Never No More - 1932 - Broadway Articles Page 3

Folks Operetta continues its Reclaimed Voices Series with Paul Ábraham's exotic jazz operetta, The Flower of Hawaii featuring soprano and former Ms. Illinois Marisa Bucheit (2014) as Princess Laya/Suzanne. 

ZACH Theatre, Central Texas' premier professional theatre, announces six Mainstage productions along with the Family Series and holiday add-ons as part of the 2019-20 season. The Mainstage Season includes: Steven Dietz's new work Dracula: Mina's Quest, a 21st century look at the Bram Stoker classic; A Night with Janis Joplin returns celebrating the legendary rock goddess;  Every Brilliant Thing, Duncan Macmillan and Jonny Donahoe's touching and charming play; the timely and probing new work Roe by Lisa Loomer; the new immersive musical Reunion '85; and the quintessential family musical, Rodgers and Hammerstein's, The Sound of Music.

In the early 1930's, The Lambs created 2-reel comedy short films with Columbia Pictures. These shorts were created as a means to raise fund for the Club during the Great Depression. Most of these films have never been seen in almost a century. The films offer a rare historical look at The Lambs, its famous members and activities. The presentation included: Shave it with Music (1932), The Curse of the Broken Heart (1933), Poor Fish (1933) and Hear'em and Weep (1931).

Multi-platinum entertainer and 11-time chart-topper Chris Young released the raucous music video for his latest hit, “Raised On Country,” today ahead of the kickoff of his headlining tour this spring. The full-tilt clip captures the vibrant energy of his live show and gives fans a preview of what they can expect on his 2019 “Raised On Country Tour,” kicking off May 16-18 in Alpharetta, Georgia, Charlotte, North Carolina and Bristow, Virginia.

A longtime advocate for music suppressed by the Nazi regime, Polish-Canadian pianist Daniel Wnukowski (vnoo-koff'-skee) makes his New York debut this February as part of a festival dedicated to the music of Galician-Jewish composer Karol Rathaus (1895-1954). Little-known today, Rathaus was a protege of Franz Schreker and built a successful career in Berlin before fleeing in 1932 due to the deteriorating political situation in Germany. He first migrated to Paris, then to London in 1934. He settled in New York in 1938 and joined the music faculty of Queens College two years later as its first professor of composition.

Macy Medford and Arden Guice may only be college students, but their performances as Violet and Daisy Hilton, the heroines of Side Show - the iconic musical by Bill Russell, Henry Krieger and Bill Condon that debuted on Broadway some 20 years ago - in Belmont University Musical Theatre's production that runs for just one weekend, are nothing less than a professional triumph for each young woman. Thoroughly committed and startlingly focused, Medford and Guice perform an oftentimes tricky, always challenging, task in order that the two young women effectively become their characters, ensuring the musical packs an emotional wallop delivered straight to the collective heart of its audience, while showcasing the evolution of a musical theatre program at the Nashville university, which over the years has gained a national reputation as the training ground of the next generations of Broadway stars yet to be.

Dear Readers, today I want to talk to you about one of the most exciting companies in town and their latest show, The Williams Project's 'A Bright Room Called Day' by Tony Kushner. Specifically, I want to focus on three aspects of why they and their current show are so exciting and by the end I expect one if not all three aspects will entice you to catch this one, or at least I hope so.

There's just something about Kristin Chenoweth. It's almost undefinable, perhaps even undescribable, yet as with any writer's efforts to put into words how remarkable the woman behind the image is, I'll give it my best shot, attempting to encapsulate the wonder that is Kristin Chenoweth in 2,000 words or less (but if I go over, don't judge too harshly - I'm simply stating the facts that prove the folly of my initial hypothesis).

There's just something about Kristin Chenoweth. It's almost undefinable, perhaps even undescribable, yet as with any writer's efforts to put into words how remarkable the woman behind the image is, I'll give it my best shot, attempting to encapsulate the wonder that is Kristin Chenoweth in 2,000 words or less (but if I go over, don't judge too harshly - I'm simply stating the facts that prove the folly of my initial hypothesis).

There's just something about Kristin Chenoweth. It's almost undefinable, perhaps even undescribable, yet as with any writer's efforts to put into words how remarkable the woman behind the image is, I'll give it my best shot, attempting to encapsulate the wonder that is Kristin Chenoweth in 2,000 words or less (but if I go over, don't judge too harshly - I'm simply stating the facts that prove the folly of my initial hypothesis).

To commemorate its 150 th anniversary, family owned and operated S. Martinelli & Company is introducing 1868 Hard Cider. Currently in limited distribution on the West Coast, this fresh-pressed hard cider was named in recognition of the year the company was founded. Few know that hard cider was actually the first product made by Martinelli's, the company known across the country and around the world for producing the highest quality sparkling cider and apple juice pressed from 100% U.S. grown, fresh apples.

