Never No More - 1932 - Broadway Articles Page 9

The one change Tony Butala, original founding member of The Lettermen, would have made in the 45-plus year career of one of the most popular vocal groups in history is a surprising one. 'We chose the wrong name!' he exclaims.

The one change Tony Butala, original founding member of The Lettermen, would have made in the 45-plus year career of one of the most popular vocal groups in history is a surprising one. 'We chose the wrong name!' he exclaims.

The world premiere of a new musical is always cause for excitement, whether the stage is on Broadway or in Nashville, and it was with great anticipation that we approached Call Me Home

Seattle Theatre Group (STG) is proud to announce its 2009 - 2010 performance season with 34 extraordinary engagements at the historic Paramount and Moore Theatres, as well as the Falls Theatre at ACT. Shows range from performance art and comedy to legendary musicians, dance and silent film.

Today's Broadway Blogs on BroadwayWorld.com from Friday, February 20, 2009.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Happy Holidays Everyone! Well ... here it is ... our BIGGEST CD coverage EVER and just in time for some last minute 'stocking-stuffer' inspiration ... even though a few of these are better used as coal, if you know what I mean.

Manhattan Theatre Club (Lynne Meadow, artistic director; Barry Grove, executive producer) is pleased to announce full casting for the world premiere of LoveMusik, a new musical featuring the songs of Kurt Weill, starring Tony Awardâ winners Michael Cerveris and Donna Murphy.

He's gone from being the Phantom and the Scarlet Pimpernel to president of the U.S.