The Difficult Woman - 1962 - Off-Broadway Articles Page 3

Artists Rep's THE MIRACLE WORKER is not your normal holiday fare, but it will leave you with a profound feeling of the power of language and of the resilience of the human spirit.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Turkeys are on-sale at your local supermarket, so there's no better way to know Thanksgiving is just around the corner - yep, less than two weeks away! - which means that local theater companies will be unleashing their holiday season productions with enough productions of A Christmas Story (both the musical and the play), It's A Wonderful Life and Ebenezer Scrooge-led shows that you could shake a stick at!

Thus, we are happy to present the return of one our most popular features: The Nashville Theater Calendar, a comprehensive - maybe even exhaustive (lord knows we're exhausted from putting it together, gathering all the info from all over the interwebs!) - listing of theatrical openings for the 2015/16 season. We'll update the calendar every Monday, clearing out the shows that have closed and adding additional information on the shows still to come. Something's missing? That's an easy fix: just send us a message here, on Facebook, or by email at jeffreyellis37215@att.com.

Will you look back on your life fondly or regretfully? For Stoogie Lucotch or "Stuart Lucas" it's a dilemma for the ages. Combining personal reflections with Charles Dickens' Great Expectations, Ray Olderman's Big Expectations (first performed in 1983) at Broom Street Theater examines the correlation between happiness and success.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

For the third night of this year's Cabaret Convention at Town Hall, the uber-enthusiastic Karen Mason hosted Life Is a Cabaret (Directed by Barry Kleinbort) in celebration of long time collaborators, composer John Kander and lyricist Fred Ebb. Introduced to each other by their mutual music publisher in 1962, the team's first Broadway show was 1965's Flora the Red Menace in which Liza Minnelli made her Broadway debut and with which the three began a long association. Their last together (Kander is alive and hopefully writing), was 2015's The Visit starring Chita Rivera, a production Ebb (who died in 2004) unfortunately didn't live to see. Kander and Ebb's best known musicals are Cabaret and Chicago, both of which seem to run forever on popular appeal, but they wrote many others, a wide selection of which were represented at Thursday night's show.

Swedish actress, well known for LA DOLCE VITA, died on Sunday in Rocca di Papa. She was 93.

Any visit by celebrated chanteuse Barb Jungr to a New York cabaret stage or theatre is a cause for jubilation. Slightly less than a year since she rocked 59E59 with her week long run of Dancing In the Dark, Jungr was back on that stage with a new show based on her recently released, highly-acclaimed CD, Hard Rain: The Songs of Bob Dylan & Leonard Cohen. But where Dancing In the Dark was Jungr's introspective take on some classic pop songs (including some Dylan and Cohen), her Hard Rain set is truly dark and Jungr doesn't apologize for that. In fact, often during this collection of songs written by two of pop music's foremost dark poets of the soul (with stirring arrangements by Jungr and her CD Producer Simon Wallace), Jungr readily admits the set is depressing because her intent was to focus on Dylan and Cohen songs that were at once powerful, personal, political, philosophical, and often prophetic.

Miller Theatre is pleased to now announce its 2014-15 season, the fifth under the exuberant leadership of director Melissa Smey.

Marlo Thomas spoke to BWW and other members of the press about her newly released book 'It Ain't Over...Till It's Over: Reinventing Your Life--and Realizing Your Dreams--Anytime, at Any Age'

The schedule for this summer's Lincoln Center Out of Doors festival, which runs from July 20 to August 10, was announced today by Bill Bragin, Lincoln Center's Director of Public Programming. Nearly 100 free performances will take place across the plazas of Lincoln Center during three weeks. A special Memorial Concert for Pete and Toshi Seeger on July 20 will be followed by the official opening concert on July 23 with Larry Harlow's Hommy: A Latin Opera, the landmark work's first performance in 40 years. Complete festival details and a chronological listing of events follow.

Now in its 16th season, Lincoln Center's acclaimed series American Songbook will continue to expand its scope celebrating the best in American singing and songwriting. New this year, the opening night concert will befree, in the David Rubenstein Atrium, on Wednesday, January 22, 2014. 'Live From Lincoln Center,' the Emmy Award-winning program broadcast nationally on PBS stations, will shoot four of the first week's American Songbook concerts in The Allen Room: by James Naughton, Lawrence Brownlee, Jason Isbell, and Patina Miller. These performances will be broadcast nationally beginning in Spring 2014. In addition, American Songbook concerts taking place in the Stanley H. Kaplan Penthouse at Lincoln Center will be live-streamed via http://watch.lincolncenter.org.

