Romeo and Juliet - 1979 - Canada Articles Page 13

The Public Theater announced new February dates today for THE TOTAL BENT by Stew and Heidi Rodewald and directed by Joanna Settle. The shift in dates for this Public Lab production is due to an unforeseen construction-related delay that prevented the show from getting into the theater on the scheduled start date. The Public Theater's building renovation has been underway since fall 2008 and is expected to be completed on time this summer.

The Broken Heart, a 1629 tragic-comic play written by John Ford (Tis Pity She's a Whore), directed by Selina Cartmell in her American debut is Theatre for a New Audience's fourth production of the 2011 - 2012 theatre season.

Casa 0101 Theater in association with CoActive Content will present a new co-production of "The King of the Desert," written by Stacey Martino, performed by Rene Rivera, and helmed by Sal Romeo, all Lifetime Members of The Actors Studio.

Michael Attenborough will direct Eduardo de Filippo's Filumena in a new English version by Tanya Ronder running at the Almeida from 15 March - 12 May 2012, with press night on 22 March at 7pm. Designs are by Robert Jones, with lighting by Tim Mitchell and sound by John Leonard. Filumena is sponsored by Pinsent Masons.

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for the "hysterically funny" (New York Post) new musical The Toxic Avenger.

In honor of La MaMa's 50th Anniversary season, Italy's Dario D'Ambrosi will stage 'Teatro Patologico in New York,' a festival of Pathological Theater and Film, December 15 to 22, 2011, mounting one large new work plus three smaller plays that are a cross-section of his 31 years of productions at La MaMa.

Alley Theatre Artistic Director Gregory Boyd announces the cast and creative team for the "hysterically funny" (New York Post) new musical The Toxic Avenger.

Alley Theatre Artistic Director Gregory Boyd announced the cast and creative team for their production of The Toxic Avenger. In a new production, which features several new songs and revised book by the Tony Award-winning creative team of Memphis, Bon Jovi founding member and keyboardist David Bryan and Joe DiPietro, Tony-nominated Constantine Maroulis takes center stage as the righteous superhero in the title role. John Rando (Tony Winner for Urinetown) returns to the Alley to reinvent his hilarious 2009 Off-Broadway staging of The Toxic Avenger following his smashing Alley productions of The Man Who Came to Dinner, Mrs. Mannerly and Be My Baby.

New York Women in Film & Television (NYWIFT), which has supported the advancement of women in the entertainment industry for more than 30 years, will present their 31th annual Muse Awards at a gala luncheon to be held Wednesday, December 7th at the New York Hilton.

Michael Attenborough directs the UK premiere of Neil LaBute's Reasons To Be Pretty, running at the Almeida Theatre from 10 November 2011 - 14 January 2012 with press night on 17 November. Designs are by Soutra Gilmour with lighting by Mark Henderson and sound by Fergus O'Hare. The cast comprises Kieran Bew, Siân Brooke, Tom Burke and Billie Piper.

In honor of La MaMa's 50th Anniversary season, Italy's Dario D'Ambrosi will stage 'Teatro Patologico in New York,' a festival of Pathological Theater and Film, December 15 to 22, 2011, mounting one large new work plus three smaller plays that are a cross-section of his 31 years of productions at La MaMa.

The Oregon Shakespeare Festival closed its 76th season with a collective sigh of relief last night.

Michael Attenborough directs the UK premiere of Neil LaBute's Reasons To Be Pretty. Reasons To Be Pretty will run at the Almeida Theatre from 10 November 2011 - 14 January 2012 with press night on 17 November. Designs are by Soutra Gilmour with lighting by Mark Henderson and sound by Fergus O'Hare. The cast comprises Kieran Bew, Siân Brooke, Tom Burke and Billie Piper.

