The Dress Rehearsal 00/00/0000

Speranza Theatre Company presents A Chain Around the World and The Nellie Bly Book Club. Learn more about both upcoming performances, as well as book club events for adults and children, here!

Pacific Northwest Ballet sweeps onstage and into a spectacular new season arrayed in emerald green, ruby red, and luminous white. A triple-treat for both eyes and ears, the trio of gems in George Balanchine'sJewels pay tribute to golden ages of music and dance: Emeralds' graceful clouds of tulle whisper French fashion and fragrance; Rubies' jazzy, sassy merger with Stravinsky mirrors the carefree candor of America; and Diamonds' glittering splendor recalls the great choreographer's heritage, so that 'if the entire Imperial Russian inheritance of ballet were lost, Diamonds would still tell us of its essence' (Mary Clarke and Clement Crisp). Jewels runs from tonight, September 26 through October 5 at Seattle Center's Marion Oliver McCaw Hall.

Pacific Northwest Ballet sweeps onstage and into a spectacular new season arrayed in emerald green, ruby red, and luminous white. A triple-treat for both eyes and ears, the trio of gems in George Balanchine'sJewels pay tribute to golden ages of music and dance: Emeralds' graceful clouds of tulle whisper French fashion and fragrance; Rubies' jazzy, sassy merger with Stravinsky mirrors the carefree candor of America; and Diamonds' glittering splendor recalls the great choreographer's heritage, so that 'if the entire Imperial Russian inheritance of ballet were lost, Diamonds would still tell us of its essence' (Mary Clarke and Clement Crisp). Jewels runs fromSeptember 26 through October 5 at Seattle Center's Marion Oliver McCaw Hall. Tickets and more information are available through the Pacific Northwest Ballet Box Office, 301 Mercer Street at Seattle Center, 206.441.2424, or online at PNB.org.

SEATTLE, WA-Pacific Northwest Ballet's 2013-2014 season continues with the perfect Valentine and a happily-ever-after experience for all ages, Ronald Hynd's The Sleeping Beauty. From fairies that really fly to the Prince's wakening kiss and an imperial wedding celebration, each moment of The Sleeping Beauty faithfully portrays the beloved fairy tale with grand storytelling, Tchaikovsky's beloved score, magnificent sets and costumes, and over 30 leading roles. Long regarded as the ideal classical ballet, The Sleeping Beauty's fairytale world was crafted to mirror the splendor of the Imperial Czars, its first patrons. Although this production is as discernibly English as its choreographer, the ballet remains true to Marius Petipa's 1890 original and each act - from the evil fairy Carabosse's flying entrance in the Prologue to the Rose Adagio's spectacular balances to Act III's celebrated Bluebird pas de deux - offers rich opportunities for dancers to demonstrate technique and artistry, and take star-turns. Ultimately, however, the pivotal brilliance of Beauty rests with Princess Aurora; she must captivate as a teenager, inspire a Prince's love as a vision, and awaken a queen, all while mastering some of the most technically grueling choreography in classical ballet's cannon - a genuine mark of distinction for a great ballerina. The Sleeping Beauty runs for nine performances only, January 31 to February 9, 2014 at Seattle Center's Marion Oliver McCaw Hall, 321 Mercer Street. Tickets may be purchased by calling the PNB Box Office at 206.441.2424, online at pnb.org, or in person at 301 Mercer Street.

SEATTLE, WA-Pacific Northwest Ballet's 2013-2014 season continues with the perfect Valentine and a happily-ever-after experience for all ages, Ronald Hynd's The Sleeping Beauty. From fairies that really fly to the Prince's wakening kiss and an imperial wedding celebration, each moment of The Sleeping Beauty faithfully portrays the beloved fairy tale with grand storytelling, Tchaikovsky's beloved score, magnificent sets and costumes, and over 30 leading roles. Long regarded as the ideal classical ballet, The Sleeping Beauty's fairytale world was crafted to mirror the splendor of the Imperial Czars, its first patrons. Although this production is as discernibly English as its choreographer, the ballet remains true to Marius Petipa's 1890 original and each act - from the evil fairy Carabosse's flying entrance in the Prologue to the Rose Adagio's spectacular balances to Act III's celebrated Bluebird pas de deux - offers rich opportunities for dancers to demonstrate technique and artistry, and take star-turns. Ultimately, however, the pivotal brilliance of Beauty rests with Princess Aurora; she must captivate as a teenager, inspire a Prince's love as a vision, and awaken a queen, all while mastering some of the most technically grueling choreography in classical ballet's cannon - a genuine mark of distinction for a great ballerina. The Sleeping Beauty runs for nine performances only, January 31 to February 9, 2014 at Seattle Center's Marion Oliver McCaw Hall, 321 Mercer Street. Tickets may be purchased by calling the PNB Box Office at 206.441.2424, online at pnb.org, or in person at 301 Mercer Street.

The Auditorium Theatre of Roosevelt University, in association with Michigan Opera Theatre (MOT), presents the Chicago premiere of Margaret Garner, a new American opera based on one of the most significant and controversial fugitive slave stories in pre-Civil War America. The opera will be directed by Kenny Leon, whose recent Broadway credits include the Tony Award-winning A Raisin in the Sun; Gem of the Ocean and Radio Golf. Margaret Garner features music by Grammy Award-winning composer Richard Danielpour and a libretto by Nobel and Pulitzer Prize-winning author Toni Morrison, a novelist noted for her poetically charged and richly expressive depictions of the African American experience.

The Auditorium Theatre of Roosevelt University, in association with Michigan Opera Theatre (MOT), presents the Chicago premiere of Margaret Garner, a new American opera based on one of the most significant and controversial fugitive slave stories in pre-Civil War America. The opera will be directed by Kenny Leon, whose recent Broadway credits include the Tony Award-winning A Raisin in the Sun; Gem of the Ocean and Radio Golf. Margaret Garner features music by Grammy Award-winning composer Richard Danielpour and a libretto by Nobel and Pulitzer Prize-winning author Toni Morrison, a novelist noted for her poetically charged and richly expressive depictions of the African American experience.