First is Last - 1919 - Broadway Articles Page 7

From Friday, July 20 through Thursday, July 26, BAMcinématek presents Pioneers: First Women Filmmakers in collaboration with Kino Lorber and The Library of Congress. A follow-up to its award-winning Pioneers of African-American Cinema, this collection was produced for Kino Lorber by Bret Wood and curated by historian Shelley Stamp. The series presents a vast array of new 2K restorations, focusing primarily on women directors of the silent-era American cinema. As was frequently the case, women directors remained uncredited or were co-credited as director, even though for all intents and purposes, they were the de-facto directors and primary creative forces of the film. “Women played an extraordinary role in early filmmaking, but this history has been largely forgotten,” says series curator Shelley Stamp, 'I'm so thrilled that these films have been restored and re-scored so that contemporary audiences will have a chance to see what female filmmakers were up to 100 years ago.” Stamp will be present to introduce the first four programs in the series.

Two love stories. Two suicides. Padua Playwrights presents the world premiere of Mayakovsky and Stalin, written and directed by legendary poet/playwright Murray Mednick (The Gary Plays), opening at the Lounge Theatre on July 21.

Having dazzled Australia and the world with her virtuosity and interpretation of the classic European cabaret repertoire, Robyn Archer AO has an unparalleled artistic career. For three performances only this July, Robyn Archer returns to Arts Centre Melbourne, in the Fairfax Studio, with Dancing on the Volcano, a biting satirical journey through Berlin cabaret of the 20s and 30s .

Spanning 1915 to 1919, set against the backdrop of Boston's Italian North End Immigrants, MOLASSES IN JANUARY is a charming historical fiction musical that tells the story of Anna, a single mother doing her best to raise her children in a world caught up in the turmoil of the first World War. As rumors grow about the potential construction of an enormous molasses tank that will be used to make liquor and gun powder for the war, so do the hopes for potential prosperity. But suddenly on an unusually warm January day, the tank bursts and two million gallons of molasses come crashing down around Anna and her family discovers that life can change in a moment. The music of MOLASSES IN JANUARY is performed in the traditional style of the Great American Song Book, similar to Fiddler on the Roof and Gypsy.

DECLINE AND FALL: New Play Explores the Historic Impact of Global Politics on Individual Lives

Continuing the momentum created with the current season launch of its Music Knows No Borders series, Executive Director Thor Steingraber unveils the Younes and Soraya Nazarian Center for the Performing Arts' 2018-19 Season, which features four world premieres, two American premieres, several of the world's greatest orchestras, innovative jazz programs, two tributes to Hollywood legends, Broadway classics plus artists from 18 different nations who will appear on stage at The Soraya next season.  New Subscription Series tickets will go on sale May 1, 2018.

NBC Shares Primetime Schedule for 4/23-5/20

Dance We Must: Treasures from Jacob's Pillow, 1906-1940 explores the contributions of Jacob's Pillow founder Ted Shawn and the iconic Ruth St. Denis to American modern dance. Gathering over 350 materials, including more than 30 costumes and accessories, over 200 photographs, five original antique costume trunks, and a dozen original artworks from both the Jacob's Pillow Archives and Williams College Special Collections, the exhibition contextualizes the pioneering work of Shawn and St. Denis within the scope of American art history through artifacts that have never been seen before. Dance We Must will be on view at Williams College Museum of Art (WCMA) from June 29 through November 11, 2018. The opening celebration will take place on July 2, featuring performances by Adam H. Weinert and Williams College Artist-in-Residence in Dance Erica Dankmeyer.

Spanning 1915 to 1919, set against the backdrop of Boston's Italian North End Immigrants, MOLASSES IN JANUARY is a charming historical fiction musical that tells the story of Anna, a single mother doing her best to raise her children in a world caught up in the turmoil of the first World War. As rumors grow about the potential construction of an enormous molasses tank that will be used to make liquor and gun powder for the war, so do the hopes for potential prosperity. But suddenly on an unusually warm January day, the tank bursts and two million gallons of molasses come crashing down around Anna and her family discovers that life can change in a moment. The music of MOLASSES IN JANUARY is performed in the traditional style of the Great American Song Book, similar to Fiddler on the Roof and Gypsy.

Rehearsals are in full swing for The 5th Avenue Theatre's production of Kiss Me, Kate, which begins performances next Friday, April 6.

MOLASSES IN JANUARY, an original new musical about a struggling family of Italian immigrants who are literally swept up in the Boston Molasses disaster of 1919, will make its full Off-Broadway premiere on Wednesday, May 2, 2018 and have an open run in the Jerry Orbach Theatre at The Theater Center, located at 1627 Broadway. Written and composed by Francine Pellegrino and directed by Whitney Stone with musical direction by Michael Wittenburg, this spirited new musical will have its official opening on Thursday, May 24th at 5PM. 

The little OPERA theatre of ny (LOTNY), in collaboration with New York based period ensemble New Vintage Baroque,presents the New York City Premiere of Piramo e Tisbe at Baruch Performing Arts Center, 55 Lexington Avenue, NYC, from March 22-25, 2018, with performances on Thursday through Saturday at 7:30pm and Sunday at 3pm. Tickets are $35 and are available at https://web.ovationtix.com/trs/cal/35006. Based upon the story of Pyramus and Thisbe from Ovid's Metamorphoses with a libretto by Marco Coltellini, Piramo e Tisbe is byJohann Adolph Hasse, a pivotal opera composer of the 18th Century celebrated for his sweet and tender melodies. Sung in Italian with English supertitles.

