The Constituent review – timely Joe Penhall political drama makes the specific universal
8 / 10
The outbursts of violence are few but they startle when they come; so are the sudden bursts of tears, which are moving. In the end, it is not the play you imagine it to be, with no binary equation of victim/villain. Each of these characters is a victim of the system, hanging on, just – even Hart’s comical protection officer, whose outburst about his ground-down rights contains a sting.