BWW Interview: Alisa Dupuy of The Ladies of History Historical Productions
Alisa Dupuy of The Ladies of History Historical Productions is a woman of a thousand faces (and voices) and keeps audiences enthralled with her one-woman enactments.
I Spy A Spy 2019 Off-Broadway — Photo Coverage
BWW Interview: Sam Harvey of BROADWAY CHRISTMAS WONDERLAND at Tokyu Theatre Orb (Japan)
Sam Harvey is one cast member who has been with the show since the beginning. In a really fun interview session, I learned he comes back every year because he loves sharing Christmas with the world...and longs for the chicken nuggets at Japanese convenient stores??
BWW Review: THE SURVEILLANCE TRILOGY Confirms Big Brother Has Always Been Watching Us
Told in three separate one-act stories, the World Premiere of Leda Siskind's play THE SURVEILLANCE TRIOLOGY explores the ways in which private citizens have become victims of ever-present eavesdropping by forces able to be kept secret until the damage has been done. Directed by Amanda Conlon at Theatre 40, ultimately you may just walk out at the end wondering just how you are being watched and for just what purpose, especially when you turn your cell phone back on and begin interacting with it.
Review: THE BULLY PROBLEM Action-Packed Musical About Bullying, Standing up for Yourself - and Robots - Shines at Fringe
Fresh off showcasing at the prestigious ASCAP Musical Theatre Workshop, acclaimed composer Michael Gordon Shapiro's captivating, award-winning musical THE BULLY PROBLEM is thrilling Fringe audiences with its sweet, poignant, and action-packed musical about bullying, standing up for yourself…and robots. Performed by an ensemble of actors who know how to truly support each other and work together from moment-to-moment, there is no doubt in my mind the production will be one of the biggest Fringe hits this month.
Review: SAFEHOUSE '77 Recruits Participants Into a 1970's Spy Versus Spy Immersive Party Game
SAFEHOUSE '77 is a site-specific interactive show with a mixture of historical and pop-cultural influences in the exciting world of spy movies. The evening begins after parking in a Bank of America lot a few blocks away from the party house where Connie (Ashley Jones, decked out in high-waisted bell bottom jeans), the sister of our party host, Sharon (Katie Rediger), meets us and goes over a few rules for the evening before escorting us to the party. Just prior to entering, each guest is given an ERA YES badge, every one different in color with an animal sticker in its center. Of course, there is a purpose which soon becomes apparent once the party begins.
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