By Bernstein - 1975 - Off-Broadway Articles Page 11

Lincoln Center, in partnership with CUNY's Hunter College School of Education, the New York City Department of Education, and the United Federation of Teachers, today announced the Lincoln Center Scholars Alternative Certification Program, an innovative new initiative to educate, certify and fast-track over a three-year period the placement of high-quality music, dance, theater and visual art teachers in up to 120 New York City public schools, which are currently without adequate or any arts programs.

The Glimmerglass Festival has announced its 2015 Festival, which will celebrate the company's 40th anniversary. The 2015 Festival will feature Mozart's The Magic Flute, Verdi's Macbeth, Vivaldi's Cato in Utica and Bernstein's Candide. The productions will run in repertory in the Alice Busch Opera Theater on Otsego Lake in Cooperstown July 10 through August 23. These mainstage offerings will be complemented by lectures, concerts and other special events.

The Wooster Group will present EARLY SHAKER SPIRITUALS: A RECORD ALBUM INTERPRETATION at The Performing Garage from today, May 17 through June 15, 2014. The newest Wooster Group work, EARLY SHAKER SPIRITUALS is a performance based on a 1976 LP of Shaker hymns, marches, anthems, and testimony recorded by Sister R. Mildred Barker and the sisters of the Shaker community in Sabbathday Lake, Maine.

The American Symphony Orchestra, led by Leon Botstein, presents Forged From Fire, the final concert of its 2013-14 Vanguard Series at Carnegie Hall, at 8pm, on May 30. On the eve of the 100th anniversary of World War I, the ASO offers a fascinating look at the patriotic music that defined the imperial ambitions of Germany, the war-inspired music that expressed a new consciousness in Poland and the United States, as well as the aspiring nationalism among the Jews of Europe and North America.

Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with 'From Screen to Score: New Concert Music by Famous Film Composers'-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ('Star Wars,' 'Raiders of the Lost Ark,' 'E.T., the Extra Terrestrial'), Howard Shore ('Lord of the Rings,' 'The Hobbit,' 'Hugo'), James Horner ('Titanic,' 'Star Trek,' 'Apollo 13') and Elliot Goldenthal ('Alien 3,' 'Batman Forever' and 'Batman and Robin'). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for 'Titanic' sold 30 million copies), yet their music is the least performed.

Bernard Haitink will return to the New York Philharmonic to conduct two weeks of performances highlighting works by Austrian composers - Berg, Webern, and Mahler - and Beethoven, who spent much of his career in Austria. In the first program, Mr. Haitink will conduct Webern's Im Sommerwind, Berg's Violin Concerto with Leonidas Kavakos, and Beethoven's Symphony No. 3, Eroica, tonight, May 8, 2014, at 7:30 p.m.; Friday, May 9 at 8:00 p.m.; and Saturday, May 10 at 8:00 p.m. Bernard Haitink's appearances are part of an international, season-wide celebration of the 60th anniversary of his conducting debut with the Netherlands Radio Union Orchestra (now the Netherlands Radio Philharmonic Orchestra) and his 85th birthday.

The Actors Benevolent Fund (Qld) and QPAC will present a very special Fundraising Morning Tea with the star of Admission: One Shilling - English stage and screen veteran Patricia Routledge.

Tony and Grammy Award winner and 2011 Kennedy Center Honoree Barbara Cook will be returning to New York-area stages with her new concert ARE YOU HAVIN' ANY FUN? Barbara Cook in Concert, with upcoming performances scheduled for: Saturday, April 26 at Symphony Space in Manhattan; Saturday, May 10 at the Colden Auditorium at the Kupferberg Center at Queens College; Saturday, May 31 at the South Orange Performing Arts Center in South Orange, New Jersey; and at the Tarrytown Music Hall in Tarrytown, NY on Saturday June 14.

The South Orange Performing Arts Center (SOPAC) announces Broadway and Cabaret legend Barbara Cook will appear at its annual Gala on Sat., May 31. Ms. Cook's highly anticipated performance will take place at 9 p.m. following an elegant dinner in the SOPAC Loft at 6 p.m., coupled with an online and live auction of unique and precious gifts and experiences. Families will join the celebration during the day with a Super-Hero workshop by Kidville at 10:30 a.m. and a free performance by fun and funky musician Bobby Beetcut at noon. Seating is available for the gala dinner and Ms. Cook's performance, or for the performance only. The gala is being presented in support of SOPAC's Arts Education and Programming.

The Wooster Group will present EARLY SHAKER SPIRITUALS: A RECORD ALBUM INTERPRETATION at The Performing Garage from May 17 through June 15, 2014. The newest Wooster Group work, EARLY SHAKER SPIRITUALS is a performance based on a 1976 LP of Shaker hymns, marches, anthems, and testimony recorded by Sister R. Mildred Barker and the sisters of the Shaker community in Sabbathday Lake, Maine.

REAL SPORTS WITH BRYANT GUMBEL, TV's most honored sports journalism series, continues its 20th season with more enterprising features and reporting when the show's 205th edition debuts TONIGHT, APRIL 22 (10:00-11:00 p.m. ET/PT), exclusively on HBO.

REAL SPORTS WITH BRYANT GUMBEL, TV's most honored sports journalism series, continues its 20th season with more enterprising features and reporting when the show's 205th edition debuts TUESDAY, APRIL 22 (10:00-11:00 p.m. ET/PT), exclusively on HBO.

