Karen - 1918 - Broadway Articles Page 3

In the summer of 1918, as the Great War rages in Europe, two individuals wage their own battle against injustice in America, risking their lives for the right to marry. Winding up the 2014 Antaeus season of modern classics, Gregg T. Daniel directs a fully partner-cast revival of Wedding Band: A Love/Hate Story in Black and White by Alice Childress. Wedding Band runs today, Oct. 18 through Dec. 7 at the Antaeus Theater in NoHo, with low-priced previews beginning Oct. 9.

Imitating the dog, one of the UK's most original and innovative performance theatre companies are set to bring their unique theatrical vision to the stage this autumn when they produce the first UK stage adaptation of Ernest Hemingway's seminal First World War novel A Farewell to Arms.

The UK stage premiere, by imitating the dog and Dukes Lancaster, of Ernest Hemingway's A Farewell to Arms opens at the Dukes Lancaster from the 10-25 October 2014. (Press nights: 14 & 15 October) and then tours the UK. Scroll down for a first look at the stars!

In the summer of 1918, as the Great War rages in Europe, two individuals wage their own battle against injustice in America, risking their lives for the right to marry. Winding up the 2014 Antaeus season of modern classics, Gregg T. Daniel directs a fully partner-cast revival of Wedding Band: A Love/Hate Story in Black and White by Alice Childress. Wedding Band runs Oct. 18 through Dec. 7 at the Antaeus Theater in NoHo, with low-priced previews beginning Oct. 9.

As previously announced, playing the central roles of Frederic Henry and Catherine Barkley will be Jude Monk McGowan and Laura Atherton. Jude Monk McGowan has just finished playing Conrad in the acclaimed Punchdrunk/National Theatre production of The Drowned Man: A Hollywood Fable. His other credits include Joe Wright's screen adaptation of Anna Karenina, Little Britain and Faith, Hope and Charity at Southwark Playhouse. Laura Atherton's theatre credits include the recent imitating the dog productions The Zero Hour and Six Degrees below the Horizon. The other roles will be played by Morven Macbeth (LeanerFasterStronger, Sheffield Theatres/Chol Theatre), Matt Prendergast (Six Degrees Below the Horizon, imitating the dog), Marco Rossi (Histra, Ferodo Bridges) and making his professional stage debut Joshua Johnson.

Imitating the dog, one of the UK's most original and innovative performance theatre companies are set to bring their unique theatrical vision to the stage this autumn when they produce the first UK stage adaptation of Ernest Hemingway's seminal First World War novel A Farewell to Arms.

Arena Stage at the Mead Center for American Theater announces the full company for the world-premiere historical drama Camp David, penned by Pulitzer Prize-winning author Lawrence Wright and directed by Artistic Director Molly Smith. Based on true events surrounding the 1978 Camp David Accords, the play follows the 13-day meeting between President Jimmy Carter, Israeli Prime Minister Menachem Begin and Egyptian President Anwar Sadat as they attempted to create the impossible: peace in the Middle East. The production features Tony Award nominee Hallie Foote (Broadway's Dividing the Estate) as Rosalynn Carter, Egyptian actor and activist Khaled Nabawy (Kingdom of Heaven, Fair Game) as Anwar Sadat, Tony Award winner Ron Rifkin (Alias, Broadway's Cabaret) as Menachem Begin and Emmy Award winner Richard Thomas (The Waltons) as President Jimmy Carter. Camp David runs March 21-May 4, 2014 in the Kreeger Theater.

Ruth Wilson (Saving Mr Banks, Anna Christie, A Streetcar Named Desire, Luther, The Lone Ranger) will star in the London premiere of The El. Train: three one-act plays by Eugene O'Neill (The Web, Before Breakfast and The Dreamy Kid). The plays, written between 1913 and 1918, are being presented together for the first time. Ruth will act in The Web and Before Breakfast, directed by Sam Yates, and will make her directorial debut with The Dreamy Kid. Combining live music with immersive design, all housed in the intimate setting of Grade II listed Hoxton Hall (built 1863, seating an audience of 125), The El. Train will run for a limited four-week season from tonight, 6 December - 30 December, with press nights on the 12 & 13 December. Design is by Richard Kent, with lighting by Neil Austin and original composition and sound design by Alex Baranowski. The El. Train is being produced by Found Productions.

The full cast for The El. Train, joining the previously announced Ruth Wilson, is Simon Coombs, Sharon Duncan-Brewster, Christian Edwards, Nicola Hughes, Adam Sopp, Ony Uhiara and Zubin Varla.

Ruth Wilson (Saving Mr Banks, Anna Christie, A Streetcar Named Desire, Luther, The Lone Ranger) will star in the London premiere of The El. Train: three one-act plays by Eugene O'Neill (The Web, Before Breakfast and The Dreamy Kid). The plays, written between 1913 and 1918, are being presented together for the first time. Ruth will act in The Web and Before Breakfast, directed by Sam Yates, and will make her directorial debut with The Dreamy Kid. Combining live music with immersive design, all housed in the intimate setting of Grade II listed Hoxton Hall (built 1863, seating an audience of 125), The El. Train will run for a limited four-week season from 6 December - 30 December, with press nights on the 12 & 13 December. Design is by Richard Kent, with lighting by Neil Austin and original composition and sound design by Alex Baranowski. The El. Train is being produced by Found Productions. Further casting will be announced shortly.

