Cowbois West End

Cowbois 2024

Opened: January 17, 2024
Closing: February 10, 2024

Cowbois - 2024 - West End History , Info & More

Royal Court Theatre
East side of Sloane Square London

A rollicking queer Western like nothing you’ve seen before.

Grab your stetson and spurs and join us in the Jerwood Theatre Downstairs for the Royal Shakespeare Company’s production of Cowbois by Charlie Josephine. ‘A joyous queer cowboy romp’ (West End Best Friend) co-directed by Charlie Josephine and Sean Holmes.

In a sleepy town in the Wild West, the women drift through their days like tumbleweed. Their husbands, swept up in the goldrush, have been missing for almost a year and show no sign of returning. In fact, the town is almost cut off from outsiders entirely, with only one drunken sheriff for protection.

“A whole new frontier” – Guardian

That is until handsome bandit Jack Cannon swaggers up to the town’s saloon, looking for a place to hide from the bounty hunters on his tail.

Armed with a wink, and with a gun by their side for good measure, Jack’s explosive arrival inspires a gender revolution, and starts a fire under the petticoat of every one of the town’s repressed inhabitants.

“Swagger, humor, and plenty of good old-fashioned gun-slinging action” – WhatsOnStage

__Access performances__

Audio Described Sat 27 Jan, 2.30pm


Touch Tour Sat 27 Jan, 12.30pm


Captioned Tue 30 Jan, 7.30pm


Chilled Performance Sat 3 Feb, 2.30pm

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Review: COWBOIS, Royal Court Theatre
by Cindy Marcolina - January 18, 2024


All in all, Cowbois isn’t a bad play. It’s a fun and gimmicky queer-affirming semi-comedy that makes for a good night out if you’re willing to close an eye here and there. It’s weird and long, but it means well.

Save up to 56% on the West End Transfer of COWBOIS
by Aliya Al-Hassan - January 11, 2024


Grab your stetson and spurs and join us in the Jerwood Theatre Downstairs for the Royal Shakespeare Company’s production of Cowbois by Charlie Josephine. ‘A joyous queer cowboy romp’ (West End Best Friend) co-directed by Charlie Josephine and Sean Holmes.

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