Great Music - 1924 - Broadway Articles Page 18

Bailey Nolan (Ann Liv Young Dance Company) mounts a one-woman cabaret with a cast of ten, re-imagining 'Dumbo' as the tale of a gender-free outcast. Relayed through a series of vignettes told from the vantage point of Dumbo's mother (a retired showgirl played by Nolan herself), the extravaganza features fearless performers from her collective BabySkinGlove, including Charley Parden, Viva Soudan, Nessa Norich, Ellen Robin Rosenberg and Wesley Flash. With a pop music soundtrack that includes Mariah Carey, Johnny Cash, Florence and the Machine, Aerosmith and Joni Mitchell, Nolan and companions bridge the gap between unabashed self-indulgence and delicate nostalgia. The tale is told in two acts with a whirlwind of lightly choreographed emotions as explored on the laps of the audience.

New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.

Bailey Nolan (Ann Liv Young Dance Company) mounts a one-woman cabaret with a cast of ten, re-imagining 'Dumbo' as the tale of a gender-free outcast. Relayed through a series of vignettes told from the vantage point of Dumbo's mother (a retired showgirl played by Nolan herself), the extravaganza features fearless performers from her collective BabySkinGlove, including Charley Parden, Viva Soudan, Nessa Norich, Ellen Robin Rosenberg and Wesley Flash. With a pop music soundtrack that includes Mariah Carey, Johnny Cash, Florence and the Machine, Aerosmith and Joni Mitchell, Nolan and companions bridge the gap between unabashed self-indulgence and delicate nostalgia. The tale is told in two acts with a whirlwind of lightly choreographed emotions as explored on the laps of the audience.

Next spring, Audra McDonald, Brian Stokes Mitchell, Billy Porter, Brandon Victor Dixon, and Joshua Henry will star in SHUFFLE ALONG Or The Making of the Musical Sensation of 1921 and All That Followed, a striking new production that presents both the 1921 musical itself, and additionally details the events that catalyzed the songwriting team of Noble Sissle and Eubie Blake, and librettists F.E. Miller and Aubrey Lyles to create this ground-breaking work.

Hailed recently by The New York Times as "ingenious," New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.

New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.

New York City, NY (FOR RELEASE 7.20.15) --- Hailed recently by The New York Times as “ingenious,” New York City's Ensemble for the Romantic Century (ERC) returns to the Berkshires for the third consecutive summer with the regional premiere of the theatrical concert Van Gogh's Ear. In partnership with the American Institute for Economic Research and the Clark Art Institute, the 10-day, 12-performance series of Van Gogh's Ear complements Clark's art exhibition Van Gogh and Nature and features a special pre-performance discussion August 25th led by the Clark's curator at large, Richard Kendall.

The Shakespeare Theatre of New Jersey is thrilled to present a world premiere adaptation of Ferenc Molnar's The Guardsman - translated from the original Hungarian by Molnar's great grandson Gabor Lukin and adapted and directed by Artistic Director Bonnie J. Monte. Performances begin Wednesday, July 8th and continue through Sunday, July 26th at the F.M. Kirby Shakespeare Theatre, 36 Madison Avenue (at Lancaster Road) in Madison. Individual tickets and subscriptions can be purchased by calling the Box Office at 973-408-5600 or by visiting ShakespeareNJ.org.

Emmy®-winning playwright, screenwriter and director Jane Anderson (HBO's “Olive Kitteridge”) grew up in California surrounded by the paintings of her great-aunt, Edith Lake Wilkinson, which were rescued by her mother from trunks in a dusty attic.

The Boston Symphony Orchestra and Music Director Andris Nelsons have entered into a new partnership to create Classical Live, a unique initiative that offers a new paradigm for the distribution of live recordings of classical music available only on Google Play Music. Classical Live will offer participating orchestras—the BSO, Cleveland Orchestra, New York Philharmonic, London Symphony Orchestra, and Amsterdam's Royal Concertgebouw Orchestra—an opportunity to release up to four live concert recordings each season for download exclusively on Google Play Music with the first recordings to be made available at music.google.com or classical-live.com beginning on June 15.  

One of America's most versatile and prolific living composers, Andre Previn, joins Pacific Symphony as the honored guest and focus of the 15th American Composers Festival (ACF). Previn, who has been called one of America's least easily categorized musicians, began his remarkable career as a Hollywood "wunderkind" and a best-selling jazz pianist. Now 86, Previn has received four Academy Awards for his work in film, 10 Grammy Awards for his recordings (plus one more for his Lifetime Achievement), and he is also an honorary Knight Commander of the Order of the British Empire. He's held a series of major conducting posts, including the L.A. Philharmonic and the London Symphony Orchestra, but now exclusively composes. The concert is led by Music Director Carl St.Clair, whose great admiration for the legend shaped this year's ACF to reveal the scope of Previn's prowess as a composer. 

