The Lark - 1955 - Broadway Articles Page 1

What did our critic think of A VIEW FROM THE BRIDGE at Apollinaire Theatre Company?

Wagner College Theatre has revealed that James Still is the winner of the 2026 Stanley Drama Award for, Haunt Me. As fiction and reality blur onstage, Haunt Me becomes a surreal, compassionate exploration of identity, memory, and creation.

While the large majority of plays that make it to Broadway were written in English, a small fraction of plays were originally penned in a different language and translated. 

To celebrate the return of The Sound of Music in theaters, we are taking a look back at Christopher Plummer's expansive stage career, from Cyrano to King Lear, and more.

Award-winning SF contemporary chamber group Ensemble for These Times has announced the winners of its 2024 Call for Scores for Solo Piano. The works chosen will be performed by E4TT emerita pianist extraordinaire, Dale Tsang on a solo recital in the group's 17th Home Season, the second such solo piano Call for Scores.

Performances of Back Porch take place on Fridays at 8 p.m., Saturdays at 8 p.m., and Sundays at 4 p.m. from June 2 through July 9 at The Victory Theatre Center.

The Dramatists Guild of America has announced further recipients for their 2022 Awards. The Awards for both 2021 and 2022 recipients will be presented at Joe’s Pub on Monday, July 25, 2022.

The Lark Theater in Larkspur, CA is presenting movie adaptations of iconic musicals EVERY WEDNESDAY afternoon.

BULRUSHER by Eisa Davis - a Pulitzer Prize finalist for Drama in 2007 – will be produced by McCarter Theatre Center May 6-28, 2023 on the mainstage of the Roger S. Berlind Theater in Princeton, NJ. 

This summer, give yourself a break and journey to the lakes region of Central Maine to celebrate the re-emergence of live theater in Maine. Join  Theater at Monmouth for its (R)evolutionary Redux Season.

Cio-Cio-San, a captivating geisha in Nagasaki, marries B. F. Pinkerton, an American naval lieutenant. For him, it's a lark, a diversion before he marries a 'real' American wife. For her, it's a life-altering commitment that's briefly blissful, then disastrous: her family renounces her and Pinkerton leaves Japan. When he returns a few years later, her joy evaporates and catastrophe ensues when his true intentions are revealed.

Performance Space New York in collaboration with Arika and the Whitney Museum of American Art presents I wanna be with you everywhere, a gathering of, by, and for disabled artists and writers and anyone who wants to join in a series of programs that refuse policies of individuation and inclusion in favor of (and in the flavor of) whatever disability aesthetics has in bodymind. Organized by Arika, Amalle Dublon, Jerron Herman, Carolyn Lazard, Park McArthur, Alice Sheppard, and Constantina Zavitsanos, the festival features performances and readings by Eli Clare, John Lee Clark, Kayla Hamilton, Johanna Hedva, Jerron Herman, Cyr e Jarelle Johnson, Camisha L. Jones, Leah Lakshmi Piepzna-Samarasinha, Jordan Lord, NEVE, Akemi Nishida and Alice Sheppard.

National Alliance for Musical Theatre has announced initial casting for the 30th Annual FESTIVAL OF NEW MUSICALS, which takes place on Thursday, October 25 and Friday, October 26, 2018 at New World Stages

National Alliance for Musical Theatre announces the line-up of directors for their 30th Annual FESTIVAL OF NEW MUSICALS, which takes place on Thursday, October 25 and Friday, October 26, 2018 at New World Stages (340 West 50th Street, between 8th and 9th Avenues). The Festival events will kick off on Monday, October 22 with Thank You, 30!, a gala event to celebrate the 30th Annual Festival.

National Alliance for Musical Theatre (Betsy King Militello, Executive Director) is thrilled to announce the line-up of new musicals for their 30th Annual FESTIVAL OF NEW MUSICALS, which takes place on Thursday, October 25 and Friday, October 26, 2018 at New World Stages (340 West 50th Street, between 8th and 9th Avenues). The Festival events will kick off on Monday, October 22 with Thank You, 30!, a gala event to celebrate the 30th Annual Festival.