Russell Granet, Executive Director of Lincoln Center Education (LCE), announced details today ofSummer Forum 2014, a re-envisioned professional development experience which expands on Lincoln Center's unparalleled dedication to professional growth for local, national, and international educators and artists. LCE's Summer Forum, which takes place July 7 through 18 and succeeds the previous Summer Session series, will feature in-depth and hands-on educational workshops based on LCE's core values of engagement, equity, integrity and creativity, and its approach to aesthetic education and focus on "thinking like an artist." Summer Forum is open to educators and artists of all kinds, and LCE-trained teaching artists will lead labs that explore the process of imaginative learning and discovery through works of performance and fine art, helping the participants determine how to apply what they have learned in their own classrooms, whether it be towards science, English, history or the arts. Lab topics throughout Summer Forum will include sessions on aesthetic education practices, teaching artistry to arts and Common Core, creating art in the community, and LCE's pedagogy for engaging students in problem-solving and critical-thinking skills.

Milwaukee Chamber Theatre (MCT) presents Ken Ludwig's classic farce LEND ME A TENOR, today, April 10-27, 2014.

Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with "From Screen to Score: New Concert Music by Famous Film Composers"-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ("Star Wars," "Raiders of the Lost Ark," "E.T., the Extra Terrestrial"), Howard Shore ("Lord of the Rings," "The Hobbit," "Hugo"), James Horner ("Titanic," "Star Trek," "Apollo 13") and Elliot Goldenthal ("Alien 3," "Batman Forever" and "Batman and Robin"). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for "Titanic" sold 30 million copies), yet their music is the least performed.

Bernard Haitink will return to the New York Philharmonic to conduct two weeks of performances highlighting works by Austrian composers - Berg, Webern, and Mahler - and Beethoven, who spent much of his career in Austria. In the first program, Mr. Haitink will conduct Webern's Im Sommerwind, Berg's Violin Concerto with Leonidas Kavakos, and Beethoven's Symphony No. 3, Eroica, on Thursday, May 8, 2014, at 7:30 p.m.; Friday, May 9 at 8:00 p.m.; and Saturday, May 10 at 8:00 p.m. Bernard Haitink's appearances are part of an international, season-wide celebration of the 60th anniversary of his conducting debut with the Netherlands Radio Union Orchestra (now the Netherlands Radio Philharmonic Orchestra) and his 85th birthday.

Milwaukee Chamber Theatre (MCT) presents Ken Ludwig's classic farce LEND ME A TENOR, April 10-27, 2014. This production is a collaboration with the Marquette University Theatre Department with several students, alumni and faculty filling roles both onstage and on the creative team. Ken Ludwig's LEND ME A TENOR performs in the Broadway Theatre Center's Cabot Theatre in Milwaukee's Historic Third Ward.

The Wooster Group is currently developing its work CRY, TROJANS! (Troilus & Cressida) in preview performances at The Performing Garage (33 Wooster Street). The Group will celebrate the official premiere tonight, February 27, with the show running through March 9 at REDCAT in Los Angeles.

This week at Joe's Pub at the Public Theater, February 3 through 12th, will feature Tony Trischka, The Civilians, Akiko Yano Trio, Benjamin Walker, Dirty Bourbon River Show, Champagne Jerry, The Losers Lounge, Tori Scott, Gina Breedlove, Alexander Zhurbin, Venus & Adonis, Ari Gold and CMA Songwriters Series. Details below!

Perhaps the greatest disservice ever done to English music was its dismissal by the modernist composer Elizabeth Lutyens as 'cowpat music'. That statement was a hangover of a common perception from the late nineteenth and early twentieth century that, despite the country's power and reputation, it wasn't actually very good at producing interesting music. But World War One marked the beginning of a new explosion of creative energy, one that saw exciting modern composers pour into England's concert halls, reaching across the sea to America, even to Hollywood. 'This England' from Leon Botstein and the American Symphony Orchestra brings this England to Carnegie Hall.

The Wooster Group has extended their previews of CRY, TROJANS! (Troilus and Cressida) through February 15 at the Performing Garage. The production is a re-working of their half of a 2012 collaboration with the Royal Shakespeare Company, focusing on the Trojan side of the drama as a pastiche American 'Indian' tribe.

Perhaps the greatest disservice ever done to English music was its dismissal by the modernist composer Elizabeth Lutyens as "cowpat music". That statement was a hangover of a common perception from the late nineteenth and early twentieth century that, despite the country's power and reputation, it wasn't actually very good at producing interesting music. But World War One marked the beginning of a new explosion of creative energy, one that saw exciting modern composers pour into England's concert halls, reaching across the sea to America, even to Hollywood. "This England" from Leon Botstein and the American Symphony Orchestra brings this England to Carnegie Hall.

General Director Speight Jenkins announced the singers selected for Seattle Opera's popular International Wagner Competition on August 7, 2014, where emerging artists will go head-to-head American Idol style.

Whatever else you think of Richard Strauss, you can't accuse him of picking easy subjects. While Die Frau Ohne Schattenremains one of the most elusive of opera plots, Elektra among the most bloodthirsty and Salome among the most disturbing, it is the rarely-heard one-act Feuersnot that proved a step too far to Strauss's own audiences. But then what did he expect? The plot revolves around lust and sex – and the fact that it has always been regarded as possibly semi-autobiographical no doubt didn't help his cause. Yet the opera is fascinating enough that the world premiere was conducted by Gustav Mahler.

The ASCAP Foundation just honored Tony Award-winning lyricist and director of Annie Martin Charnin with the first-ever ASCAP Foundation George M. Cohan Award at their 18th annual Awards Ceremony last night, December 11th. The invitation-only event, hosted by ASCAP Foundation President Paul Williams, was held at the Allen Room, Frederick P. Rose Hall, Home of Jazz at Lincoln Center in New York City.