The Other Room - 1928 Broadway History , Info & More
The Other Room - 1928 - Broadway Articles Page 2
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by Jennifer Ashley Tepper - May 20, 2023
In this special edition of Broadway Deep Dive, Tepper uncovers the untold history of Sony Hall- where BroadwayWorld will celebrate our 20th Anniversary with a star-studded concert event on Sunday, May 21, 2023.
by Chloe Rabinowitz - Dec 7, 2022
Good Night, Oscar starring Sean Hayes, announced that Marchánt Davis (Ain’t No Mo’), Alex Wyse (Waitress), Sam Bell-Gurwitz (Good Night, Oscar in Chicago), Postell Pringle (A Free Man of Color), and Max Roll (Mrs. Warren’s Profession) will be joining the company on Broadway.
by Aliya Al-Hassan - Nov 25, 2022
Adapted by Neil Bartlett, starring Golden Globe winner Emma Corrin and directed by Tony and Olivier winner Michael Grandage, the early-awaited stage version of Orlando is about to start previews. BroadwayWorld caught up with Neil ahead of opening night on 5 December to talk about the writing process, gender identity and the magic of language.
by Drew Eberhard - Oct 29, 2022
The Drowsy Chaperone is a musical comedy, about a musical within a comedy, featuring music and lyrics by Lisa Lambert and Greg Morrison. With a book by Bob Martin and Don McKellar, this musical tells the story of a fictional 1928 musical. The story itself centers around a character, 'Man in Chair,' as he describes to the audience his trepidations in life and this overwhelming feeling of sadness and foreboding which he calls 'Blue.' So over the course of two hours the 'Man in Chair,' takes the audience on a journey using the only thing he knows that will cheer him up, his love of Musical Theatre tunes, specifically classics such as The Drowsy Chaperone.
by Blair Ingenthron - Oct 5, 2022
The Museum of Broadway has announced the first special exhibit that will be featured in the Museum, The American Theatre as seen by Hirschfeld, curated by David Leopold, Creative Director of The Al Hirschfeld Foundation.
by Stan Jenson - Feb 16, 2022
When I learned that Terry Ray's play Electricity was making a curtain call this weekend at the Desert Rose Playhouse, I felt like a beloved friend was coming to town for a visit. Electricity played in Palm Springs for two years at a hotel, accommodating just 20 guests per performance in an actual hotel room. Most of 2021, it played every Tuesday at Oscar's. I reviewed it early in the year and then came back a month later. It was a 'feel good' theatrical experience - the sort of show I would see every couple of months if it had an extended run. And its three years in Palm Springs were indeed in preparation for an extended run Off Broadway.
by Chloe Rabinowitz - Sep 14, 2021
With the slogan “Theatre In These Trying Times”, the 25th edition of the festival has set out to breathe fresh air into both the world of theatre and to theatre lovers with a programme of mostly new productions that look at the world, which is in search of a new normal, through the lens of theatre.
by Roger Catlin - Jun 4, 2021
The biggest surprise about the surprise program at the Kennedy Center by the National Symphony Orchestra under the direction fo Gianandrea Noseda may have been that it was happening at all.
by Nicole Rosky - Apr 30, 2021
Today (April 30) in live streaming: Broadway Rocks the Who!, Stars in the House reunites The Mystery of Edwin Drood, and more!
by Nicole Rosky - Dec 5, 2020
Broadway might be dark, but that doesn't mean that theatre isn't happening everywhere! Below, check out where you can get your daily fix of Broadway this weekend, December 5-6, 2020.
by A.A. Cristi - Nov 1, 2020
Quintessence Theatre Group, Philadelphia's professional classic repertory theatre, is set to livestream Georg Büchner's Danton's Death on November 2, as part of Shout into the Void: A Virtual Play Reading Festival.
by Peter Nason - Apr 7, 2020
BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!
by Marina Kennedy - Apr 6, 2020
We continue our series of interviews with leaders of the Garden State theatre community to find out how they are dealing with the current times and their plans for the future. We had the opportunity to learn about Union County Performing Arts Center (UCPAC) in Rahway, thanks to the Center's Executive Director, Brian Remo.
by Peter Nason - Mar 30, 2020
BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!
