If It Was Easy - 2001 - Off-Broadway Articles Page 18

Transport Group, the winner of a special 2007 Drama Desk Award and a 2007 Obie Award, has announced its 2008-09 season: Bury the Dead, written by Irwin Shaw and directed by Joe Calarco, and Being Audrey, music and lyrics by Ellen Weiss, book by James Hindman, additional book and lyrics by Cheryl Stern, developed with Jack Cummings III and Adam R. Perlman, and directed by Jack Cummings III.

Academy Award winner Marisa Tomei and other actors to be announced will read the classic play 'Golden Boy' written by Clifford Odets and directed by Joanne Woodward, on Monday, August 25, 7 p.m., at Westport Country Playhouse (Joanne Woodward and Anne Keefe, artistic directors, and Jodi Schoenbrun Carter, managing director).

Academy Award winner Marisa Tomei and other actors to be announced will read the classic play 'Golden Boy' written by Clifford Odets and directed by Joanne Woodward, on Monday, August 25, 7 p.m., at Westport Country Playhouse (Joanne Woodward and Anne Keefe, artistic directors, and Jodi Schoenbrun Carter, managing director).

Les Waters, the associate artistic director of Berkeley Repertory Theatre, heads east again this week to open the world premiere of Cardenio in Cambridge.

Once a ballerina, Michelle is now a Disney princess, having also appeared in 'Mary Poppins' and 'Beauty and the Beast'.

The award-winning actor currently costars in 'Hunting and Gathering', the second of three plays he's in this season.

Amy Tan's acclaimed novel 'The Joy Luck Club' has woven the warm and intriguing stories of four Chinese mothers and their daughters for readers of all generations today and still to come. This fall, Pan Asian Rep revives Susan Kim's stage-adaptation of The Joy Luck Club with a cast brimming with new and seasoned Asian-American actors, eager to bring this cherished tale to life. The four 'daughters' of The Joy Luck Club - Han Nah Kim, Rosanne Ma, Tina Chilip and Sacha Iskra - to discuss their shared experience in this play and the important role of Asians in American theatre...

WHO: Toby's Dinner Theatre of Baltimore WHAT: The Full Monty WHEN: Through March 25. Thurs. - Sun., with some Tues, Weds, evenings and Thurs matinees. BWW Discount 03/01, 02 and 04! Buy One, Get One!

Comic playwright Christopher Durang talks with BWW about musicals, politics, maturity, and the hits & misses of his career.

Part III features ON THE LINE - The Creation of A CHORUS LINE, MOSS HART: A PRINCE OF THE THEATRE, A FINE ROMANCE HOLLYWOOD/BROADWAY The Magic. The Mayhem. The Musicals, SECOND ACT TROUBLE Behind the Scenes at Broadway's Big Musical Bombs, and THE LONGEST LINE Broadway's Most Singular Sensation: A CHORUS LINE.

Christiane Noll, currently starring in the York Theatre Company musical A Fine and Private Place, is a versatile performer who sees no reason to impose limits on herself--in theatre and in life

Pati checks in with the always popular Sam Harris who has been entertaining audiences throughout the country from Star Search, to today.

Geva Theatre Center (Mark Cuddy, Artistic Director) and Five Course Love Company LLC will present the lip-smacking new musical comedy Five Course Love with Book, Music & Lyrics by Gregg Coffin at the Minetta Lane Theatre, 18 Minetta Lane (between Sixth Avenue and MacDougal Street).

On April 28 the US Postal Service unveiled a postage stamp bearing the image of renowned lyricist Yip Harburg.

Mark Cuddy, Geva Theatre Center's Artistic Director, is proud to announce the much anticipated 2005–2006 Season. The new season features three world premieres, a world-wide hit that began as a 'whodunit' at Geva thirty years ago, and the return of one of the most popular musicals in Geva Theatre Center history.

In the third in a series of Women's History Month profiles, Nugent talks about producing hits and flops, getting backers, making movies and leveling the playing field for women in theater.

Piano man extraordinaire Mark Nadler, now appearing at Opia, chats with BWW about living and dead composers, Botoxed audiences, his buck-toothed inspiration and the future of cabaret.

Barrett Foa, who understudies Rod/Princeton in Avenue Q already has some quite an intriguing list of roles to his credit. In the following interview, Barrett shares his thoughts on workshops, concerts, and his experience joing the Avenue Q family!

With those words and one last musical flourish, the final performance at Henry Miller's Theatre came to an end