Are You With It? - 1945 - Broadway Articles Page 19

Join the New-York Historical Society this Veterans Day Weekend as we honor those who have served our country, both in our modern era and throughout American history.

The sold out house in Portland's Good Theater sat riveted in their seats throughout as the tense, soul-searching drama of J. B. Priestly's An Inspector Calls as its twists and hairpin turns, its emotional revelations and its jarring ending played itself out with a combination of subtlety and punch. Director Brian P. Allen, his cast and creative team have created a mesmerizing theatrical experience that does complete justice to Priestly's passionate and ever-relevant 1945 play.

It's Edinburgh, Scotland, in 1828 and the city's world-renowned anatomy schools are suffering from a cadaver shortage. Enter two immoral and highly industrious men--William Burke and William Hare--who pick up the slack by murdering disenfranchised citizens and selling their corpses to one of these schools, Dr. Knox's Academy. Perfect story for a chamber opera, eh? Well, yes, actually, says composer Julian Grant (even if it's opening a bit late for Halloween).

There is a new vision of heaven tap-dancing its way through my brain replete with beautiful showgirls and handsome chorus boys performing a show-stopping version of George and Ira Gershwin's I'll Build a Stairway to Paradise from An American in Paris, the sumptuous musical now onstage at Tennessee Performing Arts Center's Andrew Jackson Hall through Sunday, November 5 and, quite frankly, if that is not what paradise will look like should I arrive there after my untimely demise, I will simply refuse to stay. For if paradise isn't the gorgeous and glittery, utterly theatrical vision supplied by this altogether splendid production, I'll say to hell with it (and me, I suppose), because surely paradise is set to a lush and memorable Gershwin score. Anything else is simply a poor facsimile of the real thing. Est-ce que tu comprends?

Join the New-York Historical Society this Veterans Day Weekend as we honor those who have served our country, both in our modern era and throughout American history.

The 2018 Adelaide Festival program will launch on Tuesday 24 October 2017 at the Adelaide Town Hall. It is a festival program rich with Australian and international voices, bold new visions and contemporary theatre classics, as Joint Artistic Directors Neil Armfield AO and Rachel Healy return to the helm for their second Adelaide Festival in 2018.

BRIGHT STAR at Ahmanson Theatre plays through November 19. This original musical tells a sweeping tale of love and redemption set against the rich backdrop of the American South in the 1920s and '40s. Propelled by an ensemble of onstage musicians and dancers, the story unfolds as a rich tapestry of deep emotion, beautiful melodies and powerfully moving performances.

Steve Martin's and Edie Brickell's Bright Star played Broadway in 2016, garnering a Tony nomination for Carmen Cusack. The show fared somewhat well, but did not seem to be an overall critics' choice. On the minus side, it is an all too familiar story about a backwoods pregnant girl and parental abuse in the 1920s, with far-fetched resolutions and a sweet, but for many, saccharine ending. In spite of this, I was delighted with the bluegrass music by Martin and Brickell, with Walter Bobbie's fluid staging and with the performances. It's most definitely uplifting and an entertaining evening at the Ahmanson through November 19.

Andr s Schiff will return to the New York Philharmonic to conduct and perform J.S. Bach's Piano Concerto in A major, BWV 1055, and Schumann's Piano Concerto; he also conducts Haydn's Symphony No. 80 and Bart k's Divertimento for String Orchestra.

92Y's 17-18 season opens on October 5 with internationally renowned cellist Mischa Maisky joining the “amazing precision” (Huffington Post) of the notably conductorless Orpheus Chamber Orchestra, which returns to 92Y for the first time in 15 years, to celebrate the cellist's 70th birthday season. Together, they open 92Y's illustrious concert season with Schubert's beloved “Arpeggione” Sonata, arranged for cello and string orchestra by Dobrinka Tabakova, as well as Arensky's Variations on a Theme by Tchaikovsky, and Tchaikovsky's Serenade for Strings.  Acclaimed for the sheer intensity and vigor of his performances, Maisky has the distinct honor of being the only cellist in the world to have studied under both Gregor Piatigorsky and Mlatislav Rostrapovich.  The Orpheus Chamber Orchestra is renowned as one of the foremost chamber orchestras in the world, with more than 70 albums in its sprawling discography since its founding in 1972.