Lyrics take center stage at Quality Hill Playhouse in March as the company pays tribute to two songwriters known for their internal rhymes and worldly wit in the original cabaret revue IT'S DELOVELY: THE WIT OF COLE PORTER AND NOËL COWARD, opening March 2.

February 19, 2018 - Based on Roundabout Theatre Company's Tony Award-winning production, Sam Mendes (Skyfall, American Beauty) and Rob Marshall's (Into the Woods and Chicago, the films) CABARET will play The Playhouse on Rodney Square in Wilmington for eight performances, March 13-19. This is the first time the Broadway revival has toured the historic Wilmington theater.

Following a sell-out season at the Abbey Theatre as part of the 100th anniversary celebrations of the 1916 Easter Rising, as well as a successful Irish and US tour, The Plough and the Stars comes to the Lyric Hammersmith as a co-production with the Abbey Theatre.

The little OPERA theatre of ny (LOTNY), in collaboration with New York based period ensemble New Vintage Baroque, presents the New York City Premiere of Piramo e Tisbe at Baruch Performing Arts Center, 55 Lexington Avenue, NYC, from March 22-25, 2018, with performances on Thursday through Saturday at 7:30pm and Sunday at 3pm.  Tickets are $35 and are available at https://web.ovationtix.com/trs/cal/35006.   Based upon the story of Pyramus and Thisbe from Ovid's Metamorphoses with a libretto by Marco Coltellini, Piramo e Tisbe is byJohann Adolph Hasse, a pivotal opera composer of the 18th Century celebrated for his sweet and tender melodies. Sung in Italian with English supertitles.

One of Broadway's leading ladies, Donna Vivino, will entertain two nights only at The 1919 Lounge at the Empire Arts Center in her solo show. Grand Forks' own Keith Teepen will be joining her on piano. Donna will share songs and stories from her career and beyond, making an evening so unforgettable, you might just forget you're in Grand Forks.

The 70th anniversary season of the Festival d'Aix-en-Provence will present an incomparable collection of artists from around the globe in six major opera productions; recitals, chamber music and orchestral concerts from July 4 through 24; plus multiple events from the Acad mie du Festival d'Aix in June and July. This double anniversary season - the Festival's 70th and the Academy's 20th - also celebrates the conclusion of Bernard Foccroulle's eleven-year tenure as general manager of the Festival. His legacy will be on display in the 2018 season with commissions, new productions, major participatory events, and significantly broader outreach to Arab and local audiences. Foccroulle will be succeeded by Park Avenue Armory artistic director and Dutch National Opera director Pierre Audi in September 2018.

La Mirada Theatre for the Performing Arts & McCoy Rigby Entertainment present the third show of its 2017-2018 season (and the 40th anniversary of the iconic theatre) with CABARET, book by Joe Masteroff (based on the play by John Van Druten and stories by Christopher Isherwood), music by John Kander, lyrics by Fred Ebb with musical direction by David O, choreography by Dana Solimando and directed by Larry Carpenter.

The little OPERA theatre of ny(LOTNY), in collaboration with New York based period ensemble New Vintage Baroque,presents the New York City Premiere of Piramo e Tisbe at Baruch Performing Arts Center, 55 Lexington Avenue, NYC, from March 22-25, 2018, with performances on Thursday through Saturday at 7:30pm and Sunday at 3pm. Tickets are $35 and are available at https://web.ovationtix.com/trs/cal/35006.

Joshua Weilerstein will conduct the New York Philharmonic in a French program spotlighting Ravel. The program he will lead, in which he is replacing Charles Dutoit (who withdrew from the performances), remains unchanged: the Piano Concerto for the Left Hand, with Jean-Yves Thibaudet as soloist; Le Tombeau de Couperin; Valses nobles et sentimentales; Bol ro; and Ravel's orchestration of Debussy's Sarabande et Danse, Wednesday, January 17, 2018, at 7:30 p.m.; Thursday, January 18 at 7:30 p.m.; Friday, January 19 at 8:00 p.m.; and Saturday, January 20 at 8:00 p.m.

Joe's Pub at The Public has announced its nightly performances from December 13-24, 2017, including Justin Vivian Bond, Alan Cumming, The Civilians, Shaina Taub and more.

La Mirada Theatre for the Performing Arts & McCoy Rigby Entertainment present the third show of its 2017-2018 season (and the 40th anniversary of the iconic theatre) with CABARET, book by Joe Masteroff (based on the play by John Van Druten and stories by Christopher Isherwood), music by John Kander, lyrics by Fred Ebb with musical direction by David O, choreography by Dana Solimando and directed by Larry Carpenter.

The 70th anniversary season of the Festival d'Aix-en-Provence will present six full-scale opera productions and an international roster of exceptional artistry from July 4 through 24, 2018. The anniversary season also marks a milestone, as it celebrates the conclusion of Bernard Foccroulle's eleven-year tenure as general manager of the Festival. His legacy will be demonstrated in the coming season with commissions, new productions, major participatory events, and significant outreach to Arab, Mediterranean, and local audiences. Foccroulle will be succeeded by Park Avenue Armory artistic director and Dutch National Opera director Pierre Audi in September, 2018.

Charles Dutoit will conduct the New York Philharmonic in a French program spotlighting Ravel, featuring the Piano Concerto for the Left Hand, with Jean-Yves Thibaudet as soloist; Le Tombeau de Couperin; Valses nobles et sentimentales; Bol ro; and Ravel's orchestration of Debussy's Sarabande et Danse, Wednesday, January 17, 2018, at 7:30 p.m.; Thursday, January 18 at 7:30 p.m.; Friday, January 19 at 8:00 p.m.; and Saturday, January 20 at 8:00 p.m.