by Shari Barrett - Feb 8, 2020
Now celebrating its 18th year, the annual production of THE MANOR has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors who each inhabit their characters to a tee, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 91 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the tragic Doheny family saga have been changed, of course, a?oeto protect the guiltya?? as we are told before the play begins by the mansion's loyal butler, James, portrayed this year by David Hunt Stafford who also produces the show for Theatre 40 in association with The City of Beverly Hills.
by A.A. Cristi - Feb 5, 2020
Bay Area Cabaret presents Tony, Grammy and Drama Desk nominee Max von Essen making his solo West Coast debut with award-winning composer, arranger, vocalist and jazz pianist Billy Stritch performing a?oeCall Me Old Fashioned: The American Standarda?? on Sunday, March 8 at 5:00 pm in the Venetian Room of the Fairmont Hotel in San Francisco. The duo recently completed a sold-out run at Birdland Jazz Club in New York and will also perform this standards-based show as part of Palm Springs' highly anticipated Cabaret 88 series.
by Kaitlin Milligan - Jan 7, 2020
Veteran producer Effie T. Brown (Dear White People, Project Greenlight, Real Women Have Curves) has been named the new CEO of Gamechanger, which launched in 2013 as the first film financing fund by and for women. Brown is broadening the fund's scope to include projects by and about people of color, LGBTQ+ and people with disabilities. Gamechanger is also expanding into television and digital content with a new, fully monetized development fund that will enable it to buy, option and develop IP for television, streaming and digital platforms.
by Julie Musbach - Oct 15, 2019
A new exhibition at the University of Michigan William L. Clements Library is highlighting its robust historical sources related to the 1759 siege of Québeca?"a major turning point of the colonial era in which the British wrested control of Canada from France.
by Shari Barrett - Oct 5, 2019
THE DROWSY CHAPERONE with music and lyrics by Lisa Lambert and Greg Morrison, book by Bob Martin and Don McKellar, offers audiences a toe-tapping trip back to the golden age of musicals, and took Broadway by storm, winning five Tony Awards. It spoofs musical-comedy fanatics and the genre itself, often called one of the wittiest, craziest shows ever to hit Broadway. The very entertaining production at Santa Monica's Morgan-Wixson Theatre through October 13 is directed by Kristie Mattsson, produced by Michael Jackson Heimos, with music direction by Daniel Koh, and choreography by Niko Montelibano.
by Natasha Ashley - Jul 15, 2019
The Merry a?" Go a?" Round Playhouse is now enchanting audiences with a breathtaking production of Grand Hotel the Musical. Director Brett Smock's productions often are memorable and this one is no exception. With the lavish set, spot on casting, and impressive choreography this production is one of the top productions I've seen presented at The Merry - Go a?" Round Playhouse.
by Courtney Symes - Jul 5, 2019
When it opened on Broadway in 2006, The Drowsy Chaperone boasted an all-star cast and garnered five Tony Awards, including Best Book of a Musical and Best Original Score. You can expect that same quality in Broadway at Music Circus' third production of the summer, with Lynne Wintersteller returning to Sacramento in the title role. Lynne was last seen here in 2017 as Dolly Levi in Hello, Dolly! and as Mother Superior in Sister Act, where she solidified her place as Music Circus royalty and left audiences anticipating her return. We are now lucky enough to witness that event and Lynne was generous enough to speak with Broadway World Sacramento about her newest role and what we can expect from her in the future.
by Nicole Rosky - May 11, 2019
What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!
by Gary Naylor - May 8, 2019
Ute Lemper talks to BroadwayWorld UK about her role in Rendezvous with Marlene, her 'personal homage to that great lady', at the Arcola Theatre
by A.A. Cristi - May 2, 2019
The Wallis Annenberg Center for the Performing Arts announced today the 2019/2020 season, expanding its reach with twelve months of groundbreaking produced and presented works in dance, music, theater, cinema, and contemporary circus from renowned artists and companies around Southern California, the country, and the world. The season begins September 17, 2019, marking the fourth year of programming under the leadership of Artistic Director Paul Crewes and Executive Director/CEO Rachel Fine, and the seventh for the institution.
by A.A. Cristi - May 1, 2019
The Wallis Annenberg Center for the Performing Arts announced today the 2019/2020 season, expanding its reach with twelve months of groundbreaking produced and presented works in dance, music, theater, cinema, and contemporary circus from renowned artists and companies around Southern California, the country, and the world. The season begins September 17, 2019, marking the fourth year of programming under the leadership of Artistic Director Paul Crewes and Executive Director/CEO Rachel Fine, and the seventh for the institution.
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