The Ne'er-do-well - 1912 - Broadway Articles Page 14

While acknowledging that the landscape for future performing arts events is currently uncertain, Long Beach Opera is forging ahead with plans for its 2021 a?oeSeason of Solidaritya?? beginning in January. Both LBO and Interim Artistic Advisor Yuval Sharon believe that collaboration and creative thinking will be the key to returning to performing arts activities, and understand that adaptability may be necessary to return to the important work of connecting individuals and communities through live, in-person artistic expression.

The Pulitzer Prize Board today will present the 2020 award winners' (originally scheduled for Monday, April 20) for Prizes in Journalism, Books, Drama and Music. Who will win this year? Tune in right here at 3pm to watch the announcement live!

BWW Reviewer Peter Nason chooses the best TV episodes from the 1950's to 2020; see if your favorites made the list!

Iron Stream Media has announced the signing of Michigan-based author Peggy Wirgau and her first novel 'The Stars in April.'

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

Long Day's Journey into Night opens on March 17th 2020 at Hibernian Hall in Roxbury, featuring actors of color and exploring Eugene O'Neill's Pulitzer Prize-winning play through the lens of African-American experiences.

Interestingly adapted by Robert Icke, from Arthur Schnitzler's 1912 play, Professor Bernhardi.

Barn Players production of TITANIC (The Musical) opened this past weekend at the Arts Asylum to full and appreciative audiences. TITANIC is a huge (pardon the play on words) Community Theater undertaking in all ways you might imagine it could be. TITANIC (The Musical) was written by Maury Yeston and Peter Stone. It won five Tony Awards, including Best Musical. The BARN PLAYERS production directed by Kipp Simmons is similarly complex but in different ways.

It's undoubtedly the most appealing Iowa a?oecorna?? ever served a?" fresh, warm and wrapped in the sweet nostalgia of small-town America. Chanhassen Dinner Theatres (CDT) brings its audiences Meredith Willson's THE MUSIC MAN. a colorful, musical comedy that's all-American as apple pie and a beloved classic for every generation. THE MUSIC MAN opens to a week of previews on February 28 and celebrates its official opening on Friday, March 6, 2020.

Los Angeles Ballet (www.losangelesballet.org), the city's own and only professional classical ballet company, has announced its 2019-2020 Season.

At the University of Arizona's Centennial Hall. on January 28, 2020, the Tucson Desert Song Festival presented Thomas Hampson, baritone, with Lara Downes, piano, and the Beyond Liberty Players: Stephen Buck, synthesizer; Judy Kang, violin; Jesus Morales, cello; and Alex Laing, clarinet; The show libretto was based on an original work by Royce Vavrek which first appeared in a Francesca Zambello production at the 2018 Glimmerglass Festival in upstate New York

The Belmont Theater District (BTD), Chicago's largest theater district located in the Lakeview West and Lakeview East neighborhoods, celebrates the holidays this November and December. The Belmont Theater District acts as an advocate to create, promote and strengthen the diverse artistic offerings of the Lakeview West and Lakeview East neighborhoods to its residents and visitors.

Vancouver Art Gallery presents Rapture, Rhythm and the Tree Of Life - Emily Carr and Her Female Contemporaries from December 7, 2019 to June 28, 2020. Emily Carr (1871-1945) is an iconic Canadian artist who is widely recognized for her paintings of the forested landscapes of British Columbia that evoke the possibility for transcending the material world through the colour, shapes and rhythms of nature. Drawn primarily from the Gallery's permanent collection, this exhibition features a number of Carr's paintings of forest interiors-environments that she often described in her journals as offering an almost rapturous connection to the divine.

The Wick has taken some enormous risks in the areas of performance and design when staging The Music Man. While there were some minor technical glitches on opening night, this production will continue to grow as it completes its run which was just extended to December 28.

The Wick has taken some enormous risks in the areas of performance and design when staging The Music Man. While there were some minor technical glitches on opening night, this production will continue to grow as it completes its run which was just extended to December 28.

Buddy embarks on a journey to discover his true identity and is determined to win over his new family. This modern day holiday classic reminds us that the best way to spread Christmas Cheer is singing loud for all to hear.

The Half-Life of Marie Curie just celebrated opening night at the Minetta Lane Theatre (18 Minetta Lane, between MacDougal & 6th Avenue - one block south of W. 3rd Street), Audible's creative home for live performances in New York.

A history lesson with music is the perfect way to describe 'Woody Sez: The Life and Music of Woody Guthrie,' that is now playing at the Ivoryton Playhouse through November 10. There's no need for sepia toned distance as this work covers the ups and downs of Guthrie's journeys and songs. With a marvelous cast of four, led by co-creator David M. Lutken, Guthrie's legacy is given an immediacy and excitement that brings an audience into the heyday of protest music that grew out of what Ken Burns described as 'hillbilly music' in his recent documentary on the country genre.

The 2020 Adelaide Festival program to be launched on Tuesday 29 October 2019 at Bonython Hall, reaffirms the Festival's reputation as one of the world's great festivals and its pre-eminence in Australia, 60 years after its debut in 1960.

In 5-Star Theatricals' production of 'The Music Man,' Antonia Vivino and Adam Winer take on the roles of River City teens Zaneeta Shinn (the mayor's 'oldest girl') and Tommy Djilas (the 'wild kid from the wrong side of town'). We interviewed them about their characters' back story and the energetic dancing paces they are put through by choreographer Peggy Hickey.

What do the 1950s have in common with 1912? Both were ages of innocence. When Meredith Willson wrote his story with Franklin Lacey about a con artist bamboozling an Iowa town in 1912, which formed the substance of his musical The Music Man (1957), the effect became like that of N. Richard Nash's The Rainmaker. People were jubilant, ecstatic and welcomed Professor Harold Hill, as they craved a good old-fashioned love story coated with ironic excitement. He was a charmer, and they saw way past his bad side. Now in a spectacular new production at 5-Star Theatricals, this company headed by Tony nominee Adam Pascal, keeps the show fantastically rousing and musically. almost perfect yet grounding the love story within the realm of  kitchen.sink believability. With splendid director Larry Raben, divine choreographer Peggy Hickey and fab musical director Brad Ellis at the helm, a marvlous 40 member cast takes the The Music Man and offers a much needed take on the way life should be, whether it's 1912, 1955 or 2019.

The Tank will present the World Premiere of In Blue, written and directed by Ran Xia

Gingold Theatrical Group continues the 14th Season of Project Shaw, Art as Activism: A Theatrical Survival Guide, a special series of evenings of plays that embrace human rights and free speech. All of GTG's programming, inspired by the works of George Bernard Shaw, are designed to provoke peaceful discussion and activism.

A casual drink at a restaurant turns into a hilarious high-stakes dinner. Delightful and unexpected twists, supportive best friends, manipulative exes and protective parents, sing and dance Aaron and Casey through ice-breakers, appetizers, and a potential dating disaster. 

Carnegie Hall today announced the launch of its new online Digital Collections, inviting the general public to search, explore, and download more than 80,000 recently digitized historic items from its archives for the very first time. This initial preview, drawn from the Hall's legacy collections, offers a window into the richly diverse history of events at the Hall since its opening in 1891, with an emphasis on the Hall's earliest decades. It includes Carnegie Hall concert programs from 1891–1925; flyers; photographs; correspondence; newspaper clippings; autographs; booking ledger pages; and a select number of promotional films. The goal of this digital initiative is to provide broader public access to the Hall's archival collections, providing a new way for people to engage with Carnegie Hall's history and share it with others.