Carmen - 2007 - San Diego, CA (Regional) Articles Page 14

Aspen Santa Fe Ballet's bold vision - top global choreographers, distinctive groundbreaking repertoire, and virtuoso dancers - has fostered a jewel of a dance company in the American West.  Now, ASFB celebrates the fourth year of its residency at the Younes and Soraya Nazarian Center for the Performing Arts (The Soraya) with a program of works that celebrates the company's commitment to creating new contemporary dance on Saturday, January 19 at 8:00pm. ASFB will perform Tuplet by Alexander Ekman, Dream Play by Fernando Melo, and 1st Flash from world-renowned Finnish choreographer Jorma Elo.

Shakespeare's Globe has announced the full cast for Christopher Marlowe's Edward II, directed by Nick Bagnall, and for Tom Stuart's new play After Edward, directed by Brendan O'Hea.

The Metropolitan Opera presents a double bill of two rarely performed one-act operas, Tchaikovsky's romantic fairy tale Iolanta and Bartók's harrowing Bluebeard's Castle, with six performances January 24 to February 14, 2019. Iolanta stars Sonya Yoncheva in the title role of a blind princess and Matthew Polenzani as Vaudémont, the knight who loves her. Bluebeard's Castle stars Angela Denoke as Judith, an innocent young bride who discovers the terrifying truth about her new husband, the menacing Bluebeard, sung by Gerald Finley. Henrik Nánási makes his Met debut conducting both operas, which are presented in a production by acclaimed director Mariusz Trelinski.

Yannick Nézet-Séguin, the Met's Jeanette Lerman-Neubauer Music Director, conducts five performance of Pelléas et Mélisande, Debussy's mysterious meditation on love and betrayal, January 15–31, 2019. The classic production by Sir Jonathan Miller returns to the Met for the first time since the 2010–11 season, and the cast features three young Met stars at the heart of a passionate love triangle: Isabel Leonard as Mélisande, Paul Appleby as Pelléas, and Kyle Ketelsen as Golaud. Ferruccio Furlanetto sings the role of Arkel and Marie-Nicole Lemieux makes her Met debut as Geneviève. Derrick Inouye conducts the January 31 performance.

After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.

Bay Area Cabaret kicks off the new year welcoming back Tony-nominated Broadway star Carmen Cusack on Sunday, January 20 at 5:00 p.m. Ms. Cusack returns to the Venetian Room with an evening celebrating her favorite songs and the artists behind them including singer/songwriters past and present like Joni Mitchell, Dolly Parton, Kate Bush and Kimbra, plus she'll offer a sampling of original tunes and Broadway selections.

Bard College announces the appointment of celebrated opera singer and recitalist Stephanie Blythe as artistic director of the Bard College Conservatory of Music Graduate Vocal Arts Program (VAP) beginning in July 2019. One of the most highly respected and critically acclaimed artists of her generation, mezzo-soprano Blythe possesses a repertoire ranging from Handel to Wagner and from German lieder to contemporary and classic American song. Blythe has performed on many of the world's great stages, such as Carnegie Hall; the Metropolitan Opera; Covent Garden; Paris National Opera; and San Francisco, Chicago Lyric, and Seattle Operas. She was named Musical America's Vocalist of the Year, received an Opera News Award, and won the Richard Tucker Award. Blythe recently released her first crossover recording on the Innova label with pianist Craig Terry.

Durante la administración 2013-2018, el Gobierno de la República, a través del Instituto Nacional de Bellas Artes (INBA), puso énfasis en el desarrollo de la excelencia artística, propició el diálogo cultural de México con el mundo y redobló esfuerzos para consolidar el arte como herramienta para el fortalecimiento del tejido social y la inserción de la institución en la Agenda Digital de Cultura.

GU Theater & Performance Studies Program presents World Premiere of a new English translation of gripping, timely 'Our Class' by Tadeusz Slobodzianek, directed by Prof. Derek Goldman In residence at Georgetown, DC-based playwright Norman Allen developed this adaptation of the play, based on true events in Poland

El proximo 18 de noviembre el Teatro de la Zarzuela retransmitira su produccion de LA CASA DE BERNARDA ALBA por Facebook Live.

The Metropolitan Opera marks the 100th anniversary of the world premiere of Puccini's Il Trittico, which took place at the Met's original opera house in 1918, with performances November 23 to December 15, 2018.  The three one-act operas of Il Trittico include the verismo-inspired Il Tabarro, featuring Amber Wagner as Giorgetta, Marcelo Álvarez as Luigi, George Gagnidze as Michele, MaryAnn McCormick as Frugola, and Maurizio Muraro as Talpa. Suor Angelica, a tale of religious redemption, features Kristine Opolais in the title role, Stephanie Blythe as La Principessa, and Maureen McKay as Suor Genovieffa.

A special highlight of DCINY's 10th anniversary season is Beethoven's famed Ode to Joy, Symphony No. 9 in D minor, Op. 12 and Fantasia in C minor, Op.80 ('Choral Fantasy').

Berkeley Repertory Theatre today announced the full cast and creative team for Paradise Square: An American Musical. The world premiere is helmed by acclaimed director Moises Kaufman, with choreography by the legendary Bill T. Jones and a book by Marcus Gardley, Craig Lucas, and Larry Kirwan. Music by Jason Howland and Larry Kirwan, with lyrics by Nathan Tysen, and based on the songs of Stephen Foster. Paradise Square is produced by special arrangement with Garth H. Drabinsky in association with Peter LeDonne and Teatro Proscenium Limited Partnership.