PBS SoCal and Clear Sky Films announced that Iconic Vision: John Parkinson, Architect of Los Angeles will premiere on Public Broadcasting in July. The documentary film tells the story of Parkinson's influence on the development of Los Angeles through his design of noted architectural masterpieces including the Los Angeles Memorial Coliseum, Los Angeles Union Station, and Los Angeles City Hall - which celebrates its 90th anniversary this year. The film will premiere in Los Angeles on July 5 at 8 p.m. on PBS SoCal (KOCE), and across the country starting on July 7 (check local listings).

Joanne Hartstone is superb as Evie.

Austin's four premier nonprofit performing arts organizations-Austin Opera, Ballet Austin, The Paramount Theatre, and ZACH Theatre-have partnered to create the ATX Arts Pass. The 2018-19 ATX Arts Pass gives a taste of Austin's performing arts organizations at one low price with four hand-picked performances: Shinyribs (The Paramount Theatre), The Nutcracker (Ballet Austin), Hedwig and the Angry Inch (ZACH Theatre), and La boheme (Austin Opera). ATX Arts Pass holders are encouraged to have their passport stamped at all four events, allowing them the opportunity to attend a special Passport Holder Season End Celebration.

WIESENTHAL tells the powerful true story of Simon Wiesenthal, often called the "Jewish James Bond," a Holocaust survivor who, after cheating death at the hands of Hitler's S.S., spent his life bringing to justice the most notorious war criminals in human history. This provocative solo performance, written and performed by Tom Dugan and directed by Jenny Sullivan, is an uplifting and highly entertaining one-man show that unfolds like a gripping spy thriller, telling how Wiesenthal devoted his life to bringing more than 1,100 Nazi war criminals to justice after WW II.

Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director), an award-winning company presenting Shakespeare alongside other classic and contemporary drama at Polonsky Shakespeare Center, Downtown Brooklyn, is pleased to announce its 2018-19 season-the 39th since its founding in 1979.

Producers Carmen Pavlovic (Global Creatures) and Roy Furman have revealed new poster art for Broadway's King Kong by internationally renowned artists Laurent Durieux, Francesco Francavilla and Olly Moss.

ZACH Theatre, Central Texas' premier professional theatre, announces a 2018-19 season filled with rafter-raising musicals, riveting contemporary dramas, and inventively produced new work that will entertain, inspire, and spark dialogue. ZACH is expanding its' commitment to incubate and produce new musicals and plays this season and in the coming years, in addition to premiering award-winning contemporary plays and musicals straight from New York. ZACH's involvement in the development of major new works allows Central Texans to witness exciting projects before they hit Broadway stages and launch at theatres across the nation.

As part of the Paul Taylor American Modern Dance annual residency at Lincoln Center Koch Theater, Taylor has introduced 'Dances of Isadora,' staged by Lori Belilove, founder and Artistic Director of the Isadora Duncan Dance Foundation and Company, and danced by Sara Mearns, the estimable New York City Ballet ballerina.

The Country Music Association held a press conference this morning to announce the 2018 inductees into the Country Music Hall of Fame-Johnny Gimble, Ricky Skaggs and Dottie West.

Though the songwriting team of Robert Wright and George Forrest is best remembered by Broadway enthusiasts for adapting the music of Edvard Grieg into SONG OF NORWAY and similarly using the melodies of Alexander Borodin to create their score for KISMET, their greatest success came when director/choreographer Tommy Tune took interest in a musical of theirs that fizzled into obscurity on its way to Broadway, then known as AT THE GRAND.

UNBROKEN: PATH TO REDEMPTION—in theaters nationwide Oct. 5, 2018— is the inspiring and powerful continuation of Louis “Louie” Zamperini's post-World War II story and his struggle to find peace and forgiveness after his ruthless treatment as a Japanese prisoner of war. While the story stands alone, the brand-new film picks up where 2014's epic saga UNBROKEN ends, continuing the amazing true story of the Olympian and World War II hero.

REPRISE 2.0 is now announced, presenting a season of three classic American musicals at UCLA's Freud Playhouse, by Marcia Seligson, Producing Artistic Director of the new performing arts organization.  REPRISE 2.0 is partnering with the UCLA School of Theater, Film and Television's Department of Theater (UCLA TFT), chaired by Brian Kite. 

Playwright Rob Urbinati had a clever idea with DEATH BY DESIGN: Take the sophisticated and witty banter of the characters of Noel Coward and Oscar Wilde and drop them into the middle of an Agatha Christie murder mystery. In order for all of this to work, he wrote it as a farce. Edward Bennett (Bill Clausen), a playwright, and his actress wife, Sorel (Ashleigh Pedersen) have just had a disastrous opening night and they've escaped London to hunker down in their country digs, only to have their peace shattered by the arrival of one unexpected screwball guest after another. When one of the guests is murdered, the manor's maid is determined to solve the crime.