Seven more performances have been added to Tony Award winner Ivo van Hove's re-imagining of Arthur Miller's A View From the Bridge at Goodman Theatre.

That Physics Show, recipient of the 2016 Drama Desk Award for Unique Theatrical Experience, written and performed by lifetime physics demonstrator David Maiullo (and his alternate, fellow physics demonstrator Andrew Yolleck) and That Chemistry Show, written by Borislaw Bilash will continue to delight, amaze and educate audiences through the end of the year.

The Media Theatre has Rodgers and Hammerstein's classic musical "Carousel" as the opener for its 2017-18 Broadway Series season. The beloved show plays September 20 to October 22.

With a classic Rodgers and Hammerstein musical, two popular Disney titles, a classic play, and a regional premiere of a contemporary Broadway hit, The Media Theatre's 2017-18 season has something for everyone. Subscriptions are now on sale. The season was announced by Jesse Cline, Artistic Director.

Andr s Schiff will return to the New York Philharmonic to conduct and perform J.S. Bach's Piano Concerto in A major, BWV 1055, and Schumann's Piano Concerto; he also conducts Haydn's Symphony No. 80 and Bart k's Divertimento for String Orchestra.

The Wizard of Oz was first turned into a musical extravaganza by L. Frank Baum himself. A loose adaptation of Baum's 1900 novel (there is no Wicked Witch or Toto, and there are some new characters), it first played in Chicago in 1902 and was a success on Broadway the following year. It then toured for seven years.

MCC Theater presents the first show of its upcoming 2017-18 season: the NYC premiere of the acclaimed transgender-themed play Charm-inspired by the real-life story of Miss Gloria Allen.

The Media Theatre has Rodgers and Hammerstein's classic musical "Carousel" as the opener for its 2017-18 Broadway Series season. The beloved show plays September 20 to October 22.

Well performed but a little academic and study in how styles have changed

Good morning, BroadwayWorld! Today's big news: Broadway stars celebrate diversity, Broadway casts will perform at tonight's Broadway In Chicago's 2017 Summer Concert and more!

For those who have never attended THE PAGEANT OF THE MASTERS live show or its sister event THE FESTIVAL OF THE ARTS in Laguna Beach, you are missing a wonderful treasure of not only art but theatrical spectacle during which historical works of arts are brought to life with real people stepping in to portray the characters in each piece of art, be it a painting, sculpture, or promotional advertisement for artistic spectacles taking place all over the world. Each person is costumed to perfectly represent the characters being portrayed, making each presentation a wonder of creativity and awe.

Mercedes Ellington To Receive Spirit of '45 Award At 1st Annual "Night of Swing" Saturday,  Aug. 12 at Wyndham New Yorker Hotel Honoring America's  Greatest Generation ; Co-Hosted By United War Veteran Council, Former GIs And Their Gals Will       Swing to Music of  Ellington, Goodman,  Miller, Dorsey & Basie

BroadwayWorld has just officially learned that Steve Martin's new play METEOR SHOWER will be coming to Broadway's Booth Theatre this fall starring Emmy and Peabody Award-winning comedian Amy Schumer, Tony-winner Laura Benanti, another Emmy and Peabody Award-winner Keegan-Michael Key, and Alan Tudyk.

The Union Avenue Opera is so good at fulfilling our expectations - our expectations of really fine traditional opera. But once in a while they enjoy surprising us, jerking us out of that normal path. For instance, with 'Trouble in Tahiti' several years ago the orchestra was a jazz trio. Now this splendid little company surprises us again with a lovely production of Rodgers and Hammerstein's 1945 Broadway classic, Carousel. It's the familiar story of a young mill-worker who makes the tragic mistake of falling in love with a rough but beautiful carnival barker.