The Three of Us - 1906 - Broadway Articles Page 8

Goodman Theatre is proud to announce the Krapp's Last Tape Artists Talk as part of the new 2010 Series connecting theater audiences with the artists who bring productions to life at the Goodman.

With the commitment of its staff and board of directors, Brava! for Women in the Arts hopes to finish the renovation of its landmark building by spring 2010. The venue located in San Francisco's Mission District on 24th Street, plans a Fall opening of the facilities which include a street-side Cabaret/Music space, administrative offices and Greenroom.

Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Russian program, featuring Prokofiev's Piano Concerto No. 2, with the Russian-born pianist Yefim Bronfman as soloist, and Rachmaninoff's Symphony No. 2, Thursday, January 7, 2010, at 7:30 p.m., Friday, January 8, at 8:00 p.m., and Tuesday, January 12, at 7:30 p.m. Mr. Gilbert will also lead the Rachmaninoff symphony on the Rush Hour Concert, Wednesday, January 6, at 6:45 p.m.

Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Russian program, featuring Prokofiev's Piano Concerto No. 2, with the Russian-born pianist Yefim Bronfman as soloist, and Rachmaninoff's Symphony No. 2, Thursday, January 7, 2010, at 7:30 p.m., Friday, January 8, at 8:00 p.m., and Tuesday, January 12, at 7:30 p.m. Mr. Gilbert will also lead the Rachmaninoff symphony on the Rush Hour Concert, Wednesday, January 6, at 6:45 p.m.

Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Russian program, featuring Prokofiev's Piano Concerto No. 2, with the Russian-born pianist Yefim Bronfman as soloist, and Rachmaninoff's Symphony No. 2, Thursday, January 7, 2010, at 7:30 p.m., Friday, January 8, at 8:00 p.m., and Tuesday, January 12, at 7:30 p.m. Mr. Gilbert will also lead the Rachmaninoff symphony on the Rush Hour Concert, Wednesday, January 6, at 6:45 p.m.

Goodman Theatre is proud to announce the Krapp's Last Tape Artists Talk as part of the new 2010 Series connecting theater audiences with the artists who bring productions to life at the Goodman.

Music Director Alan Gilbert will conduct the New York Philharmonic in an all-Russian program, featuring Prokofiev's Piano Concerto No. 2, with the Russian-born pianist Yefim Bronfman as soloist, and Rachmaninoff's Symphony No. 2, Thursday, January 7, 2010, at 7:30 p.m., Friday, January 8, at 8:00 p.m., and Tuesday, January 12, at 7:30 p.m. Mr. Gilbert will also lead the Rachmaninoff symphony on the Rush Hour Concert, Wednesday, January 6, at 6:45 p.m.

The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.

For one night only and under one roof, local arts lovers are invited to attend a celebration to kick off the 2009-2010 cultural season. Culture Collision will be held on Wednesday, September 2, from 6 to 8 p.m., at the New Orleans Museum of Art.

For one night only and under one roof, local arts lovers are invited to attend a celebration to kick off the 2009-2010 cultural season. Culture Collision will be held on Wednesday, September 2, from 6 to 8 p.m., at the New Orleans Museum of Art.

Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.

Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.

Simon Callow (Pozzo) and Ronald Pickup (Lucky) will join Ian McKellen (Estragon) and Patrick Stewart (Vladimir) in Sean Mathias' Theatre Royal Haymarket production of Samuel Beckett's Waiting for Godot. Waiting for Godot will preview at the Theatre Royal Haymarket from 30 April with press night on 6 May 2009 and is booking until 28 June 2009 for a strictly limited season. Designs are by Stephen Brimson Lewis and lighting is by Paul Pyant. Waiting for Godot is produced by the Theatre Royal Haymarket Company in partnership with Duncan C. Weldon Productions Ltd. Prior to the Theatre Royal Haymarket run, Waiting for Godot tours to Malvern Theatres (5 - 14 March), Milton Keynes Theatre (16 - 21 March), Brighton Theatre Royal (23 - 28 March), Bath Theatre Royal (30 March - 4 April), Norwich Theatre Royal (6 - 11 April), Edinburgh King's Theatre (13 - 18 April) and Newcastle Theatre Royal (20 - 25 April). Waiting for Godot follows two consecutive days in the lives of Vladimir and Estragon, who divert themselves by clowning around, joking and arguing, while waiting expectantly and unsuccessfully for the mysterious Godot. Beckett's Waiting for Godot exploded on to the London stage over 50 years ago when it shocked as many people as it delighted.

Kirsten Chavez will sing the role of Orfeo in Gluck's Orfeo ed Euridice at the Met on January 14, replacing Stephanie Blythe, who is ill.

Director-choreographer Mark Morris's much-lauded 2007 production of Gluck's Orfeo ed Euridice returns to the repertoire, with Stephanie Blythe taking on one of the pinnacles of the mezzo-soprano repertory, the role of Orfeo, for the first time in her career. Soprano Danielle de Niese, an acclaimed singer of eighteenth-century music and a graduate of the Met's Lindemann Young Artist Development Program, sings Euridice for the first time at the Met. Heidi Grant Murphy returns as Amor, which she performed at the production's premiere in 2007.

WOMAN SEEKING... a theatre company is pleased to announce open their 11th Season with the production, MARY THE THIRD directed by Katrin Hilbe.

Noted director Robert Lepage makes his Met debut with a technologically innovative new production of Hector Berlioz's masterpiece, La Damnation de Faust, opening on November 7. Music Director James Levine will conduct the first staging of the work at the Met since 1906, with Marcello Giordani in the title role, Susan Graham as Marguerite, and John Relyea as Méphistophélès.

WOMAN SEEKING... a theatre company is pleased to announce open their 11th Season with the production, MARY THE THIRD directed by Katrin Hilbe.

Noted director Robert Lepage makes his Met debut with a technologically innovative new production of Hector Berlioz's masterpiece, La Damnation de Faust, opening on November 7. Music Director James Levine will conduct the first staging of the work at the Met since 1906, with Marcello Giordani in the title role, Susan Graham as Marguerite, and John Relyea as Méphistophélès.

The Drama Desk and Obie Award-wining Mint Theater Company today announced their upcoming season.

Full casting has been announced for Almeida Theatre Artistic Director Michael Attenborough's production of Clifford Odets' Awake and Sing!,

Michael Attenborough will direct Stockard Channing in Clifford Odets' Awake and Sing!.

TACT Company Member Kyle Fabel will direct HE AND SHE, an early feminist 'battle of the sexes' drama (1911) by Rachel Crothers.