CoActive Content, Stacey Martino, Founder/Artistic Director, and American Latino Theatre Company, David Llauger-Meiselman, Artistic Director, will present a new co-production of the critically acclaimed play, 'The King of the Desert,' written by Stacey Martino, performed by René Rivera, and helmed by award-winning director, Sal Romeo, all Studio Lifetime Members of The Actors Studio.

Today we continue our special series consisting of five entries total, each of which highlight a different facet of the rich and wonderful world of William Shakespeare and all with a particular emphasis on the controversial new feature film that explores the time, place, politics and goings-on of the Elizabethan era and focuses on the possibility that the true author of the esteemed plays we now know may very well have been someone else entirely - Edward de Vere - and how the question of the canon's true creation then comes into play - ANONYMOUS. "All the world's a stage," after all, so it should come as no surprise that acts of lust, bloodshed and betrayal would exist in the actual life - or even the supposed one - of the man who created the most bloody and thought-provoking tragedies in the history of literature - whoever he may have actually been. Perhaps some brief analysis of the finest leading players, most memorable lines and moments, as well as an exploration of other notable acts of grand betrayal in Shakespeare's plays will aid us on the journey to understanding the thesis of ANONYMOUS and bring us into a closer relationship with the individual who penned the greatest plays in the English language. Now that we have already analyzed the top ten male and female Shakespearean performers of the last few decades, as well as the most memorable lines and moments, today, in our final installment of the 5 Top 5 countdown, we are focusing on the most surprising and dramatic moments of deception in Shakespeare - including moments from HAMLET, JULIUS CAESER, THE WINTER'S TALE, AS YOU LIKE IT and more!

Following The Straits' recent debut show at the Royal Albert Hall in May 2011, original Dire Straits members Alan Clark and Chris White continue their UK tour as the recently formed band 'The Straits' tonight at the York Barbican (Friday October 7th).

Following The Straits' recent stunning debut show at the Royal Albert Hall in May 2011, Alan Clark, Phil Palmer and Chris White from Dire Straits will embark on an 11-date UK tour in October due to the overwhelming demand to hear the band's much loved catalogue of unforgettable songs.

CoActive Content, Stacey Martino, Founder/Artistic Director, and American Latino Theatre Company, David Llauger-Meiselman, Artistic Director, will present a new co-production of the critically acclaimed play, 'The King of the Desert,' written by Stacey Martino, performed by René Rivera, and helmed by award-winning director, Sal Romeo, all Studio Lifetime Members of The Actors Studio.

Michael Attenborough will direct the UK premiere of Neil LaBute's Reasons To Be Pretty. Reasons To Be Pretty will run at the Almeida Theatre from 10 November 2011 - 14 January 2012 with press night on 17 November.

Cymbeline is back! Two sold-out weeks last January for Fiasco Theater's production of Cymbeline wasn't nearly long enough to satisfy the demands of a theatre-going public hungry for, as Ben Brantley of The New York Times wrote, 'the comedy, poignancy and unlikely magic of Cymbeline.'

Trisha Brown's pioneering dance style is a celebrated cornerstone of modern dance.

Trisha Brown's pioneering dance style is a celebrated cornerstone of modern dance.

The Colony Theatre is thrilled to present the second production of its 37th season of shows - its first ever with six productions instead of five! Hal Linden & Christina Pickles will star in the classic, ON GOLDEN POND, written by Ernest Thompson and directed by Cameron Watson (Trying, Grace and Glorie).

Following The Straits' recent stunning debut show at the Royal Albert Hall in May 2011, Alan Clark, Phil Palmer and Chris White from Dire Straits will embark on an 11-date UK tour in October due to the overwhelming demand to hear the band's much loved catalogue of unforgettable songs.

Cymbeline is back! Two sold-out weeks last January for Fiasco Theater's production of Cymbeline wasn't nearly long enough to satisfy the demands of a theatre-going public hungry for, as Ben Brantley of The New York Times wrote, 'the comedy, poignancy and unlikely magic of Cymbeline.'