Poor Richard - 1964 - Broadway Articles Page 4

The Wooster Group will present nightly performances of HAMLET at The Performing Garage during a three-week video shoot of the production. Public showings of the live performance begin the evening of Wednesday, October 24th and run through Sunday, November 11th, 2012.

The Space Between: A Panorama of Cinema in Turkey is the largest retrospective of films from Turkey to be presented in the United States. The retrospective is produced by The Moon and Stars Project of The American Turkish Society and the Film Society of Lincoln Center. The program includes more than 25 films and runs from today, April 27 through Thursday, May 10, presenting award winning Turkish films from the 1950s to the present.

The Space Between: A Panorama of Cinema in Turkey is the largest retrospective of films from Turkey to be presented in the United States. The retrospective is produced by The Moon and Stars Project of The American Turkish Society and the Film Society of Lincoln Center. The program includes more than 25 films and runs from Friday, April 27 through Thursday, May 10, presenting award winning Turkish films from the 1950s to the present.

South Coast Repertory is partnering with some of SoCal's most intriguing artists to present a series of eclectic, contemporary theatre in its intimate Nicholas Studio.

South Coast Repertory is partnering with some of SoCal's most intriguing artists to present a series of eclectic, contemporary theatre in its intimate Nicholas Studio.

Marin Theatre Company closes its 2010-11 Season with Edward Albee's Tiny Alice, the first Bay Area production of this infamous play in over 35 years, which runs June 2 through 26.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

Marin Theatre Company closes its 2010-11 Season with Edward Albee's Tiny Alice, the first Bay Area production of this infamous play in over 35 years, which runs June 2 through 26.

Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.

Celebrated actress and two-time Tony Award-winner Frances Sternhagen will be joining the confluence of artists and audiences for Florida Stage's 5th Annual 1st Stage New Works Festival. Ms. Sternhagen will be featured in a staged reading of legendary playwright Israel Horovitz' new play Beverley on Saturday, February 5, 2011. On Friday, February 4, in place of the Festival's usual Keynote speech, Ms. Sternhagen will take part in what is being called 'A Conversation with Frances Sternhagen.' Florida Stage Producing Director Louis Tyrrell will conduct a public interview with Sternhagen on stage in the Persson Hall at the Kravis Center for the Performing Arts. The Florida Stage 1st Stage New Works Festival takes place February 3-6, 2011. Tickets and packages for all Festival events are available online at www.floridastage.org or by calling the box office at (561) 585-3433.

Rochelle Slovin, Director of Museum of the Moving Image, today announced the complete schedule for the screenings and programs that will celebrate the grand re-opening of America's only museum dedicated to film, television, and digital media.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

During the 2010-2011 and 2011-2012 seasons, 33 U.S. opera companies both large and small and from coast to coast will perform works - including nine world premieres - by American composers, announced OPERA America, the national service organization for opera.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

Why watch a movie at home when you can celebrate cinema the way it was meant to be seen! This August, the Palace Theatre will once again play host to screening classic cinema from Hollywood's Golden Era of the 1930's through the special effects laden 1980's!

Why watch a movie at home when you can celebrate cinema the way it was meant to be seen! This August, the Palace Theatre will once again play host to screening classic cinema from Hollywood's Golden Era of the 1930's through the special effects laden 1980's!

Why watch a movie at home when you can celebrate cinema the way it was meant to be seen! This August, the Palace Theatre will once again play host to screening classic cinema from Hollywood's Golden Era of the 1930's through the special effects laden 1980's!

The Tony Award®-winning Signature Theatre, nationally known for its interpretation of Stephen Sondheim musicals, celebrated its 20th anniversary season by presenting Sondheim's most popular musical SWEENEY TODD, directed by Artistic Director Eric Schaeffer. The production will end its run in the 276-seat MAX Theater, April 4, 2010.

New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.

For old-world cabaret, performers still swoon over the stately, romantic elegance of the Oak Room at the Algonquin, but this sleek, two-year-old spot is threatening to encroach on the turf of such established institutions.

The Tony Award®-winning Signature Theatre, nationally known for its interpretation of Stephen Sondheim musicals, celebrates its 20th anniversary season by presenting Sondheim's most popular musical SWEENEY TODD, directed by Artistic Director Eric Schaeffer. The new production runs in the 276-seat MAX Theater, February 9 through April 4, 2010.

The Tony Award®-winning Signature Theatre, nationally known for its interpretation of Stephen Sondheim musicals, celebrates its 20th anniversary season by presenting Sondheim's most popular musical SWEENEY TODD, directed by Artistic Director Eric Schaeffer. The new production runs in the 276-seat MAX Theater, February 9 through April 4, 2010.