The New Black Fest and The Lark, two theater organizations dedicated to celebrating and advocating for stories that explore the intersection of art and social justice, are proud to announce the fifth annual The New Black Fest at The Lark. This week-long event is aimed at showcasing diverse and provocative work in a festival of Black theater artists from throughout the Diaspora, and will feature talkbacks, a panel event, and staged readings of four plays-in-progress. The festival will take place April 9-13, 2018, and will include works by 2017 Djerassi Writer in Residence France-Luce Benson (Deux Femmes On the Edge De La Revolution), 2018 Laurents/Hatcher Foundation Award recipient Donja R. Love (soft), 2015 Princess Grace Award-Winner Jonathan Payne (Brother Rabbit), and artist, activist, and The New Black Fest alum Liza Jessie Peterson (Sistergurls and the Squirrel) who has performed excerpts of her one-person play The Peculiar Patriot in over 35 penitentiaries across the country.

Pipeline Theatre Company has announced the cast, creative team and schedule for the world premiere production of Folk Wandering.

La Jolla Playhouse announces complete programming for its acclaimed biennial Without Walls (WOW) Festival taking place October 19 - 22.

La Jolla Playhouse announces complete programming for its acclaimed biennial Without Walls (WOW) Festival taking place October 19 - 22.

Leonard Bernstein was born in Lawrence, Massachusetts. He took piano lessons as a boy and attended the Garrison and Boston Latin Schools. At Harvard University, he studied with Walter Piston, Edward Burlingame-Hill, and A. Tillman Merritt, among others. Before graduating in 1939, he made an unofficial conducting debut with his own incidental music to 'The Birds,' and directed and performed in Marc Blitzstein's 'The Cradle Will Rock.' Then at the Curtis Institute of Music in Philadelphia, he studied piano with Isabella Vengerova, conducting with Fritz Reiner, and orchestration with Randall Thompson. 

Steppenwolf Theatre Company Artistic Director Anna D. Shapiro and Executive Director David Schmitz announced today the 2017/18 Season. The nation's premier ensemble theater, Steppenwolf celebrates its 42nd season with seven captivating shows - three world premieres and four Chicago premieres - that embrace diversity, compassion and imagination.

On the heels of joining Playwrights Horizons Resident Company Program, Musical Theatre Factory (MTF), under the direction of Founding Artistic Director Shakina Nayfack, has announced its first full season of programming since its founding in January 2014.

American Theater Company (ATC) has restructured its 2016-17 Season and will present three of four previously announced plays, with an updated production schedule.

Prospect Theater Company, under the leadership of Artistic Director Cara Reichel and Managing Director Melissa Huber, presentsARCHETYPE, a collection of six new mini-musicals, the culminating production of Prospect's 2016 Musical Theater Lab (the company's 10th lab production).  ARCHETYPE will play from July 27 - 31 at The Theater at the 14th Street Y (344 East 14th Street @ 1st Ave., NYC).

American Theater Company (ATC) proudly announces Season 32, led by its newly appointed Artistic Director Will Davis and continuing the theater's dedication to developing new works. The 2016-17 season kicks off this September with the world premiere of Dan Aibel's T., an exploration of the competitive ice skating saga between Nancy Kerrigan and Tonya Harding, directed byMargot Bordelon, Sept. 23-Oct. 30, 2016. In the New Year, ATC presents Jaclyn Backhaus' Men On Boats, making its regional premiere at ATC Jan. 6-Feb. 12, 2017, under Will Davis' direction after he remounts his acclaimed New York production Off Broadway at Playwrights Horizons this summer. Next spring brings another world premiere at ATC, Basil Kreimendahl's We're Gonna Be Okay, March 17-April 23, 2017. The production is directed by Bonnie Metzgar and was originally developed at ATC in collaboration with The Araca Group during AracaWorks: Chicago 2015. The final production of ATC's 2016-17 Season is a reimagined classic, Pulitzer Prize winner Picnic by William Inge, under Davis' direction May 19-June 25, 2017. Season subscriptions are on sale now and range from $60-$150, with special pricing available for advance purchases before July 31, 2016. To purchase a subscription or for more information, visit www.atcweb.org or call the ATC Box Office at 773-409-4125.