But Not For Love - 1934 - Broadway Articles Page 7

San Francisco's 42nd Street Moon (Daren A.C. Carollo and Daniel Thomas, Co-Executive Directors) has announced the full cast and creative team for Moon's next production, the 8-Time Tony Award-nominated musical 110 IN THE SHADE. Based N. Richard Nash's acclaimed 1954 play THE RAINMAKER (the basis for the 1956 film starring Burt Lancaster and Katharine Hepburn),110 IN THE SHADE features music by Harvey Schmidt and lyrics by Tom Jones (THE FANTASTICKS), and a book by Nash adapted from his own play.

Irish Repertory Theatre announced today special events and programming for the month of March as part of the The Sean O'Casey Season, a comprehensive retrospective of the work of renowned Irish playwright Sean O'Casey, celebrating 30 years of Irish Repertory Theatre.

The Crossing and Donald Nally have won the 2019 Grammy Award for Best Choral Performance for their recording of Lansing McLoskey's Zealot Canticles. The award was presented yesterday, February 10, 2019, at the Grammy Awards in Los Angeles. This marks the Philadelphia new-music choir's second consecutive Grammy in the category, previously winning the 2018 Grammy for Gavin Bryars' The Fifth Century with PRISM Saxophone Quartet on ECM. The Crossing's recording of Thomas Lloyd's Bonhoeffer (Albany 2016) was nominated for the 2017 Grammy in the same category.

The Bard College Dance Program and the American Dance Festival have begun a new a partnership that seeks to challenge the way dance is taught in higher education. Uniting critical inquiry and professional practice, the new program contextualizes students' training with an annual focus on a pressing contemporary topic.

The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.

The University of Washington School of Drama will present Githa Sowerby's 1912 drama, Rutherford and Son, January 23 - February 3, 2019. Despite being a smash hit when it premiered in London in 1912, Sowerby's tale of a tyrannical patriarch who loses his grip on his children has rarely been produced in the U.S.

Arena Stage Artistic Director Molly Smith's gift to Baltimore/Washington theater patrons this season is just plain delightful.

The Swamp tells the dramatic story of humanity's attempts to conquer the Florida Everglades, one of nature's most mysterious and unique ecosystems. Told through the lives of a handful of colorful and resolute characters, from hucksters to politicians to unlikely activists, The Swamp explores the repeated efforts to transform what was seen as a vast and useless wasteland into an agricultural and urban paradise, ultimately leading to a passionate campaign to preserve America's greatest wetland. As the world copes with increasingly deadly weather events, The Swamp is a timely tale of the perils of mankind's abuse of nature. Based in part on the book The Swamp: The Everglades, Florida, and the Politics of Paradise by Michael Grunwald, The Swamp is produced and directed by Randall MacLowry and executive produced by Mark Samels. The film premieres on AMERICAN EXPERIENCE Tuesday,  January 15, 2019, 9:00-11:00 p.m. ET (check local listings) on PBS.

The Growing Stage, The Children's Theatre of New Jersey kicks off the holiday season with its original musical production of 'Babes in Toyland' from November 23 to December 16.The show was conceived by the company's Founder and Executive Director, Stephen L. Fredericks. TGS Artist-in-Residence, Perry Arthur Kroeger wrote the adaptation and song lyrics that are set to Victor Hugo's music. It is directed by Lori B. Lawrence, with musical direction by Stephen Fox, and choreography by Jillian Petrie.

Experiential Orchestra announces plans to create the world-premiere commercial recording of British composer Dame Ethel Smyth's final composition The Prison. The orchestra hopes that creating a top-quality recording of this recently rediscovered composition dating from the very end of her career will increase Smyth's standing as a composer world-wide.

She Loves Mebook by Joe Masteroffmusic by Jerry Bocklyrics by Sheldon Harnickbased on a play Parfumerie by Miklos Laszlodirected & choreographed by Cate CaplinActors Co-opDavid Schall Theatrethrough December 16 Classic plays and musicals usually hold up well if the book and music are strong and relevant. She Loves Me has its corny moments and is dated, but is so bent on love and the romantic side of life, we buy into its premise and come away entertained. Currently onstage at Actors Co-op through December 16, She Loves Me receives flawless direction from Cate Caplin and may boast a deliciously inviting ensemble of players.

October 31, Halloween. I was walking to City Center for the opening of 'Balanchine: The City Center Years.' But then I began thinking of Stephen Sondheim's 'Follies.' You must all know the musical. Everyone returns for a reunion, only to be met with ghosts and remembrances of their past lives. After all, City Center is where New York City Ballet began in 1948. I wondered who I would encounter? I saw Allegra Kent. I think I saw two other members of the company who danced on New York City Ballet's opening night 70 years ago? But perhaps I'd encounter some of the other principal dancers of that time: Maria Tallchief on the stairs? Or Tanaquil Le Clercq at the bar? Or Frank Hobi? Francisco Moncion? Nicholas Magallenes? Yvonne Mounsey? Diana Adams?

Oakland University's School of Music, Theatre and Dance will present Envisioning Marche Funebre: A Study in the Early Choreography of George Balanchine at 7 p.m. on Saturday, Nov. 3 in the Oakland Center Banquet Rooms.

With the holiday season fast approaching Arena Stage is readying their annual Gold Standard Musical. This year it's the classic ship shape Cole Porter musical from 1934, Anything Goes. The production begins performances on November 2nd and plays through December 23rd in the Fichandler space.