GU Theater & Performance Studies Program presents World Premiere of a new English translation of gripping, timely 'Our Class' by Tadeusz Slobodzianek, directed by Prof. Derek Goldman In residence at Georgetown, DC-based playwright Norman Allen developed this adaptation of the play, based on true events in Poland

A deal with the devil is struck with powerful results in the Metropolitan Opera's production of Arrigo Boito's Mefistofele, with performances November 8 to December 1, 2018. Starring in the diabolical title role is 2018 Richard Tucker Award winner Christian Van Horn, who joins recent Tucker Award winners Angela Meade as the love interest Margherita and Michael Fabiano as the bargain-making Faust. Rounding out the cast is Jennifer Check as Helen of Troy. Not seen on the Met stage in nearly 20 years, Robert Carsen's production is conducted by Carlo Rizzi and Joseph Colaneri.

El Comité Organizador del Premio Internacional Alfonso Reyes anuncia que el narrador, ensayista y poeta, Adolfo Castañón, es el ganador del Premio Internacional Alfonso Reyes 2018.

Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) presents the New York Premiere of C.I.C.T. - Theatre du Bouffes du Nord's The Prisoner, continuing Peter Brook's 40-year-long collaboration with playwright/director Marie-Helene Estienne.  

The Metropolitan Opera presents one of the most beloved operas in the repertory, Georges Bizet's Carmen, with performances October 30 to November 15 and again from January 9 to February 8. Starring in all performances in the title role is Clémentine Margaine, who made her celebrated Met debut in this role in 2017.  Yonghoon Lee and Roberto Alagna share the role of Carmen's lover, Don José. Guanqun Yu, Aleksandra Kurzak, and Susanna Phillips sing the role of Micaëla, and Kyle Ketelsen, Alexander Vinogradov, and Michael Todd Simpson portray the toreador Escamillo. Conductor Omer Meir Wellber makes his Met debut leading the Metropolitan Opera Orchestra in interpreting Bizet's famous score; winter performances are conducted by Louis Langrée.

The Metropolitan Opera presents one of the most beloved operas in the repertory, Georges Bizet's Carmen, with performances October 30 to November 15 and again from January 9 to February 8. Starring in all performances in the title role is Clémentine Margaine, who made her celebrated Met debut in this role in 2017.  Yonghoon Lee and Roberto Alagna share the role of Carmen's lover, Don José. Guanqun Yu, Aleksandra Kurzak, and Susanna Phillips sing the role of Micaëla, and Kyle Ketelsen, Alexander Vinogradov, and Michael Todd Simpson portray the toreador Escamillo. Conductor Omer Meir Wellber makes his Met debut leading the Metropolitan Opera Orchestra in interpreting Bizet's famous score; winter performances are conducted by Louis Langrée.

The Verdi Chorus 35th anniversary season culminates with its Fall 2018 concert Passione! Opera! for two performances only at the First United Methodist Church in Santa Monica on November 10 and 11 led by Founding Artistic Director Anne Marie Ketchum. As the only choral group in Southern California that focuses primarily on the dramatic and diverse music for opera chorus, this program, which marks the end of a landmark year for the company, will feature selections from three Verdi operas - Aida, Don Carlo, and the famed chorus "Va, pensiero," from Nabucco, as well as operatic sequences from Boito's Mefistofele, Saint-Saens' Samson and Delilah, Catalani's La Wally and Offenbach's The Tales of Hoffmann.

Pacific Symphony won't save the best for last in the opening of the 2018-19 Pops season with the sensational entertainment star Vanessa Williams. Led by Pops conductor, Richard Kaufman, the Symphony joins Williams to celebrate her career for two nights at the Renee and Henry Segerstrom Concert Hall, with a program of her icon hits such as "That's Entertainment," "Dreamin'," "Love Is Love," and "Save the Best for Last." The Symphony will also play the Hollywood themes from the film scores of "Splash," "The Producers," "Young Frankenstein," "Blazing Saddles," "Animal House and Airplane."

GU Theater & Performance Studies Program presents World Premiere of a new English translation of gripping, timely 'Our Class' by Tadeusz Slobodzianek, directed by Prof. Derek Goldman In residence at Georgetown, DC-based playwright Norman Allen developed this adaptation of the play, based on true events in Poland

The Metropolitan Opera presents the North American premiere of Marnie, an original Met commission by composer Nico Muhly and librettist Nicholas Wright, on October 19, 2018, with performances continuing until November 10. Based on Winston Graham's haunting novel, which also inspired the classic Alfred Hitchcock film, Marnie is conducted by Robert Spano in his Met debut and directed by Michael Mayer, who created the staging for the opera's world premiere at English National Opera in 2017. The November 10 matinee will be transmitted live to movie theaters throughout the world as part of the Met's Live in HD series.

Pacific Symphony won't save the best for last in the opening of the 2018-19 Pops season with the sensational entertainment star Vanessa Williams. Led by Pops conductor, Richard Kaufman, the Symphony joins Williams to celebrate her career for two nights at the Renee and Henry Segerstrom Concert Hall, with a program of her icon hits such as "That's Entertainment," "Dreamin'," "Love Is Love," and "Save the Best for Last." The Symphony will also play the Hollywood themes from the film scores of "Splash," "The Producers," "Young Frankenstein," "Blazing Saddles," "Animal House and Airplane."

The League of Professional Theatre Women (Kelli Lynn Harrison & Catherine Porter, Co-Presidents), an organization which has been leading the gender parity conversation and championing women in the professional theatre for over 35 years, will present its first Oral History Project of the 2018-19 season with Tony-nominated actress Lois Smith on Monday, October 22 starting at 6pm in the Bruno Walter Auditorium at the New York Public Library for the Performing Arts (111 Amsterdam Avenue at 65th Street). Admission to the event is FREE and seats are available on a first-come-first-seated basis. Doors will open at 5:30pm.