Read reviews for the Broadway premiere of the epic love story, The Notebook, opening on Broadway tonight!
As the festive season sweeps across the country bringing holiday cheer, BroadwayWorld is thrilled to present our selection of must-see shows for December. Check out our east coast picks!
Signature Theatre today will present an all-star benefit reading of Sam Shepard’s contemporary classic True West, led by acclaimed actors Ebon Moss-Bachrach (The Bear, Girls) as Austin, David Harbour (Stranger Things, Black Widow) as Lee, Ann Dowd (The Handmaid’s Tale, Compliance) as Mom, and Denis O’Hare (American Horror Story, True Blood) as Saul.
Arthur Miller’s Masterpiece The Crucible is a 1953 play that is both dramatized and fictionalized around the true events of the Salem Witch Trials between 1692-93. Written as a Political Allegory on McCarthyism, Miller used its dramatizations to detail a time in which the United States Government persecuted people who were accused of being a part of the Communist Party.
The Crucible was first performed on January 22, 1953 at the Martin Beck Theatre on Broadway. The original production featured performances from E.G. Marshall, Beatrice Straight, and Madeline Sherwood. Though the play was widely criticized often through hostile remarks, Miller’s play went on to win the Tony Award for Best Play of 1953. A year later, a remounted production was performed and in its wake, the play became a classic. Later esteemed as a central piece in the Canon of American Drama, and regarded as one of Miller’s finest works.
Discover the exciting lineup for the upcoming MATA Festival's 2023-2024 season, Learn more about the festival's new Executive Director, Pauline Kim Harris, and how she plans to elevate the live performance experience. Call for scores is also open for the 26th MATA Festival in May 2024.
Craft Recordings is celebrating the 30th anniversary of The Connells’ breakthrough album, Ring, with its first vinyl reissue and a bonus-filled CD. The group has also shared a previously unheard live acoustic version of “Running Mary” which is featured along with other recently discovered versions of tracks from Ring on this bonus-filled release.
Both formats of the album have been newly remastered by Brent Lambert at Carrboro, NC’s The Kitchen, and include 21 bonus tracks, including rare B-sides and 12 previously unreleased demos. Rounding out the packages are new liner notes by the Raleigh-based journalist and author David Menconi, featuring new interviews with the band.
Both formats of the album have been newly remastered by Brent Lambert at Carrboro, NC’s The Kitchen, and include 21 bonus tracks, including rare B-sides and 12 previously unreleased demos. Rounding out the packages are new liner notes by the Raleigh-based journalist and author David Menconi, featuring new interviews with the band.
What did our critic think of WE WILL ROCK YOU at Oslo Spektrum?
The Green Room 42 has announced their May line-up for in-person performances. Located inside YOTEL Times Square (570 Tenth Avenue, Fourth Floor), The Green Room 42 is Broadway's newest and most spacious cabaret club.
Prospect Theater Company announced today that its annual Spring Gala will feature performances and special appearances by Tony, Emmy, and Grammy Award winner André De Shields; Ali Ewoldt (The Phantom of the Opera); Drama Desk Award winner Gretchen Cryer; Drama League and Outer Critics Circle Award nominee Nick Corley and more.
New York City Opera will present Kurt Weill and Bertolt Brecht's thrilling double bill, The Seven Deadly Sins & Mahagonny Songspiel, for the first time ever told as one story, a tragic fable for today.
While much of Alan Turing’s work was the subject of the Official Secrets Act, his personal life was not afforded the same anonymity and details of his sexuality overshadowed his achievements for many years. Hugh Whitemore’s BREAKING THE CODE seeks to balance the scales of the awareness of Turing achievements along with the outdated laws on homosexuality that saw the father of computer science convicted and subjected to hormone therapy which eventually broke him, physically and mentally.
With the slogan “Theatre In These Trying Times”, the 25th edition of the festival has set out to breathe fresh air into both the world of theatre and to theatre lovers with a programme of mostly new productions that look at the world, which is in search of a new normal, through the lens of theatre.
An Expanded Edition is also available as a 2-CD or digital collection, including the remastered album along with B-sides and rarities.
With Women in Theatre Through the Decades, we will be highlighting the vital role that women have played in theatre history, showcasing those who paved the way and who continue to make history today. This week, we are highlighting the accomplishments of women in theatre throughout the 1980s and the 1990s!
While performing arts organizations around the world are dusting off existing productions of the usual chestnuts during the month of December, Opera San José is taking a more audacious approach with its holiday programming. They are presenting a new, fully-staged production of Jake Heggie’s immensely moving chamber opera, Three Decembers, featuring world-renowned mezzo-soprano Susan Graham in the central role, alongside celebrated Opera San José Resident Artists soprano Maya Kherani and baritone Efraín Solís.
