These Two - 1934 - Broadway Articles Page 20

It is all about how an author carefully and purposely beckons each word to each page until those words pull together into a magnificent creation having a life of its own. The book I am reviewing,All the Light We Cannot See by Anthony Doerr, is one such masterful creation. Don't wait for the paperback, don't wait for the movie, buy the book, now. Buy it as a gift, buy it for yourself, insist that your book club adds it to the list of must reads. Read it when you have the time to savor each and every word that has been so carefully placed. This book puts to shame many of the other books I have read this year. The characters, the story line, the settings, the time periods, the premise and purpose that stand behind the book are knitted together flawlessly, satisfying the reader completely. Every sentence is fraught with beautiful imagery.

The timeless musical ANYTHING GOES runs from tonight, November 7th through 23rd at the historic Fox Theatre in Redwood City (2215 Broadway Street, Redwood City, CA).

Broadway's 40 theatres aren't the only places to catch performances from your favorite stars! Well after Broadway orchestra's begin their overtures, ensemble members take their dance breaks, and performers belt out their eleven- o'clock numbers, the party continues at various cabaret venues throughout New York City. Below, BroadwayWorld brings you some cabaret highlights for this week as picked by our theatre editors, including: Patti LuPone: Far Away Places Part Two, If It Only Even Runs A Minute: 13th Edition, Vanishing Point, Assassins in the Park with George, and T. Oliver Reid.

The Dallas Opera's explosive second production of the 2014-2015 'Heights of Passion' Season is SALOME by Richard Strauss (whose libretto was based on Hedwig Lachmann's German translation of Oscar Wilde's play). SALOME, generally regarded as one of the masterpieces of the Late Romantic Era, opens tonight, October 30, 2014 at 7:30 p.m. in theMargot and Bill Winspear Opera House at the AT&T Performing Arts Center located in the Dallas Arts District.

Miller Theatre at Columbia University School of the Arts continues the 2014-15 Composer Portraits series with CHAYA CZERNOWIN featuring the International Contemporary Ensemble, Kai Wessel, countertenor, Noa Frenkel, contralto, and Steven Schick, conductor. Tonight, October 23, 2014, 8:00 p.m. at the Miller Theatre at Columbia University (2960 Broadway at 116th Street). Tickets are $20-$30 and Students with valid ID: $12-$18.

Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) announce recent recipients of the Alfred P. Sloan Foundation Initiative commissions for Manhattan Theatre Club. The commissioned writers are Jeff Augustin (Little Children Dream of God), Courtney Baron (A Very Common Procedure) and Juliana Nash (Murder Ballad), Nell Benjamin (The Explorers Club), Madeline George (The (curious case of the) Watson Intelligence), Tom Holloway (And No More Shall We Part), Nathan Jackson (Broke-ology), Branden Jacobs-Jenkins (An Octoroon), Greg Pierce (Slowgirl), and Alexandra Wood (The Initiate).

Today we are honoring the 50th anniversary of Cole Porter's death with a tribute to the stage and screen composer extraordinaire.

Conductor James Conlon leads a rare revival of Shostakovich's Lady Macbeth of Mtsensk at the Metropolitan Opera in six performances beginning Monday, November 10, 2014 at 7:30 p.m. The cast for Graham Vick's production includes soprano Eva-Maria Westbroek in the title role as Katerina Ismailova, tenor Brandon Jovanovich as Sergei, tenor Raymond Very as Zinovy Ismailov, and baritone Anatoli Kotscherga as Boris Ismailov. Tenor Frank van Aken sings the role of Sergei in the November 21 performance.

A look at Harvard scholar Carol J. Oja's discussion of the development and wartime premier of Bernstein and Robbins' musical 'On the Town.'