Orange County, Calif.-May 11, 2015-One of America's most versatile and prolific living composers, Andre Previn, joins Pacific Symphony as the honored guest and focus of the 15th American Composers Festival (ACF). Previn, who has been called one of America's least easily categorized musicians, began his remarkable career as a Hollywood "wunderkind" and a best-selling jazz pianist. Now 86, Previn has received four Academy Awards for his work in film, 10 Grammy Awards for his recordings (plus one more for his Lifetime Achievement), and he is also an honorary Knight Commander of the Order of the British Empire. He's held a series of major conducting posts, including the L.A. Philharmonic and the London Symphony Orchestra, but now exclusively composes. The concert is led by Music Director Carl St.Clair, whose great admiration for the legend shaped this year's ACF to reveal the scope of Previn's prowess as a composer. 

Vassar and New York Stage and Film's Powerhouse Theater announces its 31st year of championing new works, with a full season of stories that take audiences from a South Sea island to center court at the US Open and beyond.

After two years performing his highly praised show, It Was Me, honoring the songbook of famed lyricist Norman Gimbel at New York's Don't Tell Mama, Bistro Award-winning vocalist and BroadwayWorld.com 'Best Male Vocalist' nominee Jeff Macauley presents a new show this spring at New York's Metropolitan Room. In Mr. Lucky, Macauley will celebrate the music of the iconic composer Henry Mancini. Macauley's orchestra for Mr. Lucky will be Award-winning Musical Director/pianist and arranger Tex Arnold with Jon Burr on bass. Opening night of the three-show run is April 15, 2015, with additional shows on May 6 and June 17. All shows are today nights at 9:30 pm. The Metropolitan Room is at 34 West 22nd Street, NY, NY 10010, 212-206-0440.

YALE SCHOOL OF DRAMA has established two new scholarships with a $100,000 gift from The Frederick Loewe Foundation: the Frederick Loewe Musical Theatre Scholarship, which will be awarded to a playwriting student who demonstrates particular interest in musical theatre composition; and the Frederick Loewe Directing Scholarship in honor of Floria V. Lasky.

After two years performing his highly praised show, It Was Me, honoring the songbook of famed lyricist Norman Gimbel at New York's Don't Tell Mama, Bistro Award-winning vocalist and BroadwayWorld.com 'Best Male Vocalist' nominee Jeff Macauley presents a new show this spring at New York's Metropolitan Room. In Mr. Lucky, Macauley will celebrate the music of the iconic composer Henry Mancini. Macauley's orchestra for Mr. Lucky will be Award-winning Musical Director/pianist and arranger Tex Arnold with Jon Burr on bass. Opening night of the three-show run is April 15, 2015, with additional shows on May 6 and June 17. All shows are on Wednesday nights at 9:30 pm. The Metropolitan Room is at 34 West 22nd Street, NY, NY 10010, 212-206-0440.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Next spring, Tony Award winners Audra McDonald, George C. Wolfe, and Savion Glover will team up to collaborate on SHUFFLE ALONG, Or, The Making of the Musical Sensation of 1921 and All That Followed, a musical about the events that led to the creation of the groundbreaking Eubie Blake-Noble Sissle musical Shuffle Along. Starring Audra McDonald as the 1920's star Lottie Gee, directed by George C. Wolfe -- with a book written by Wolfe -- and choreographed by Savion Glover, the musical marks the first time that the writer/director and choreographer will have worked together since their 1996 hit Bring in 'da Noise, Bring in 'da Funk. Previews will begin Monday, March 14, 2016. Opening night is Thursday, April 21, 2016 at the Music Box Theatre (239 West 45th Street).

When Cole Porter wrote, 'Anything Goes,' he could have easily been referring to New York cabaret circa the 2000-sies. One of the joys of attending and reviewing cabaret shows in the Big Apple these days is that every performing style, show theme, cultural perspective, political point of view, race, gender, and sexual preference is represented on a stage. Some cabaret purists may not agree, but the genre seems to have no boundaries in terms of what is acceptable and what is not. And as long as a show is entertaining, who cares about boundaries and strict definitions of what works in the art form? Here are reviews of three recent shows from Barbara Malley, Robin Kradles, and Donna Hayes that reflect the delicious diversity that is cabaret.

From today. March 12 - 22, 2015 Houston Ballet offers up Modern Masters, a spring mixed repertory program showcasing works by three of the twentieth century's greatest choreographers.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.

Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.

Tommy Tune, Colin Donnell, Danny Gardner, Jeff Hiller, Erin Mackey, Patti Murin, Douglas Sills,Jennifer Laura Thompson and Kirsten Wyatt star in George and Ira Gershwin's Lady, Be Good, the opening production of New York City Center's 2015 Encores! season, running for seven performances, last night, February 4, through February 8, 2015. Let's see what the critics had to say...

From March 12 - 22, 2015 Houston Ballet offers up Modern Masters, a spring mixed repertory program showcasing works by three of the twentieth century's greatest choreographers.