Marriage - 1896 - Broadway Articles Page 3

The Brewing Dept. is proud to present the final production of its inaugural cycle, a new staging of Henrik Ibsen's The Lady from the Sea, running tonight, November 14-17, 2013.

The Brewing Dept. is proud to present the final production of its inaugural cycle, a new staging of Henrik Ibsen's The Lady from the Sea, running November 14-17, 2013.

Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from today, September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.

Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.

In my next life, I'm returning as the world's foremost dance historian to write the ultimate chronicle of Tchailovsky's Sleeping Beauty from 1890 to 2013. It's going to be a huge tome, one that encompasses every move, scene shift and cast change that was ever seen. Actually, by the time I finish my epic work, it will be superseded by an even larger tome, but that's life. What led me to this decision was American Ballet Theater's production of Sleeping Beauty that I saw on the July 6, 2012, the closing night of the season. This sent me back to my books, DVDs, CDs, balletomane friends and YouTube to decide just what Sleeping Beauty is all about, or should be about.

San Francisco's cutting-edge Cutting Ball Theater proudly announces the lineup for its 15th season. The season opens in October with the World Premiere of SIDEWINDERS by Basil Kreimendahl, directed by M. Graham Smith, followed by Alfred Jarry's UBU ROI in January, directed by Yury Urnov, in a new translation by Cutting Ball Artistic Director Rob Melrose. RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL returns in February with five new works, including two new plays from resident playwright Andrew Saito, in staged readings that push the boundaries of what theater can be. Rounding out the season in April is the American Premiere of Samuel Galett's COMMUNIQUE N°10 in a World Premiere translation, and directed, by Rob Melrose. In addition to the main stage season, Cutting Ball Theater continues its Hidden Classics Reading Series with six new installments. The entire 2013-14 season will be staged in San Francisco at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street at Ellis). Season memberships on sale May 13; single tickets on sale September 1. For tickets and information, the public may visit cuttingball.com or call 415-525-1205.

Few plays have stood the test of time in the way that The Importance of Being Earnest has. Written in 1895, this 'Serious Comedy for Trivial People,' as playwright Oscar Wilde termed it, offers situations and comedy that remain timeless and fresh. The characters are memorable, from the careless and self-centered Jack to the innocent and impressionable Cecily. Wilde skewers Victorian society in a manner that leaves audiences laughing from start to finish.

Few plays have stood the test of time in the way that The Importance of Being Earnest has. Written in 1895, this 'Serious Comedy for Trivial People,' as playwright Oscar Wilde termed it, offers situations and comedy that remain timeless and fresh. The characters are memorable, from the careless and self-centered Jack to the innocent and impressionable Cecily. Wilde skewers Victorian society in a manner that leaves audiences laughing from start to finish.

Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.

As 2012 comes to a close, many Austin theater companies are putting together their 2013-2014 season. Given the incredible talent in this town and the large number of daring, courageous theater groups in the Austin area, here are my picks for 13 plays that I'd love to see produced in the 2013-2014 season.

Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.

Cutting Ball Theater continues its 14th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. Pushing the boundaries of what theater can be, this year's festival features three new works and two new "Risk Translations" in staged readings. Like the 2012 edition, which featured five new "Risk Translations" of August Strindberg's Chamber Plays, which were performed this fall as part of the main stage season as Strindberg Cycle: The Chamber Plays in Rep, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.

San Francisco's cutting-edge Cutting Ball Theater today announced the lineup for its 13th season. The season opens in October with Strindberg Cycle: The Chamber Plays in Rep, August Strindberg's Chamber Plays in new translations by Paul Walsh, directed by Cutting Ball Artistic Director Rob Melrose; this will be the first time all five of Strindberg's Chamber Plays will be performed together in repertory in any language.

