GARY, A SEQUEL TO TITUS ANDRONICUS: BLOODY BRILLIANT
10 / 10
But Gary is just as difficult, in the best sense, to sum up neatly: a raucous comedy whose subject is tragedy-not the titular Shakespeare play, which is merely its starting point, but our enduring capacity for destruction, which Mac engages with gloriously raunchy humor and blazing intuition, and an aching tenderness that sneaks up on you and wraps itself around your heart.