Now in its 16th season, Lincoln Center's acclaimed series American Songbook will continue to expand its scope celebrating the best in American singing and songwriting. New this year, the opening night concert will befree, in the David Rubenstein Atrium, on Wednesday, January 22, 2014. 'Live From Lincoln Center,' the Emmy Award-winning program broadcast nationally on PBS stations, will shoot four of the first week's American Songbook concerts in The Allen Room: by James Naughton, Lawrence Brownlee, Jason Isbell, and Patina Miller. These performances will be broadcast nationally beginning in Spring 2014. In addition, American Songbook concerts taking place in the Stanley H. Kaplan Penthouse at Lincoln Center will be live-streamed via http://watch.lincolncenter.org.

The accomplished R&B and jazz vocalist breaks new ground of her own with her first Spanish-language album, “Natalie Cole En Español,” released June 25 on Verve/Universal.

Berkeley Playhouse continues its fifth season with the Tony Award-winning GUYS AND DOLLS. Jon Tracy (Berkeley Playhouse, Aurora Theatre Company, Shotgun Players, San Francisco Playhouse, Magic Theatre) helms this musical from the Golden Age of Broadway, featuring a cast of 22, and choreography by Chris Black (Berkeley Playhouse, Aurora Theatre Company). GUYS AND DOLLS plays tonight, March 21 through April 28 (Press opening: March 23) at the Julia Morgan Theatre in Berkeley.

Berkeley Playhouse continues its fifth season with the Tony Award-winning GUYS AND DOLLS. Jon Tracy (Berkeley Playhouse, Aurora Theatre Company, Shotgun Players, San Francisco Playhouse, Magic Theatre) helms this musical from the Golden Age of Broadway, featuring a cast of 22, and choreography by Chris Black (Berkeley Playhouse, Aurora Theatre Company). GUYS AND DOLLS plays March 21 through April 28 (Press opening: March 23) at the Julia Morgan Theatre in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351.

Today we are thrilled to be talking to a nine-time Tony Award-winning performer/director/choreographer all about his illustrious career onstage and behind the scenes working on classic musicals such as THE BEST LITTLE WHOREHOUSE IN TEXAS, NINE, GRAND HOTEL, THE WILL ROGERS FOLLIES and many more as well as all about his new solo piece premiering at Feinstein's At Loews Regency this weekend - the one and only Tommy Tune. Taking a look back at his near-peerless legacy as the top director of the 1980s and 1990s on Broadway, Tune imparts his candid insights about show business and reflects upon many aspects of the aforementioned hit shows - from their inception and creation to their critical and public reception and their ultimate legacy - as well as shares stories about his time as a performer, both then and now, with the star-studded tales cumulatively involving such legendary luminaries as Gene Kelly, Barbra Streisand, Michael Bennett, Hal Prince, Maury Yeston, Ken Russell, Jane Krakowski, Sutton Foster and many more. Plus, Tune gives us an enticing glimpse of his new Feintein's At The Regency showcase, TAPS, TUNES AND TALL TALES, playing November 18-26, and casts his sights on the future, near and far, and discusses the types of projects he would like to tackle next - including, first up, finding the perfect NYC location for his environmental new theatre piece, 54. All of that, tons of taps, top hats and tails and much, much more!

Toby Jones and Sienna Miller Star in THE GIRL, an HBO Films Presentation in Association with BBC, Debuting Oct. 20 The film tells the story of Alfred Hitchcock's obsessive relationship with his leading lady Tippi Hedren during the making of 'The Birds' and 'Marnie.'

It's 1962 Baltimore, where racial tension and segregation provide a backdrop for teen angst and lots of catchy tunes by Marc Shaiman (lyrics by Shaiman and Scott Wittman) performed to stage-defying choreography by JR Bruno who manages to get some 15 ensemble members bopping around at times without crashing into each other on the small stage.

The Space Between: A Panorama of Cinema in Turkey is the largest retrospective of films from Turkey to be presented in the United States. The retrospective is produced by The Moon and Stars Project of The American Turkish Society and the Film Society of Lincoln Center. The program includes more than 25 films and runs from today, April 27 through Thursday, May 10, presenting award winning Turkish films from the 1950s to the present.

The Space Between: A Panorama of Cinema in Turkey is the largest retrospective of films from Turkey to be presented in the United States. The retrospective is produced by The Moon and Stars Project of The American Turkish Society and the Film Society of Lincoln Center. The program includes more than 25 films and runs from Friday, April 27 through Thursday, May 10, presenting award winning Turkish films from the 1950s to the present.

The RRazz Room has announced upcoming performances for April-December 2012 which include Elaine Stritch, Ben Vereen, Ann Callaway, and more.