The Old Globe's 2012-13 Season will feature the World Premieres of two new musicals: Allegiance - A New American Musical by Jay Kuo and Lorenzo Thione and A Gentleman's Guide to Love and Murder by Robert L. Freedman and Steven Lutvak. The season also includes George Bernard Shaw's Pygmalion in celebration of the classic play's 100th anniversary and the World Premiere of a new adaptation of Henrik Ibsen's A Doll's House by Anne-Charlotte Hanes Harvey and Kirsten Brandt. Two recent Broadway hits will make their San Diego debuts at the Globe: David Lindsay-Abaire's Good People and Jon Robin Baitz's Other Desert Cities. Rounding out the season are the West Coast Premiere of Bekah Brunstetter's Be a Good Little Widow and the Southern California Premiere of Tarell Alvin McCraney's The Brothers Size.

The New Actors Company in association with Neil McPherson for the Finborough Theatre presents THE GRAND DUKE. The Finborough Theatre's 'Celebrating British Music Theatre' series continues with the first fully staged professional UK production of Gilbert and Sullivan's final operetta, The Grand Duke, since the original 1896 production. It opens at the Finborough Theatre for a strictly limited run of six Sundays and Mondays from Sunday, 1 April 2012.

Back, by popular demand, Sweet Mama Stringbean, a celebration of blues legend Ethel Waters starring ValLimar Jansen, returns to the Grove Theatre the weekend of February 4th and 5th. Born in 1896, the unwanted product her mother's rape at knifepoint at the age of 12, Ethel Waters grew up unsupervised in the slums of Philadelphia.

Following our New Writing at the Finborough Theatre Season which saw eight premieres of new plays, as well as the Finborough winning its seventh Pearson Bursary Award for Dawn King's Foxfinder, our ReDiscoveries2012 Season is devoted to the parallel strand of our artistic policy, rediscovered drama and music theatre with work from the 1890s to the 1980s.

The Jewish Museum will present Sacred Trash: The Lost and Found World of the Cairo Geniza on Monday, October 31 at 11:30 am.

The Jewish Museum will present Sacred Trash: The Lost and Found World of the Cairo Geniza on Monday, October 31 at 11:30 am.

Single tickets go on sale to the public at 9am on Wednesday, August 17, for the Columbus Symphony's 2011-12 Masterworks and Pops Seasons, the first full schedule under the leadership of recently installed Music Director Jean-Marie Zeitouni.

Single tickets go on sale to the public at 9am on Wednesday, August 17, for the Columbus Symphony's 2011-12 Masterworks and Pops Seasons, the first full schedule under the leadership of recently installed Music Director Jean-Marie Zeitouni.

Single tickets go on sale to the public at 9am on Wednesday, August 17, for the Columbus Symphony's 2011-12 Masterworks and Pops Seasons, the first full schedule under the leadership of recently installed Music Director Jean-Marie Zeitouni.

The Cleveland Orchestra will have three new commercial recordings available worldwide in May: a new DVD recordings of Franz Welser-Most leading Bruckner's Symphony No. 8 recorded at Severance Hall; Pierre Boulez leading the Adagio from Mahler's Symphony No. 10 and Des Knaben Wunderhorn with vocal soloists Magdalena Kožena, mezzo-soprano, and Christian Gerhaher, baritone; and a CD of Mitsuko Uchida leading and performing Mozart's Piano Concertos Nos. 20 and 27.

The Cleveland Orchestra will have three new commercial recordings available worldwide in May: a new DVD recordings of Franz Welser-Most leading Bruckner's Symphony No. 8 recorded at Severance Hall; Pierre Boulez leading the Adagio from Mahler's Symphony No. 10 and Des Knaben Wunderhorn with vocal soloists Magdalena Kožena, mezzo-soprano, and Christian Gerhaher, baritone; and a CD of Mitsuko Uchida leading and performing Mozart's Piano Concertos Nos. 20 and 27.

Subscriptions go on sale today for the Columbus Symphony's 2011-12 Masterworks and Pops Seasons, the first full schedule under the leadership of recently installed Music Director Jean-Marie Zeitouni.