Tony Award-winner Andrea Martin (Pippin, Young Frankenstein) makes her Roundabout Theatre Company debut in a rip-roaring new production of Michael Frayn's (Copenhagen) beloved comedy Noises Off!
The Opening Night performance of the farce Nothing On is just hours away, and as the cast stumbles through their final dress rehearsal, things couldn't be going any worse. With lines being forgotten, love triangles unraveling and sardines flying everywhere, it's complete pandemonium- and we haven't even reached intermission! Can the cast pull their act together on the stage even if they can't behind the scenes?
Full of shocking surprises and gut-busting humor, Noises Off is the classic show-within-a-show that "voyages to the outer limits of hilarity" (The New York Times). Two-time Olivier Award nominee Jeremy Herrin (This House) directs.
Funny lady Andrea Martin leads the nimble cast of this well-tooled revival helmed by Jeremy Herrin, who kept his comedic sensibilities under wraps in last season's austere RSC production of 'Wolf Hall,' but cuts loose here...Act II is bust-a-gut funny...This is where helmer Herrin puts his well-drilled ensemble through the synchronized chaos that can come crashing down on their heads if someone misses a beat...Like 'Law & Order' reruns, 'Noises Off' seems to be always playing somewhere in the civilized world, a perfect specimen of its generic art form. And that's exactly the way it should be, because this kind of comedic brilliance never gets stale.
Luckily, in director Jeremy Herrin's high-energy staging at the American Airlines Theatre, the cast, which includes Andrea Martin, Campbell Scott, and Megan Hilty, knows how to fail like pros...In true slapstick form, each of the players has a hidden game or bit of actorly preciousness that contribute to the dysfunction...The script gives each of the stars several moments to shine, and Andrea Martin anchors Herrin's production with a brilliant manic energy -- there's a certain athleticism to her almost graceful fumbling amidst the chaos. The direction, performances, and set design by Derek McLane create a symphony of shouting and flop sweat, turning pure slapstick into high art. A-
| 1983 | Broadway |
Broadway |
| 2001 | Broadway |
Broadway Revival Broadway |
| 2015 | Broadway |
Roundabout Theatre Company Production Broadway |
| 2019 | West End |
West End Production West End |
| 2023 | West End |
West End |
| 2023 | West End |
West End |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2016 | BroadwayWorld Awards | Best Direction of a Play | Jeremy Herrin |
| 2016 | BroadwayWorld Awards | Best Featured Actress in a Play | Megan Hilty |
| 2016 | BroadwayWorld Awards | Best Revival of a Play | Noises Off |
| 2016 | BroadwayWorld Awards | Best Sound Design of a Play | Christopher Cronin |
| 2016 | Drama Desk Awards | Outstanding Featured Actor in a Play | David Furr |
| 2016 | Drama Desk Awards | Outstanding Featured Actress in a Play | Megan Hilty |
| 2016 | Drama League Awards | Distinguished Performance Award | Megan Hilty |
| 2016 | Drama League Awards | Outstanding Revival of a Broadway or Off-Broadway Play | Michael Frayn |
| 2016 | Tony Awards | Best Costume Design of a Play | Michael Krass |
| 2016 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | David Furr |
| 2016 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Megan Hilty |
| 2016 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Andrea Martin |
| 2016 | Tony Awards | Best Revival of a Play | Noises Off |
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