Do It Again! - 1971 - Off-Broadway Articles Page 13

The 1971 Kander and Ebb-tuner, set for 54 Below on April 17th at 7:00pm, has added a second performance due to popular demand. A portion of the evening's proceeds will benefit The Lillian Booth Actor's Home. 

As previously announced, FEINSTEIN'S/54 BELOW, Broadway's Supper Club, will present 70, Girls, 70: In Concert. Jim Brochu (Zero Hour, The Last Session), Frank Root (42nd Street, Mack & Mabel) and Penny Worth (Irene, Annie, Grand Hotel) have joined the evening's starry cast. 

Feinstein's/54 Below, Broadway's Supper Club, presents 70, Girls, 70: In Concert on Monday, April 17th, 2017 at 7:00PM.

Druid Theatre will remount Martin McDonagh's sensational, award-winning dark comedy, The Beauty Queen of Leenane, at BAM's Harvey Theater (651 Fulton St.) this winter.

The Vagabonds say, "ready, set, subscribe" for an exciting and jam-packed season line-up.  Today, Flat Rock Playhouse announced the highly anticipated 2017 season of twenty-five productions that make up Flat Rock's Mainstage features, Studio 52 & Family programming, and the popular Music on the Rock series.

Marian Luntz, curator of film and video at the The Museum of Fine Arts, Houston gives us some insight into the MFAH Film Series WUXIA WONDERS: MARTIAL ARTS ON SCREEN, including why it kicks so much ass!

The Public Theater has announced a final extension today for the first major New York revival of PLENTY, written by David Hare. Directed by five-time Tony Award nominee David Leveaux, the show began performances on Tuesday, November 4 and was originally extended through Sunday, November 20. It will now run through Thursday, December 1, with an official press opening Sunday, October 23.

San Francisco's leading musical theatre company, is pleased to announce the appointment of Daren A.C. Carollo and Daniel Thomas as the 42nd Street Moon's new Executive Directors. Daren and Daniel will assume the leadership of all artistic and administrative operations of 42nd Street Moon as the company continues to enrich and embolden its mission as it continues to strengthen its position as a leader in the Bay Area performing arts community.

Museum of the Moving Image will present the most comprehensive U.S. retrospective of all of the Polish director's features, short films, early documentary work, and a marathon viewing of the Dekalog, from October 7 through November 6, 2016. The series will also include four posthumous works based on Kieslowski's unproduced screenplays.

Even without eye-popping special effects, a gimmicky storyline, or those oft-used literary or cinematic source materials, some stage musicals just manage to entertain by sheer likability alone. A big warm hug of a show that's brimming with lots of surprisingly snappy wit and, arguably, some of the previous century's most melodious pop hits, BEAUTIFUL---the Broadway stage musical based on the life of treasured Grammy Award-winning singer/songwriter Carole King---is a show that certainly lives up to its title. This charming, swiftly-paced bio-musical's first national tour continues performances at Orange County's Segerstrom Center for the Arts in Costa Mesa through October 16.

Director Naomi-Rose Mock takes on Webber's classic

Museum of the Moving Image will present the most comprehensive U.S. retrospective of all of the Polish director's features, short films, early documentary work, and a marathon viewing of the Dekalog, from October 7 through November 6, 2016. The series will also include four posthumous works based on Kieslowski's unproduced screenplays.

Berkshire Theatre Group and Artistic Director/CEO Kate Maguire are excited to announce music, comedy and community additions to the fall and winter seasons.

In an era of unprecedented political activity, The Billie Holiday Theatre (BHT) at The Center for Arts & Culture of Bedford Stuyvesant Restoration Corporation opens its 2016-2017 season with the New York premiere of award-winning playwright Richard Wesley's political drama, Autumn.

The Muny just announced that its production of Fiddler on the Roof will feature the world stage premiere of a new song.

Right on the heels of A Chorus Line's final performance last weekend, Grease continues a wonderful summer season at the Playhouse by bringing youthful energy and pizazz to a show that is on almost everyone's list of favorite musicals. This production brings together a rather large cast whose energy and eagerness to present what they have all been working so hard on is evident in the characters they play in the midst of all the hullaballoo and teenage angst that Grease already is.

There's a whole lot of shaking going on at Pollo Campero, as the world's largest Latin chicken restaurant brand welcomes the return of its Latin Shakers. Latin Shakers, available through September 5, 2016, are an exciting and convenient new way for chicken-lovers to enjoy Campero's boneless white meat chicken bites covered with Campero's famous Latin sauces.

Artistic Director Anda Winters today announces Print Room at the Coronet's forthcoming season running through until December 2016. The season opens with Tennessee Williams' A Lovely Sunday for Creve Coeur, directed by Michael Oakley. The production opens in the main theatre space on 15 September, with previews from 12 September, and runs until 7 October.

Coming up next for Mint Theater Company (Jonathan Bank, Producing Artistic Director; Jen Soloway, Managing Director) will be the first ever New York revival of A Day by the Sea by N.C. Hunter, directed by Austin Pendleton. This will be the Mint's first production as a resident theater company at Theatre Row. Performances will begin July 22nd and continue through September 24th at their new home at the Beckett Theater at Theatre Row (410 West 42nd Street between 9th and Dyer Avenues). Opening Night is set for August 25th.

American Theater Company (ATC) proudly announces Season 32, led by its newly appointed Artistic Director Will Davis and continuing the theater's dedication to developing new works. The 2016-17 season kicks off this September with the world premiere of Dan Aibel's T., an exploration of the competitive ice skating saga between Nancy Kerrigan and Tonya Harding, directed byMargot Bordelon, Sept. 23-Oct. 30, 2016. In the New Year, ATC presents Jaclyn Backhaus' Men On Boats, making its regional premiere at ATC Jan. 6-Feb. 12, 2017, under Will Davis' direction after he remounts his acclaimed New York production Off Broadway at Playwrights Horizons this summer. Next spring brings another world premiere at ATC, Basil Kreimendahl's We're Gonna Be Okay, March 17-April 23, 2017. The production is directed by Bonnie Metzgar and was originally developed at ATC in collaboration with The Araca Group during AracaWorks: Chicago 2015. The final production of ATC's 2016-17 Season is a reimagined classic, Pulitzer Prize winner Picnic by William Inge, under Davis' direction May 19-June 25, 2017. Season subscriptions are on sale now and range from $60-$150, with special pricing available for advance purchases before July 31, 2016. To purchase a subscription or for more information, visit www.atcweb.org or call the ATC Box Office at 773-409-4125.

BroadwayWorld is excited to report that the multi award-winning Broadway hit musical Beautiful: The Carole King Musical will make its Australian premiere at a newly refurbished Sydney Lyric Theatre from September 2017.

The playwright who helped introduce Yasmina Reza to Broadway now does the same for Florian Zeller.

Shows are opening, shows are closing and Fiddler on the Roof is back onstage for Actors Pointe Theatre Company while Tom Sawyer takes a bow at Springhouse Theatre in Smyrna! Obviously, the 2016 theater season continues to reveal itself at a breakneck pace, giving audiences a veritable buffet of offerings from which to choose.

In THE SECRET LIFE OF THE AMERICAN MUSICAL, Jack Viertel takes about musicals, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love with the art form all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next-by design or by accident, by emulation or by rebellion from OKLAHOMA! to HAMILTON and onward.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.