Tenth Avenue 1927

Gloucester Stage Company kicks off its 40th Anniversary Season of professional theater with Neil Simon's romantic comedy, Barefoot in the Park from June 7 through June 30 at Gloucester Stage Company, 267 East Main Street, Gloucester, MA. Performances are Wednesday through Saturday at 7:30 pm and Saturday and Sunday at 2:00 pm. Neil Simon's longest-running hit, and the tenth longest-running non-musical play in Broadway history, Barefoot in the Park opens as newlyweds Corie & Paul move into a sixth floor walk up off Third Avenue in the east 40's of Manhattan and follows the young couple as they quickly discover there's more to marriage than meets the eye.

Alan Gilbert conducts the New York Philharmonic in Mahler's Das Lied von der Erde, featuring baritone Thomas Hampson and tenor Stefan Vinke, in his Philharmonic debut, and Sibelius's Symphony No. 7, beginning today, April 20, 2016, at 7:30 p.m.; Thursday, April 21 at 7:30 p.m.; and Friday, April 22 at 11:00 a.m.

Alan Gilbert will conduct the New York Philharmonic in Mahler's Das Lied von der Erde, featuring baritone Thomas Hampson and tenor Stefan Vinke, in his Philharmonic debut, and Sibelius's Symphony No. 7, Wednesday, April 20, 2016, at 7:30 p.m.; Thursday, April 21 at 7:30 p.m.; and Friday, April 22 at 11:00 a.m.

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Dracula, the Original Vampire Play, the second production in the 'Alley Theatre @ UH' season. Featuring iconic costume and set designs by Edward Gorey, the Alley's production is based on the original 1927 adaptation of the classic thriller that marvelously balances the menace of the horror tale with sophisticated satire.

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for Dracula, the Original Vampire Play, the second production in the 'Alley Theatre @ UH' season. Featuring iconic costume and set designs by Edward Gorey, the Alley's production is based on the original 1927 adaptation of the classic thriller that marvelously balances the menace of the horror tale with sophisticated satire.

Met Museum Presents and Gotham Chamber Opera presents a double bill co-produced with and staged at The Metropolitan Museum of Art, consisting of Il combattimento di Tancredi e Clorinda by Monteverdi, and a newly commissioned work, I Have No Stories to Tell You, by Gotham Chamber Opera Composer-In-Residence Lembit Beecher, tonight, February 26 and tomorrow, February 27, 2014 at 7pm at The Metropolitan Museum of Art, 1000 Fifth Avenue (at 82nd Street), NYC.

Turner Classic Movies (TCM) has added an exciting roster of screen legends and beloved titles to the 2014 TCM Classic Film Festival,

Met Museum Presents and Gotham Chamber Opera presents a double bill co-produced with and staged at The Metropolitan Museum of Art, consisting of Il combattimento di Tancredi e Clorinda by Monteverdi, and a newly commissioned work, I Have No Stories to Tell You, by Gotham Chamber Opera Composer-In-Residence Lembit Beecher, on February 26 and February 27, 2014 at 7pm at The Metropolitan Museum of Art, 1000 Fifth Avenue (at 82nd Street), NYC.

Met Museum Presents and Gotham Chamber Opera presents a double bill co-produced with and staged at The Metropolitan Museum of Art, consisting of Il combattimento di Tancredi e Clorinda by Monteverdi, and a newly commissioned work, I Have No Stories to Tell You, by Gotham Chamber Opera Composer-In-Residence Lembit Beecher, on February 26 and February 27, 2014 at 7pm at The Metropolitan Museum of Art, 1000 Fifth Avenue (at 82nd Street), NYC. Tickets, including admission to the museum, are $175, and can be purchased at http://www.metmuseum.org/events/programs/concerts-and-performances/gotham-opera-1.aspx?eid=4162.

History Theatre will brighten the mood with the world premiere of COCOS DIARY, a new play with music that has been adapted for stage from the pages of a 13-year-old girl's diary.

Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.

Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.

Lincoln Center Festival began with the idea of expanding the possibilities presented at Lincoln Center and bringing to audiences something that they could not see elsewhere. This is a challenging goal in a city as culturally rich as New York, and the result has been an eclectic mix of artists and productions representing over 50 countries as of Festival 2009.