Seattle Opera's 2012/13 season concludes in May with a double bill of compelling twentieth-century operas, both new to the company: La Voix Humaine, by Francis Poulenc, and Giacomo Puccini's Suor Angelica. Both these one-act operas follow fascinating women who must grapple with despair as they meet their fate; but the two works, like the composers who created them, are extremely different. In Poulenc's sensual monodrama, a woman stumbles through a minefield of emotions as she attempts to stay connected to her ex-lover over the telephone. Puccini's mystical tragedy tells the story of a young nun who learns of the death of the son she was forced to abandon. She kills herself yet miraculously passes into a state of grace. Performances begin tonight, May 4 and run through May 18.

New York Live Arts is set to present several Re: Awakenings performances as part of the inaugural Live Ideas festival. New York Live Arts' newest program initiative, Live Ideas is an annual humanities festival that will explore a different theme each year over several days. The inaugural festival, The Worlds of Oliver Sacks, will take place from today, April 17 through 21, 2013 and is comprised of more than 20 events, including performances, films and discussions that showcase works of art and spark conversations that engage the prevalent themes in the acclaimed neurologist's works.

Seattle Opera's 2012/13 season concludes in May with a double bill of compelling twentieth-century operas, both new to the company: La Voix Humaine, by Francis Poulenc, and Giacomo Puccini's Suor Angelica. Both these one-act operas follow fascinating women who must grapple with despair as they meet their fate; but the two works, like the composers who created them, are extremely different. In Poulenc's sensual monodrama, a woman stumbles through a minefield of emotions as she attempts to stay connected to her ex-lover over the telephone. Puccini's mystical tragedy tells the story of a young nun who learns of the death of the son she was forced to abandon. She kills herself yet miraculously passes into a state of grace. Performances begin on May 4 and run through May 18.

New York Live Arts is set to present several Re: Awakenings performances as part of the inaugural Live Ideas festival. New York Live Arts' newest program initiative, Live Ideas is an annual humanities festival that will explore a different theme each year over several days. The inaugural festival, The Worlds of Oliver Sacks, will take place from April 17 through 21, 2013 and is comprised of more than 20 events, including performances, films and discussions that showcase works of art and spark conversations that engage the prevalent themes in the acclaimed neurologist's works.

The Jewish Museum and the Film Society of Lincoln Center will present the 22nd annual New York Jewish Film Festival at the Film Society's Walter Reade Theater, Jan. 9-24, 2013. The festival's 45 features and shorts from 9 countries - 23 screening in their world, U.S. or New York premieres - provide a diverse global perspective on the Jewish experience. Many film screenings will be followed by filmmakers and special guests in onstage discussions.

Opera San Jose General Director Irene Dalis has announced repertoire for the company's 29th season to begin today, Saturday, September 8 with Georges Bizet's exotic romance The Pearl Fishers, one of four productions never before staged at the California Theatre. Anthony Quartuccio conducts, with stage direction by Richard Harrell, director of the San Francisco Conservatory of Music opera program.

Opera San Jose General Director Irene Dalis has announced repertoire for the company's 29th season to begin Saturday, September 8 with Georges Bizet's exotic romance The Pearl Fishers, one of four productions never before staged at the California Theatre.

Theater for the New City proudly presents the world premiere of Birds on Fire, a historical musical drama written and directed by Barbara Kahn.

Ava Astaire and Patricia Watt have announced the nominating committee for the 2011 Fred & Adele Astaire Awards, the only awards that recognize excellence in dance on Broadway and in film.

Theater for the New City proudly presents the world premiere of Birds on Fire, a historical musical drama written and directed by Barbara Kahn.

Featuring over 100 works from the museum's holdings by Constantin Brancusi, Paul Cezanne, Marc Chagall, Robert Delaunay, Marcel Duchamp, Fernand Leger, and Pablo Picasso, among others, The Great Upheaval: Modern Art from the Guggenheim Collection, 1910-1918 details the period of collaboration, interchange, synthesis, and innovation in the years leading up to World War I.

Featuring over 100 works from the museum's holdings by Constantin Brancusi, Paul Cezanne, Marc Chagall, Robert Delaunay, Marcel Duchamp, Fernand Leger, and Pablo Picasso, among others, The Great Upheaval: Modern Art from the Guggenheim Collection, 1910-1918 details the period of collaboration, interchange, synthesis, and innovation in the years leading up to World War I.

The Great Upheaval: Modern Art from the Guggenheim Collection, 1910-1918 illuminates the dynamism of this fertile period, as artists hurtled toward abstraction and the ultimate 'great upheaval' of a catastrophic war, and also highlights the masterpieces of modern art that launched the museum's collection. The exhibition unites the Guggenheim Foundation's remarkable collections in New York and Venice in order to trace the origins of the museum and capture the spirit and dynamism of the European avant-garde.

Aurora Theatre Company announced today its plans for a workshop production of Stravinsky's L'Histoire du Soldat (A Soldier's Tale). Through an innovative collaboration between Artistic Director Tom Ross and former San Francisco Ballet dancer Muriel Maffre, Aurora will develop a re-imagined production of L'Histoire du Soldat, based on a new translation of the libretto and new adaptation of the score. The project will feature four musicians (piano, violin, clarinet and percussion), three actors, two dancers/puppeteers, puppets (one life-size and one small), and video elements. Maffre, who performed a concert version of the work with the Orcas Island Chamber Music Festival in Seattle, will serve as choreographer, dancer, and co-director of the workshop. Artistic Director Tom Ross will co-direct with Maffre, and Berkeley Opera's Jonathan Khuner will serve as musical director.

Middlebury Actors Workshop, will end its run of THE FOX on March 21st.