Based on the unpublished play Some Christmas Letters by Tony-winning playwright Terrance McNally, Three Decembers follows the story of a famous actress, Madeline Mitchell, and her two adult children, Beatrice and Charlie over three decades (1986, 1996, and 2006). With a witty and touching libretto by Gene Scheer and a soaring musical score by Jake Heggie, Three Decembers is a 90-minute fullhearted American opera about family – the ones we are born into and those we create. The world-class digital production is offered via on-demand streaming through December 31, 2020. For more information or to purchase tickets, visit operasj.org or call (408) 437-4450.
BroadwayWorld speaks with charismatic baritone Efraín Solís, who plays son Charlie.
Paul Finnegan is handing over his role as executive director of The New York Irish Center (NYIC), as he seeks to pursue other professional and personal roles, which he will announce later.
The 2020 Adelaide Festival curated by Artistic Directors Neil Armfield AO and Rachel Healy has seen a triumphant 17 day event unfold with sold out shows, the biggest schools program in Festival history and box-office success. With two days still to go the Adelaide Festival has increased its total audience attendance by 24.8%, has smashed its box office target (of $4.7 million) and generated the second highest box office in the event's 60-year history, so far achieving a total box office income in excess of $5.3 million (figure is inclusive of umbrella shows, but does not include WOMADelaide).
Their third dive into August Wilson's ten-play Pittsburgh Cycle, Brand New Sheriff's FENCES may be their best yet, with an outstanding cast, led by Jonavan Adams - and an outstanding director, Corlis Hayes, who has been here before.
Latte Da's CHICAGO spotlights two leading ladies battling for the ultimate in fame, so what's more appropriate than giving a double-dose of 6 Questions & a Plug? Buckle up and follow along as these two actors share the spotlight.
Dusk Dances proudly presents its 25th annual season, returning to Withrow Park this summer with another week of exquisite dance works from Canada's finest dance makers! Dusk Dances is a renowned and beloved outdoor dance festival presented at Withrow Park each August. Dusk Dances 2019 features some of Canada's top choreographers and dancers, including Hanna Kiel, Meredith Thompson, Mix Mix Dance Collective, Denise Fujiwara and Yuichiro Inouo, Pulga Muchochoma & Naishi Wang, in a diverse program of dance.
Dusk Dances proudly presents its 25th annual season, returning to Withrow Park this summer with another week of exquisite dance works from Canada's finest dance makers! Dusk Dances is a renowned and beloved outdoor dance festival presented at Withrow Park each August. Dusk Dances 2019 features some of Canada's top choreographers and dancers, including Hanna Kiel, Meredith Thompson, Mix Mix Dance Collective, Denise Fujiwara and Yuichiro Inouo, Pulga Muchochoma & Naishi Wang, in a diverse program of dance.
Executive Director Thor Steingraber unveils the Younes and Soraya Nazarian Center for the Performing Arts' 2019-20 Season, which features a reconsideration of Randy Newman's musical Faust, in a concert format (May 9), an opening night recital with Itzhak Perlman accompanied by Rohan De Silva, piano (September 19), and a Beethoven 250th Birthday Celebration featuring six concerts beginning with Jonathan Biss, piano (October 15 & 16); other concerts include the Kalichstein-Laredo-Robinson Trio (November 13), Royal Philharmonic Orchestra with Pinchas Zukerman, Principal Guest Conductor and Violin Soloist (January 24), Christian Tetzlaff, violin, with Los Angeles Chamber Orchestra (February 7), Academy of St Martin in the Fields with Joshua Bell (March 4) and Rotterdam Philharmonic Orchestra (March 25).
As I'm going through all my Gypsy CDs (yes, to ensure I have them all either on my hard drive or accessible in the cloud, before throwing them out), I'm finding myself weirdly most drawn to Tyne Daly's recording, from her Tony-winning performance in the 1989 revival. The thing is I know Tyne Daly, I mean I know her work. She's been a familiar and distinctive presence on stage and screen for as long as I can remember and I even have a few musical theater recordings featuring her singing, but hers is not a singing voice I live with on a LITERALLY daily basis like, say, Ethel Merman's, Angela Lansbury's, Bette Midler's, Bernadette Peters's or Patti LuPone's. So to me, Tyne Daly's Rose is a unique sound that I can only identify with Tyne Daly's Rose and, therefore, a character. For today, that's the Gypsy I most feel like listening to.
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