Off-Broadway Review: DARK NOON (St. Ann’s Warehouse)
7 / 10
The audience is seated on three-sides of a bare stage, but Johan Kølkjær’s setting won’t remain empty for long. Representing America, the sets are gradually built upon a dirty tarp as the performance progresses. A church will be constructed, as well as a merchant store, a bank, a politician’s office, a pioneer home, a Chinese restaurant, a bar and whorehouse, a jail, and an outdoor holding pen. Oh, and a railroad track runs down the center of the stage ending at the mines. Plus, the endless props by Marie Rosendahl Chemnitz, cameras displaying live filming of scenes as they take place (video designer Rasmus Kreiner), and microphones (sound designer Ditlev Brinth). By the end, there’s so much scenery that other spectators disappear from view. Stage Manager Svante Huniche Corell and his crew notably uphold the challenging staging, allowing the pandemonium to unfold with perfection