as men in positions of power are being unceremoniously thrown from grace-rightfully. Their actions are deplorable and those responsible must be taken to task. Though, the more I thought on these power-drunk men, it made me wonder-how did we get here? How is there a system in place that supports, lauds, and even protects them? And then I realized-it's because of us. We fostered it and allowed it to thrive. We have perpetuated the demigod system for centuries, and by allowing these conductors, coaches, star performers and composers to be treated in a way that defies human fallibility, we are allowing them to live above the law. And, yes, we are a part of that system. We are a part of it because we have ushered it into the 21st century-and it's time we take a stand against it.

I've always wondered what it would be like to swim in a pool of maple syrup and now I know. From the minute Ms. Barton opened her mouth, she unleashed a rolling tone that poured over her audience, soaking them in the sugary, maple tones of her delicious mezzo. We were drenched but in the way an idyllic bite of pancake is drenched. This recital was like eating a bite of flapjacks so perfectly proportioned soaked in the right amount of syrup, where the butter has mixed with the sweet, gooey, deliciousness to create the perfect balance of fatty substance with sugary indulgence. So perfectly proportioned that, frankly, I may never eat pancakes again.

Acclaimed multidisciplinary Iranian-American vocalist and artist Sussan Deyhim will perform The House Is Black Media Project, a years-in-the-making work that marshals various facets of her dauntless career opera, cinema, poetry, theater, video and performance art to manifest the world of Iranian modernist Forough Farrokhzad's poetry and film, February 1-3, 2018, at Los Angeles' Wallis Annenberg Center for the Performing Arts, and March 10, 2018, at New York's Metropolitan Museum of Art. Surrounding The Wallis performances will be an exhibit, Dawn of the Cold Season, on view from January 15-February 4, 2018.

Japan Society presents the New York City premiere of SITI Company's striking interpretation of Yukio Mishima's play Hanjo, created and performed by the internationally acclaimed ensemble theater SITI Company, in a new English Translation by SITI Co-Artistic Director Leon Ingulsrud, who also directs.

Brian O'Doherty will appear at Art Basel Miami Beach, 7-10 December 2017 at the Miami Beach Convention Center as part of Simone Subal Gallery's Survey: Booth S16, curated with Prem Krishnamurthy.

Japan Society proudly presents the New York City premiere of SITI Company's striking interpretation of Yukio Mishima's play Hanjo, created and performed by the internationally acclaimed ensemble theater SITI Company, in a new English Translation by SITI Co-Artistic Director Leon Ingulsrud, who also directs. Arriving as part of the NOH-NOW Series within Japan Society's Fall 2017-Winter 2017 Performing Arts Season, coinciding with the Society's 110th Anniversary, this production will have three performances, December 7 9, at Japan Society (333 East 47th Street).

Brian O'Doherty will appear at Art Basel Miami Beach, 7-10 December 2017 at the Miami Beach Convention Center as part of Simone Subal Gallery's Survey: Booth S16, curated with Prem Krishnamurthy.

The holidays are a special time at The Nash as the renowned jazz club sprinkles a dash of holiday themed concerts throughout the month, bringing classic jazz and hot Latin sounds to warm up the holiday month. Highlights include the arrival of one of the most renowned samba bands, direct from New York City, Duduka da Fonseca Trio w/ Maucha Adnet on December 9th. Both Duduka and Maucha worked closely with the iconic Antonio Carlos Jobin, the King of Bossa Nova.

The nonprofit AT&T Performing Arts Center and AEG Presents announce a one-night-only performance by Tony Bennett - the 19-time Grammy Award-winning musician whose music spans over six decades - at 8 p.m. on Thursday, April 26, 2018 at the Winspear Opera House.

Japan Society proudly presents the New York City premiere of SITI Company's striking interpretation of Yukio Mishima's play Hanjo, created and performed by the internationally acclaimed ensemble theater SITI Company, in a new English Translation by SITI Co-Artistic Director Leon Ingulsrud, who also directs. Arriving as part of the NOH-NOW Series within Japan Society's Fall 2017-Winter 2017 Performing Arts Season, coinciding with the Society's 110th Anniversary, this production will have three performances, December 7 9, at Japan Society (333 East 47th Street).

The Sarasota Ballet's second production of the Season, Metropolitan, will open on December 1 at the Sarasota Opera House, with a triple bill by Sir Frederick Ashton, Marcelo Gomes and George Balanchine. For these performances The Sarasota Ballet will be accompanied by the Sarasota Orchestra under the baton of American Ballet Theatre Music Director Ormsby Wilkins.

The Sarasota Ballet's second production of the Season, Metropolitan, will open on December 1 at the Sarasota Opera House, with a triple bill by Sir Frederick Ashton, Marcelo Gomes and George Balanchine.

Actress Fenella Woolgar's work ranges from Handbagged and Circle Mirror Transformation to Home Fires and Doctor Who. She's currently starring in the stage adaptation of Patrick Hamilton's The Slaves of Solitude, about a boarding house in 1943 Henley-on-Thames, where Miss Roach, who endures daily torment from a fellow occupant, becomes involved with an American serviceman. The play is now in previews at Hampstead Theatre.

This season, VPAC (The Soraya) introduces a new experience for L.A's live music lovers as the 1,700 seat theatre is transformed into an intimate onstage New York-style jazz club for a series of global and chamber music performances.

Dunkin' Donutsis continuing its Halloween celebration with a sweet sip for the spookiest season, introducing new Almond Joy Hot Chocolate and Frozen Almond Joy Hot Chocolate. These candy-inspired beverages serve up the famous combo of milk chocolate, almond and coconut flavors for a fun new way to stay energized now and through trick-or-treating and beyond. Both Almond Joy Hot Chocolate and Frozen Almond Joy Hot Chocolate are available now at participating Dunkin' Donuts locations for a limited time.

Do you ever think about how much of this life is planned, sculpted by human hands to go the way we desire it to? How, no matter what we have been taught or the values we hold dear to our hearts, there will always be something beyond our reach that we cannot control - something we cannot ever predict will happen? Factor in the variables of chance, fate, human error and the like, and life begins to go slightly off the course we may have imagined it to follow. Once a child leaves the arms of a loving mother to venture out into the world, it is a chance taken as to what will happen next. In what is both alarming and exciting, the possibilities life will give to us are infinite - they do not follow a guidebook, and as values are tested and tried is when the 'self' is truly formed. This is the wonderful lesson that STRINGS teaches its audience so well.