LIFE AND TRUST: Immersed in Faustian FiDi — Review
7 / 10
Director Teddy Bergman has a fantastic grasp on time and place – it often feels like a terrifying look into the mind of Mia Goth’s character in Pearl – and not a strong enough one on cohesive experience, each scene coheres vibewise. But even with its seemingly endless inventiveness – a somewhat ambivalent qualification here – Life and Trust is a marvel of spectacle, and one I suspect will draw return attendants seeking significance and revelry. We are once again, after all, in the freefalling ‘20s.
