Rose-Marie - 1952 - West End Articles Page 11

The Chicago Department of Cultural Affairs and Special Events (DCASE) will honor four Chicago artists and arts advocates and one iconic cultural institution at the 3rd annual Fifth Star Awards presented by Allstate Insurance Company today, September 14 at 7pm-at the Jay Pritzker Pavilion in Millennium Park.

The Chicago Department of Cultural Affairs and Special Events (DCASE) will honor four Chicago artists and arts advocates and one iconic cultural institution at the 3rd annual Fifth Star Awards presented by Allstate Insurance Company on Wednesday, September 14 at 7pm-at the Jay Pritzker Pavilion in Millennium Park.

THE DOLLHOUSE tells the dual storylines of two women who, decades apart, are enthralled by the allure of the real-life Barbizon Hotel for Women, which, from 1927 to 1981, was an exclusive residence for young, single women who wanted to make it in the big city, including Liza Minelli, Grace Kelly, Joan Crawford, Joan Didion, and Sylvia Plath. 

The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Today, August 5 with Weekend One: Puccini and Italian Musical Culture.

The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Friday, August 5 with Weekend One: Puccini and Italian Musical Culture.

I cannot think of a better way to spend a hot summer night than to watch a sizzling stage production of a Tennessee Williams film. Baby Doll, when it first arrived in 1956, was condemned by the Catholic Church for indecency, and because of its lewd poster-sized ad depicting Carroll Baker lying in a crib, sucking her thumb, was one of the most controversial films across America. Now, almost 70 years later, the West Coast premiere stage adaptation by Pierre Laville and Emily Mann of Williams' Baby Doll is a practically flawless production at the Fountain Theatre, directed with stunning clarity by Simon Levy...and boasting an unforgettably ingenious cast of five.

New Line Theatre, 'the bad boy of musical theatre,' announces its 26th season of adult, alternative musical theatre, including the world premiere of a new revised version of the wild, 1969 adult jazz-rock musical CELEBRATION, by the creators of The Fantasticks, running Sept. 29-Oct. 22, 2016; followed by Kander & Ebb's rarely produced gem ZORBA, running March 2-25, 2017; then the regional premiere of the pitch-black 2002 jazz-rock musical THE SWEET SMELL OF SUCCESS, based on the famous novel and film, running June 1-24, 2017; and the world premiere of the third installment of New Line's own creation, the new revue OUT ON BROADWAY: THE THIRD COMING, running August 3-19, 2017. All New Line's mainstage shows will be in the company's new home, the Marcelle Theater, the new blackbox theatre in Grand Center, St. Louis' arts district.

?Agatha Christie's beloved murder mystery The Mousetrap will begin the final leg of its record-breaking, and first ever, UK tour at Glasgow Theatre Royal on Monday 12 September. 

Agatha Christie's beloved murder mystery THE MOUSETRAP will begin the final leg of its record-breaking, and first ever, UK tour at Glasgow Theatre Royal on 12th September. The tour will then visit Swindon, Cardiff, Wakefield, Perth, Ayr, Edinburgh, Guildford, Birmingham, Tunbridge Wells, Isle of Wight, Derry, Oxford, Carlisle and Aberystwyth.

Alfred Uhry, Charles Aznavour, Kathleen Marshall and brilliant cast CAN CAN and then some.

The Actors' Equity Foundation's 2016 Clarence Derwent Awards for most promising female and male performers on the New York metropolitan scene have gone to Alana Arenas (Head of Passes) and Ben Platt (Dear Evan Hansen). The announcement was made by Arne Gundersen, president of the Foundation, which administers the awards.

The full programme has today been announced for the inaugural FRAME London Dance Film Festival. The vast programme of films and events is to take place from 9 to 12 June 2016 in Kingston-upon-Thames, London. Presented by the UK's pioneering dance company BalletBoyz in association with dancescreen, the festival is set to offer a unique opportunity to enjoy the best creative talent in dance and film to the general public, as well engaging broadcasters, video artists and choreographers. Over the three days, there are over 122 films screening with 11 World Premieres, 8 International, 4 European and 28 UK Premieres amongst the new work. These will be presented alongside classic films for all ages led by a celebration of Gene Kelly, dance performances and outdoor and family activities at various venues across the town.

Susan Sarandon and her co-star Rose Byrne stopped by NBC's TODAY to talk about their new film “The Meddler,” about a meddling mother and her successful (but single) daughter.

BASS continues its innovative new music series In Context at the Tenri Cultural Center tonight, April 2nd, 2016.

The actor is changing pace in the new film "Saved By Grace," in which he plays a retired police officer dealing with the tragic loss of his wife.

American Ballet Theatre's 2016 Spring season will be highlighted by a World Premiere work by Alexei Ratmansky, the American Premiere of Ratmansky's The Golden Cockerel and a revival of Frederick Ashton's La Fille mal gardee. Tickets for ABT's Spring Season at the Metropolitan Opera House go on sale at the box office on Sunday, March 20 at 12 Noon.

BASS continues its innovative new music series In Context at the Tenri Cultural Center on SaturdayApril 2nd, 2016. This year's featured composer is Scott Wheeler, hailed by Fanfare as “one of the freshest American voices.” The program features Mr. Wheeler's work alongside those by colleagues and mentors (Virgil Thomson and Judith Weir) and favorite classics (Johannes Brahms and Robert Schumann). The program will include the world premiere of Ben Gunn. Soprano Elisabeth Marhsall, mezzo soprano Kate Maroney, tenor Brandon Snook, and baritone Steven Eddy join pianists Michael Brofman, Jocelyn Dueck, and Miori Sugiyama.

The singer stopped by TODAY to explain that live performances like “The Passion” is “always an adrenaline rush.”

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

There's so much great theater going on in the Nashville area right now, that you may be having a difficult time choosing among the bounteous offerings local companies are providing you. We're delighted to herald the return of BWW Nashville's Critics Choice with today's feature, offering up a compendium of what's available, what we recommend you see, and - in the cases of show's we've seen already - snippets of our reviews to help you make up your mind!

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Having just accepted the 2016 Musical America Ensemble of the Year award, the Boston Modern Orchestra Project (BMOP) continues its 20th anniversary season with a one-night-only concert celebrating Bach's Brandenburg Concertos. BMOP will perform the 'New Brandenburgs,' six works commissioned as companion pieces to Bach's six original Brandenburg Concertos as a result of a four-year project by the Orpheus Chamber Orchestra. The program includes the Boston premieres of Brandenburg Gate (inspired by Brandenburg No. 2) by Paul Moravec, Muse (inspired by Brandenburg No. 3) by Christopher Theofanidis, Little Moonhead (inspired by Brandenburg No. 4) by Melinda Wagner, Sea Orpheus (inspired by Brandenburg No. 5) by Peter Maxwell Davies, and Concerto with Echoes (inspired by Brandenburg No. 6) by Aaron Jay Kernis, as well as a performance of A Brandenburg Autumn (inspired by Brandenburg No. 1) by Stephen Hartke.