Since September 2014 Red Line Productions have been at the forefront of reigniting the legendary Old Fitz Theatre. We have been the recipients of over 40 nominations for various awards from both the Sydney Theatre Awards and the GLUGS.

Who'd a thunk that Othello could be so funny? Okay, maybe Shakespeare's tragedy remains one of the most painful of his plays to watch, but if you just get the H out of the way Otello the opera can become a real laugh riot when it is at the heart of the Ken Ludwig's farcical "Lend Me A Tenor."

The Public Theater presents the North American premiere of Girl from the North Country. Written and directed by Olivier Award winner and Tony Award nominee Conor McPherson with music and lyrics by music icon Bob Dylan, Girl from the North Country weaves the music of our greatest poet-singer-songwriter into a piercing drama about home, heart, and the searching determination of the American soul. This new musical has been extended three times and will now run through Sunday, December 23.

Presented by a brand new Production group, 4 Leaf Music Productions, in Association with Golden Performing Arts Center, and based on a 1934 Kaufman and Hart play of the same name, this musical tells the story of three friends, Franklin, Charley, and Mary, and the progressive decadence of their bonds and their dreams. The story is told in reverse. When it begins, in 1980, they're in their 40's: Franklin, is a rich, successful, conceited and confused noted songwriter; Charley, the lyricist in the duo, has cut off ties with his partner after a nervous breakdown and Mary is a lonely alcoholic still secretly in love with Franklin from when they first met, years and years ago. As we move forward in the play but backwards in time, we see how their friendships disintegrate, along with their aspirations and Franklin's many whirlwind marriages. Rewinding through the '70s and '60s, we end up in 1957, when the three of them meet for the first time, on a rooftop in the city, all hopeful young talents per-chance gathering to watch Sputnik go by in the pre-dawn sky. The song they sing, 'Our Time' ('We're the movers, we're the shapers/ the names in tomorrow's papers'), is undercut by some very keen irony, since we've already seen how it all turns out, at the beginning.

Manoa Valley Theatre is celebrating its momentous 50th Anniversary with a play season filled with star-studded audience favorites, Broadway blockbusters and compelling dramas that herald the next half-century for the noted Off-Broadway playhouse. During its anniversary season, MVT will present a spectrum of multi- disciplinary experiences including musical comedies, historical dramas and audience participation events. New collaborations and partnerships are just two of the many features of the season. In what will be a world premiere, MVT has commissioned an original script, Shipment Day, about well-known leprosy activist Olivia Robello Breitha and Hawaii's leprosy history. It will also produce the Hawaii premiere of Allegiance, a Broadway musical about the Japanese American internment during WWII and one family's extraordinarily divisive experience.

Beginning tomorrow, July 28, designer, director, master puppeteer, and MacArthur "genius" Basil Twist will perform in his singular creation, Symphonie Fantastique, during all Saturdayevening performances. The 20th-anniversary production, which has received near universal acclaim and is scheduled to close on September 2, will include Twist on July 28, August 4, 11, 18, 25 and September 1 at 8:30pm. Set to Hector Berlioz's revolutionary 1830 score, Symphonie Fantastique, for the first time in New York, features live piano accompaniment by Christopher O'Riley. Hailed as a creative masterpiece when it debuted in 1998, the production, which opened on April 4, is a presentation from HERE's Dream Music Puppetry Program and a centerpiece of HERE's 25th anniversary season.

The Crossing, winner of the 2018 Grammy Award for Best Choral Performance, releases its next album, Lansing McLoskey: Zealot Canticles on September 28, 2018 on Innova Recordings. Based on Nigerian Nobel laureate Wole Soyinka's 'Twelve Canticles for the Zealot' - a strangely beautiful and terrifying look into the minds of fanatics - Lansing McLoskey's Zealot Canticles is a concert-length choral 'oratorio' for clarinet, string quartet, and 24-voice choir. The work makes virtuosic demands on all the artists, particularly on the clarinetist, here, Philadelphia's Doris Hall-Galuti. The string quartet on the album is comprised of violinists Rebecca Harris and Mandy Wolman, violist Lorenzo Raval, and cellist Arlen Hlusko.

Intensely beautiful, poignant and sublimely funny. Open Fist Theatre Company presents a revival of Under Milk Wood, the linguistic tour-de-force by the great Welsh poet Dylan Thomas. Ben Martin directs for a July 27 opening atAtwater Village Theatre. 

The Apollo Theater today announced that it will bring to its iconic stage two new performances that continue its commitment to articulating and projecting the African American narrative through arts and culture.  In October 2018, The Apollo will celebrate the 50th anniversary of "Say It Loud - I'm Black and I'm Proud," the Godfather of Soul James Brown's seminal Black Power anthem, with the premiere of Say It Loud - I'm Black and I'm Proud at 50 under the musical direction of six-time GRAMMY®- Award-winner Christian McBride.  In May of 2019, in a co-production between The Apollo, Baltimore Center Stage, and Mosaic Theater, Kelvin Roston Jr. will pay homage to Donny Hathaway in the New York premiere of the one man play Twisted Melodies.  Tickets for both productions will go on sale July 1st.

The Village Players closes its 95th season with the romantic musical comedy She Loves Me book by Joe Masteroff, lyrics by Sheldon Harnick and music by Jerry Bock.