Lili 1882

Van 5 november - 9 december 2021 toeren wij met de nieuwe pocketopera La traviata door Nederland. In de bewerking van regisseur Dorike van Genderen is Violetta een trans vrouw. Het concept is gebaseerd op het waargebeurde verhaal van Lili Elbe (1882 - 1931), die als een van de eersten geslachtsveranderende operaties onderging en daar uiteindelijk aan stierf.

The Oratorio Society will conclude its 2018-19 Carnegie Hall season, which was expanded to four concerts from previous years' three, with Verdi's thrillingly dramatic Requiem, which premiered in Milan in 1874 and has since become one of the most-performed works in the symphonic choral canon. OSNY Music Director Kent Tritle leads the performance, which features the soloists Elizabeth de Trejo, soprano; Raehann Bryce-Davis, mezzo-soprano; Joshua Blue, tenor; and Adam Lau, bass, on Thursday, May 9, 2019, at 8:00 pm.

The Oratorio Society will conclude its 2018-19 Carnegie Hall season, which was expanded to four concerts from previous years' three, with Verdi's thrillingly dramatic Requiem, which premiered in Milan in 1874 and has since become one of the most-performed works in the symphonic choral canon. OSNY Music Director Kent Tritle leads the performance, which features the soloists Elizabeth de Trejo, soprano; Raehann Bryce-Davis, mezzo-soprano; Joshua Blue, tenor; and Adam Lau, bass, on Thursday, May 9, 2019, at 8:00 pm.

'Stravinsky Re-invented: From Paris to Los Angeles,' the second and final weekend of the 24th annual Bard Music Festival in New York'sAnnandale-on-Hudson, follows Igor Stravinsky from Europe to post-war Hollywood, investigating his subsequent shift in style from neoclassicism to serialism. The weekend opens tonight, August 16, with a screening of film clips that document the great Russian innovator, with commentary by Professor Charles M. Joseph, author of Stravinsky Inside Out. This special session is followed by the weekend's first concert, 'Against Interpretation and Expression: The Aesthetics of Mechanization,' a program of postmodernist ensemble classics by Stravinsky, Bartók, Varèse, Hindemith, and Messiaen; soloists include Grammy-nominated pianist Peter Serkin and So Percussion's Eric Beach.

'Stravinsky Re-invented: From Paris to Los Angeles,' the second and final weekend of the 24th annual Bard Music Festival in New York's Annandale-on-Hudson, follows Igor Stravinsky from Europe to post-war Hollywood, investigating his subsequent shift in style from neoclassicism to serialism. The weekend opens on Friday, August 16, with a screening of film clips that document the great Russian innovator, with commentary by Professor Charles M. Joseph, author of Stravinsky Inside Out. This special session is followed by the weekend's first concert, 'Against Interpretation and Expression: The Aesthetics of Mechanization,' a program of postmodernist ensemble classics by Stravinsky, Bartók, Varèse, Hindemith, and Messiaen; soloists include Grammy-nominated pianist Peter Serkin and So Percussion's Eric Beach.

Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.

Culture at the crossroads in Belle Époque France will be explored at the ninth annual Bard SummerScape festival, which once again features a sumptuous tapestry of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 23rd annual Bard Music Festival.

Culture at the crossroads in Belle Époque France will be explored at the ninth annual Bard SummerScape festival, which once again features a sumptuous tapestry of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 23rd annual Bard Music Festival.

Drama Desk and Lucille Lortel award nominee Amy Warren (The Adding Machine, August: Osage County), Zachary James (South Pacific, The Addams Family), Rebecca Ringle (The Metropolitan Opera's upcoming Nixon in China and Die Walkure), Ryan Bauer-Walsh (Chicago's Billy Elliot), Mellissa Hughes (The Little Death, Volume 1), and mezzo-soprano Flora Mendoza join previously announced Megan Stern (Straight Up Vampire, CHURCH) and Lauren Worsham (New York City Opera's Candide, Goodspeed Opera House's Carnival!) for The Coterie: Twelve12Twelve12, at Joe's Pub on December 12th, 2010 at 9:30pm.

The Coterie (Royce Vavrek and Lauren Worsham, Co-Artistic Directors), a downtown opera-theater company devoted to developing contemporary music theater works, will present The Coterie: Twelve12Twelve12 an evening of twelve world premiere songs from new musicals and operas by twelve different composers on December 12th, 2010 at 9:30pm.

Drama Desk and Lucille Lortel award nominee Amy Warren (The Adding Machine, August: Osage County), Zachary James (South Pacific, The Addams Family), Rebecca Ringle (The Metropolitan Opera's upcoming Nixon in China and Die Walkure), Ryan Bauer-Walsh (Chicago's Billy Elliot), Mellissa Hughes (The Little Death, Volume 1), and mezzo-soprano Flora Mendoza join previously announced Megan Stern (Straight Up Vampire, CHURCH) and Lauren Worsham (New York City Opera's Candide, Goodspeed Opera House's Carnival!) for The Coterie: Twelve12Twelve12, at Joe's Pub on December 12th, 2010 at 9:30pm.

The Coterie (Royce Vavrek and Lauren Worsham, Co-Artistic Directors), a downtown opera-theater company devoted to developing contemporary music theater works, will present The Coterie: Twelve12Twelve12 an evening of twelve world premiere songs from new musicals and operas by twelve different composers on December 12th, 2010 at 9:30pm.