Jealousy - 1928 - Broadway Articles Page 2

Every January I look forward to attending THE MANOR by Katherine Bates, presented by Theatre 40 inside the historic Greystone Mansion in Beverly Hills where the story upon which it is based actually took place. Now celebrating its 17th year, the annual production has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 90 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the Doheny saga have been changed, of course, "to protect the guilty" as we are told before the play begins by the mansion's loyal butler, James (Daniel Lench who has masterfully played the part for 6 years).

Brecht and Weill's The Threepenny Opera (l'Opera de Quat'Sous in French) is one of those works that became the hallmark of its era. Its sound, its look, and its cynicism are pure Weimar. However, during the 1928 Berlin premiere, early songs such as 'The Ballad of Mac The Knife' and 'Pirate Jenny' landed with a shrug, and it wasn't until the 'Canon Song,' halfway through the first act, that the audience became engaged. All of this to say that The Threepenny Opera is a complicated play whose virtues might not be immediately evident to the uninitiated. The production at Avignon's Opera Confluence, as directed by Jean Lacornerie, comes in at a swift two hours without intermission. While crammed onto an over-packed stage and breathlessly paced, Lacornerie still manages to keep the action moving with style.

Michael J. LaChiusa (music, lyrics and book) and George C. Wolfe's (book) musical interpretation of Joseph Moncure March's once scandalous 1928 poem THE WILD PARTY is an escapist night of deliciously dark debauchery.  The latest production from Little Triangle Theatre is a feast for the senses with fabulous music combining with brilliant choreography and creative costuming.

Buckle up buttercups! Andrew Lippa's WILD PARTY now showing at Brookfield Theatre for the Arts, is not for the timid or faint of heart.

Theater West End will soon occupy a space that has been home to a variety of theaters over its 117 years in historic downtown Sanford, Florida. Theater West End will continue this live theater tradition in a fresh way, bringing a new kind of artistic endeavor and energy to the area.

The Dio - Dining & Entertainment, Livingston County's professional, award winning dinner theatre, is excited to present a musical with a cult-like following of fans, The Wild Party by Andrew Lippa, based on the poem by Joseph Moncure March, directed by Steve DeBruyne with music direction by Brian Rose.

THE THREEPENNY OPERA is a 20th century classic that is rarely performed by a professional opera company. Boston Lyric Opera and Director James Darrah have brought together an ensemble of artists whose acting skills and stellar vocal talents distinctively portray the cast of memorable characters and beautifully render Kurt Weill's jazzy score.

Working intimately with directors like Yasujiro Ozu, Akira Kurosawa, Kenji Mizoguchi and Kon Ichikawa on some of their most important films, Kazuo Miyagawa (1908-99) pushed Japanese cinema to its highest artistic peaks through his lyrical, innovative, and technically flawless camerawork. Considered the greatest cinematographer of postwar Japanese cinema whose career endured through the 1990s, Miyagawa has influenced generations of leading filmmakers around the world.

The selection of The Threepenny Opera to inaugurate Street's 2018 season is one of the year's most eagerly anticipated theatrical events in Music City - thanks in part to the fact that it may well be the first home-grown staging of Brecht and Weill's parody of operetta that, in turn, skewers capitalistic society while touting socialist, even Troskyite, values in the guise of a rather farcical music hall diversion. Does it succeed? The answer is 'yes,' perhaps even an emphatic 'YES!' although one must pay close attention to the lyrics for the punch of the political set amidst a story that, on the surface, seems somewhat apolitical in tone, style and nature.

It's the Jazz Age, and a parade of misfits and social outcasts have a party. William Peace Theatre brings the 1920's to life in Andrew Lippa's The Wild Party, November 16 - 19 in Kenan Auditorium in the Browne-McPherson building on campus at 15 E. Peace St., Raleigh.

It's the Jazz Age, and a parade of misfits and social outcasts have a party. William Peace Theatre brings the 1920's to life in Andrew Lippa's The Wild Party, November 16 - 19 in Kenan Auditorium in the Browne-McPherson building on campus at 15 E. Peace St., Raleigh.

Spiro Veloudos remounts one of his favorite productions in celebration of his 20 years as Producing Artistic Director.

In Andrew Lippa's The Wild Party, decadence and excess roar across the stage in this steamy prohibition tale based on Joseph Moncure March's 1928 narrative poem of the same name. This darkly brilliant show, featuring one of the most exciting, pulse-racing scores ever written, will open the 2017-2018 season at CDC Theatre in Cranford, NJ. This marks the 99th season at New Jersey's oldest continuously producing community theatre.

Queenie and Burrs are the story of a once steamy love gone stale. Andrew Lippa's The Wild Party tells their story as they lash out in manipulation and jealousy. Directed by Allison Arkell Stockman, The Constellation Theatre's production opened on September 21. Told against the backdrop of a seedy New York City apartment in the 1920's, this musical is good dirty fun. As all musical theatre fans know, nothing is sexier than the sound of a muted trumpet in low lighting.

Spiro Veloudos remounts one of his favorite productions in celebration of his 20 years as Producing Artistic Director.

'Something that's sure to please everyone in 2017,' is the promise of Cumberland County Playhouse producing director Bryce McDonald while announcing the upcoming season at the award-winning theatrical venue located in the hill of Tennessee.

Iron Crow Theatre opens it's biggest season in history with Andrew Lippa's The Wild Party; an off-Broadway gem that garnered an array of industry accolades.

Netflix, the world's leading internet TV network, announced that principal photography begins today on its first Spanish original series, LAS CHICAS DEL CABLE.

Cal State Fullerton's 2016-2017 season opens with the 2003 Pulitzer Prize winner Anna in the Tropics, written by Nilo Cruz, directed by Fidel Gomez and runs September 23-October 9, 2016 in the Young Theatre on campus.

Iron Crow Theatre opens it's biggest season in history with Andrew Lippa's The Wild Party; an off-Broadway gem that garnered an array of industry accolades.

Cal State Fullerton's 2016-2017 season opens with the 2003 Pulitzer Prize winner Anna in the Tropics, written by Nilo Cruz, directed by Fidel Gomez and runs September 23-October 9, 2016 in the Young Theatre on campus.

Owing to the popularity of this double bill, Metropolitan Playhouse is adding two performances in the final week of June to the run of O'NEILL (UNEXPECTED).

New York City Opera General Director Michael Capasso today announced the 2016-17 season of City Opera, a full season of new productions, concerts, and presentations for the "people's opera." New York City Opera will offer five operas (including a double bill) at Jazz at Lincoln Center's Rose Theater; two chamber operas, including a Spanish baroque work at Harlem Stage as part of its O?pera en Espan?ol series, and New York City Opera Concerts at The Appel Room at Jazz at Lincoln Center. New York City Opera Orchestra will be featured in every opera and concert.

Lovers Queenie and Burrs decide to throw the party to end all parties in their Manhattan apartment. After the colorful arrival of a slew of guests living life on the edge, Queenie's wandering eyes land on a striking man named Black. As the decadence is reaching a climax, so is Burrs' jealousy which erupts and sends him into a violent rage. Gun in hand and inhibitions abandoned Burrs turns on Queenie and Black. The gun gets fired, but who's been shot?

Lovers Queenie and Burrs decide to throw the party to end all parties in their Manhattan apartment. After the colorful arrival of a slew of guests living life on the edge, Queenie's wandering eyes land on a striking man named Black. As the decadence is reaching a climax, so is Burrs' jealousy which erupts and sends him into a violent rage. Gun in hand and inhibitions abandoned Burrs turns on Queenie and Black. The gun gets fired, but who's been shot?