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BWW Review: HIP HOP FILM FESTIVAL 2018 Brings Fresh Perspectives and Hot Talent to Ha

BWW Review: HIP HOP FILM FESTIVAL 2018 Brings Fresh Perspectives and Hot Talent to Harlem

by Cindy Sibilsky • Aug 13, 2018

The 3rd annual Hip Hop Film Festival was held, fittingly, at the historic National Black Theatre founded by Dr. Barbara Ann Teer who moved to Harlem in 1968 and saw that the once vibrant neighborhood was suffering from a sense of hopelessness after the losses of African American leaders Dr. Martin Luther King Jr. and Malcolm X and desperately needed a community space and cultural arts institution that would 'be reflective of the power, grace and excellence of a people' (according to her daughter and current CEO Sade Lythcott).

Photo Flash: 5-Star Theatricals Presents the Thousand Oaks Premiere of THE HUNCHBACK

Photo Flash: 5-Star Theatricals Presents the Thousand Oaks Premiere of THE HUNCHBACK OF NOTRE DAME

by A.A. Cristi • Apr 20, 2018

5-STAR THEATRICALS (formerly Cabrillo Music Theatre) continues its 2017-2018 season with the Thousand Oaks premiere of THE HUNCHBACK OF NOTRE DAME, with music by Alan Menken, lyrics by Stephen Schwartz, book by Peter Parnell (based on the Victor Hugo Novel and songs from the Disney film), musical direction by Dan Redfeld, choreography by Michelle Elkin and directed by Misti B. Wills. THE HUNCHBACK OF NOTRE DAME opens on Friday, April 20, 2017 and runs through Sunday, April 29, 2018 at the 1,800-seat Kavli Theatre at the Thousand Oaks Civic Arts Plaza, 2100 Thousand Oaks Boulevard in Thousand Oaks.  

Review: JACKIE UNVEILED by Saffron Burrows as One of America's Most Private Public Fi

Review: JACKIE UNVEILED by Saffron Burrows as One of America's Most Private Public Figures

by Shari Barrett • Mar 18, 2018

Directed by Jenny Sullivan in the smaller Lovelace Studio Theater at the Wallis Annenberg Center for the Performing Arts so that no matter where you are seated, Burrows will repeatedly pull you into the very private life of this American icon on two of the most traumatic evenings of her life. Act I takes place on the night of Robert Kennedy's win the 1968 California primary election, which guaranteed him the Democratic nomination for President. But the play begins just after Jackie saw her brother-in-law get shot on live television as he walked through the kitchen at the Ambassador Hotel after leaving his victory celebration. She is spinning out of control emotionally, smoking, drinking, and popping pills as she attempts to cope with the idea that the one man she has counted on since the death of her husband will soon leave her too, again due to a madman with a gun.

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