The Family, Parts 1 and 2 - 1975 - Off-Broadway Articles Page 2

BWW Reviewer Peter Nason chooses the best musical theatre characters from 1940-2020; see if your favorites are on our list of the best characters from Broadway musicals.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

The acclaimed play, The Inheritance, officially opens at Broadway's Ethel Barrymore Theater today, November 17, 2019. It begins with a gathering of young, gay New Yorkers. Each has a story aching to come out...

Twelfth Night is a tale of unrequited love hilarious and heartbreaking. Twins are separated during a shipwreck and are forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on Olivia, who falls for Viola but is idolized by Malvolio. Enter Sebastian, who is the spitting image of his twin sister is it possible for this to all end well? Well, it IS a comedy!

Aspen Santa Fe Ballet's bold vision - top global choreographers, distinctive groundbreaking repertoire, and virtuoso dancers - has fostered a jewel of a dance company in the American West.  Now, ASFB celebrates the fourth year of its residency at the Younes and Soraya Nazarian Center for the Performing Arts (The Soraya) with a program of works that celebrates the company's commitment to creating new contemporary dance on Saturday, January 19 at 8:00pm. ASFB will perform Tuplet by Alexander Ekman, Dream Play by Fernando Melo, and 1st Flash from world-renowned Finnish choreographer Jorma Elo.

With Holy Sh!t - the inaugural production in the newly refurbished theatre - in rehearsals, Artistic Director Indhu Rubasingham today announces the full cast for the world premiere of Stephen Sharkey's adaptation of Zadie Smith's White Teeth - Ayesha Antoine (Irie Jones), Michele Austin (Mad Mary), Philip Bird (Des/Marc Perret/Marcus Chalfen), Ayesha Dharker (Alsana Iqbal), Naomi Frederick (Ruth/Poppy/Joyce Chalfen), Tony Jayawardena (Samad Iqbal), Richard Lumsden (Archie Jones), Karl Queensborough (Anthony /Denise/Josh Chalfen), Sid Sagar (Magid Iqbal), Amanda Wilkin (Rosie Jones), Assad Zaman (Millat Iqbal), and actor-musicians Matthew Churcher, Nenda Neurer (also Clara Jones) and Zoe West. The production opens on 5 November, with previews from 26 October, and runs until 22 December.

The Film Society of Lincoln Center announces Flat Is Beautiful: The Strange Case of Pixelvision, August 10-16. 

Atlantic Theater Company (Neil Pepe, Artistic Director; Jeffory Lawson, Managing Director) will present Middle Eastern MixFest, a series of free readings co-curated by playwrights Mona Mansour and Heather Raffothat will run Wednesday, August 8th through Thursday, August 16th at Atlantic Stage 2 (330 West 16th Street).

The Raymond F. Kravis Center for the Performing Arts is once again offering audience members a dazzling, star-packed lineup of amazing shows, memorable concerts, insightful lectures and very special events during the months of March and April.

Carnegie Hall's The '60s: The Years that Changed America, a citywide festival from January 14-March 24, 2018, continues in February with an exciting array of events to be presented at Carnegie Hall and at more than 35 leading partner cultural institutions throughout New York City and beyond. This special exploration of the '60s invites audiences to explore this turbulent decade through the lens of arts and culture, including music's role as a meaningful vehicle to inspire social change.

Baryshnikov Arts Center's (BAC) Fall 2017 music presentations include BAC Salon: Telemann, Farrin, Wolfe + Prokofiev featuring the New York premiere of a work by Julia Wolfe (October 5 and 6); violin virtuoso Gidon Kremer performing Mieczyslaw Weinberg's 24 Preludes, Op. 100 (October 31 and November 1); and BAC Salon: Pauline Oliveros featuring IONE and International Contemporary Ensemble (November 28).

Building on the critical success of his 2011 production of Harold Pinter's Old Times, STC Artistic Director Michael Kahn will return to the British playwright's gripping realm of doubt and disquiet to direct a double bill of short plays. The Lover and The Collection will run from September 26-October 29 at the Lansburgh Theatre (450 7th Street NW).

Celebrated musicians, innovative theater-makers and acclaimed dancers converge upon the stages of Brigham Young University's Franklin S. Harris Fine Arts Center in a dynamic new season of exhilarating live performances by the creme de la creme of the performing arts world as part of the 2017-18 BRAVO! season.

Building on the critical success of his 2011 production of Harold Pinter's Old Times, STC Artistic Director Michael Kahn will return to the British playwright's gripping realm of doubt and disquiet to direct a double bill of short plays. The Lover and The Collection will run from September 26-October 29 at the Lansburgh Theatre (450 7th Street NW).

Chesney Snow (In Transit) calls THE UNWRITTEN LAW: REALITY SHOWING OF MY AMERICAN LIFE 'a choreopoem.' Like everything else in Snow's exquisitely wrought and riveting autobiographical work, his invocation of the term coined by Notzoke Shange in 1975 to describe For colored Girls Who Have Considered Suicide/When The Rainbow Is Enuf is deliberate. In just 65 minutes, Snow compresses one-hundred years of family history and anchors this into a larger historical narrative. Not a single word is superfluous or out of place; everything signifies. Yet for all this tragedy, THE UNWRITTEN LAW isn't a downer. One feels sadness and some anger but by the show's conclusion, the dominant feeling is simply awe--awe at the courage and beauty both of the show as a whole and of Snow himself. Snow, literally, wrote his way out of the despair. The phenomenal dancing of Rebecca Arends and Maleek Washington are essential to the show's effect, as is the haunting union of A.J Khaw's piano and Varuni Tiruchelva's cello. The pure pleasure of the language, the dancing, and the music add up to 65 minutes of the most breathtaking theater I've ever witnessed.

Baryshnikov Arts Center's (BAC) Fall 2017 music presentations include BAC Salon: Telemann, Farrin, Wolfe + Prokofiev featuring the New York premiere of a work by Julia Wolfe (October 5 and 6); violin virtuoso Gidon Kremer performing Mieczyslaw Weinberg's 24 Preludes, Op. 100 (October 31 and November 1); and BAC Salon: Pauline Oliveros featuring IONE and International Contemporary Ensemble (November 28).

Celebrated musicians, innovative theater-makers and acclaimed dancers converge upon the stages of Brigham Young University's Franklin S. Harris Fine Arts Center in a dynamic new season of exhilarating live performances by the creme de la creme of the performing arts world as part of the 2017-18 BRAVO! season.

Scottsdale Center for the Performing Arts has announced its lineup for March events. See the full schedule below!

Scottsdale Center for the Performing Arts has announced its lineup for March events. See the full schedule below!

The New Group announces additional casting for productions coming up in the company's 2016-2017 Season.

dick clark productions announces the return of the ”Coca-Cola® Red Carpet LIVE! @ The 2016 AMAs” preshow, which will stream LIVE online for fans worldwide on Facebook (http://amas.news/live).

Pat Benatar & Neil Giraldo will bring A VERY INTIMATE ACOUSTIC EVENING to BOULDER THEATER on March 21, 2017.

The inspiring story of Helen Keller and her teacher, as told through contemporary dance, will be shared with Chicago-area children and families this fall when Chicago Children's Theatre presents Thodos Dance Chicago's critically-acclaimed story ballet A Light in the Dark: The Story of Helen Keller and Anne Sullivan.

Museum of the Moving Image will present the most comprehensive U.S. retrospective of all of the Polish director's features, short films, early documentary work, and a marathon viewing of the Dekalog, from October 7 through November 6, 2016. The series will also include four posthumous works based on Kieslowski's unproduced screenplays.