The Ghost Between - 1921 - Broadway Articles Page 2

Cutting Ball Theater closes its 12th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. This year's festival, which will run June 8 to July 14, features two new works and five new translations in staged readings. Like the 2011 festival, which featured workshops of two Cutting Ball commissioned works, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.

San Francisco's cutting-edge Cutting Ball Theater proudly announces the lineup for its 12th season. The ambitious season opens in October with Maurice Maeterlinck's PELLEAS AND MELISANDE in a new translation by Cutting Ball Artistic Director Rob Melrose, who will also direct. The company is also poised to present the World Premiere of Eugenie Chan's evocative take on an ancient Estonian folk tale, TONTLAWLAD, directed by Paige Rogers and Annie Paladino, in February.

Fall in love with Pittsburgh CLO's production of the warm and witty romantic comedy The Student Prince, August 3-8 at the Benedum Center. This classic American operetta has captured audiences for more than 85 years.

Fall in love with Pittsburgh CLO's production of the warm and witty romantic comedy The Student Prince, August 3-8 at the Benedum Center. This classic American operetta has captured audiences for more than 85 years.

Fall in love with Pittsburgh CLO's production of the warm and witty romantic comedy The Student Prince, August 3-8 at the Benedum Center. This classic American operetta has captured audiences for more than 85 years.

Beginning in September, The Tank and Full Circle Theatre Company are producing a monthly staged reading series featuring plays in the public domain with no copyright restrictions. Once a play has entered public domain, it belongs to everyone.

Beginning in September, The Tank and Full Circle Theatre Company are producing a monthly staged reading series featuring plays in the public domain with no copyright restrictions. Once a play has entered public domain, it belongs to everyone.