Are You There? - 1913 - West End Articles Page 13

The Mountain Play - 'A Great Outdoor Theatre Adventure' and the San Francisco Bay Area's most magical outdoor theater experience, presents the Tony Award-winning musical The Sound of Music directed by Jay Manley for its 100th season in 2013.

The Mountain Play - 'A Great Outdoor Theatre Adventure' and the San Francisco Bay Area's most magical outdoor theater experience, is proud to present the Tony Award-winning musical The Sound of Music directed by Jay Manley for its 100th season in 2013.

3-D Theatricals presents PARADE now through May 26, 2013 at Plummer Auditorium, 201 East Chapman Ave, Fullerton, Calif., directed by T.J. Dawson, choreographed by Dana Solimando and musically directed by David Lamoureux. BroadwayWorld was there for opening night and brings you photos from the celebrations below!

With a new leadership team of Gregory Doran, Artistic Director, and Catherine Mallyon, Executive Director, at the helm, the Royal Shakespeare Company returns to New York this spring with two productions, Julius Caesar and Matilda The Musical. Both began their lives at the RSC's Stratford-upon-Avon home and reflect the Company's continuing commitment to Shakespeare and the work of contemporary playwrights and theatre artists, as it celebrates one hundred years of touring work from Shakespeare's birthplace to the US.

Collaborations with The National Theatre of Scotland and Tramway, as well as Arches Brick Award and Platform 18 winners, together with some of the very best interNational Theatre companies, will all feature as part of the 2013 BEHAVIOUR festival at the Arches, today, 3rd April - 11th May 2013.

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'Fiddler' and the Paramount triumph and make plans, two Sondheim shows next year from Gary Griffin, the return of 'Hank Williams' and 'Last Five Years,' 'Parade' and 'Pirates' in short runs, and two Victorian musical dramas, spanning the pond...and more!

Collaborations with the National Theatre of Scotland and Tramway, as well as Arches Brick Award and Platform 18 winners, together with some of the very best international theatre companies, will all feature as part of the 2013 BEHAVIOUR festival at the Arches, 3rd April - 11th May 2013.

Attention all actors! According to a recent announcement on the Actors' Equity Association website, the organization's ongoing renovations, including building a new Audition Center on the 16th floor of the Equity building, will cause several temporary changes, listed below.

Kimmel Center for the Performing Arts today announces additional local, national and international performers, adding to the 35 partners listed below already announced in September 2013, as part of the program line-up for Philadelphia International Festival of the Arts (PIFA) 2013, March 28 to April 27, sponsored by TD Bank, America's Most Convenient Bank. With more than 50 festival performances and events taking place throughout Philadelphia, 50 regional arts and cultural partners, and 32 new works, PIFA 2013's If You Had a Time Machine….now includes the star talents of tap dance sensation and choreographer Savion Glover, jazz pianist and record producer Robert Glasper and Special Guests, Panamanian global jazz artist Danilo Pérez and Panama 500 Band, Instrumentalist and composer DJ Dan Deacon, Choir of King's College Cambridge, and more. Tickets go on sale to the public for all PIFA 2013 performances and events beginning Wednesday, January 23 at 10 a.m.

There is no denying that 2012 was a great year for theatre in Houston. Excellent productions were housed all over the city. And with the way things are shaping up, it appears that 2013 will be another fabulous year for theatre in the city. As I glance at the calendar for 2013, I find that there are many productions that I am already looking forward to. Utilizing the greatest restraint I could muster and considerable effort, I offer to you my top 5 most anticipated shows of 2013 in the order that they open...

The Old Globe today announced the complete cast and creative team of its 100th anniversary production of the George Bernard Shaw classic Pygmalion. Starring Tony Award winner Robert Sean Leonard (The Invention of Love, Born Yesterday) as Professor Henry Higgins and Charlotte Parry (The Importance of Being Earnest, The Real Thing) as Eliza Doolittle, the production coincides with the 100th anniversary of Pygmalion's 1913 premiere in Vienna, Austria. Directed by Nicholas Martin (Butley, Present Laughter), Pygmalion will run on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe's Conrad Prebys Theatre Center, Jan. 12 - Feb. 17, 2013. Preview performances run Jan. 12 - Jan. 16. Opening night is Thursday, Jan. 17 at 8:00 p.m. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE or by visiting the Box Office at 1363 Old Globe Way in Balboa Park.

Stage, television and film star Robert Sean Leonard will star as Henry Higgins in The Old Globe's 100th anniversary production of George Bernard Shaw's masterwork, Pygmalion. The Tony Award-winning actor last appeared on the Old Globe stage as Edgar in Jack O'Brien's renowned 1993 presentation of King Lear starring Hal Holbrook. Directed by Nicholas Martin (Broadway's Butley with Nathan Lane and Present Laughter with Victor Garber), Pygmalion will run on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe's Conrad Prebys Theatre Center, Jan. 12 - Feb. 17, 2013. Preview performances run Jan. 12 - Jan. 16. Opening night is Thursday, Jan. 17 at 8:00 p.m. Tickets are currently available by subscription only. Single tickets go on sale Sunday, Dec. 9 at 12 noon. Tickets can be purchased online at www.TheOldGlobe.org, by phone at (619) 23-GLOBE or by visiting the Box Office at 1363 Old Globe Way in Balboa Park.

Named one of NPR's Favorite Artists of 2011, American tenor Nicholas Phan returns to the music of Benjamin Britten (1913-1976) on a new album available today, October 9 from Avie.

The Boiler Room Theatre (BRT), Williamson County's original and longest-running professional theatre company, follows its successful run of STEEL MAGNOLIAS with Jason Robert Brown's Tony Award Winning PARADE. The production will run from tonight, October 5th through the 20th at the theatre's iconic namesake venue in the historic Factory.

Named one of NPR's Favorite Artists of 2011, American tenor Nicholas Phan returns to the music of Benjamin Britten (1913-1976) on a new album available October 9 from Avie. On the eve of the Britten centenary, Still Falls the Rain showcases both the great British composer's remarkable gift as a collaborator and Phan's increasingly lauded interpretative powers. The album features The Heart of the Matter, a song cycle for tenor, narrator, horn, and piano, performed here by renowned actor Alan Cumming, as well as the principal hornist of the Philadelphia Orchestra, Jennifer Montone, and pianist Myra Huang, Phan's long-time recital partner.

The Boiler Room Theatre (BRT), Williamson County's original and longest-running professional theatre company, follows its successful run of STEEL MAGNOLIAS with Jason Robert Brown's Tony Award Winning PARADE. The production will run from October 5th through the 20th at the theatre's iconic namesake venue in the historic Factory.

The tre' avant-garde Dark Night Series at Kumu Kahua Theatre, presents "Courage", part of the "Ruinedmap" dance performance series. Featuring the fierce and penetrating stone flute maestro Kazuya Yokozawa who provides the sole musical accompaniment and Dancers Gwen Arbaugh, Spencer Garrod, and Junco Mizumochi. A spotlight follows Yokozawa as he gains the stage, and one gets the disturbing impression (based on his garb and artifacts on the mat he sedately sits upon) that we are about to observe a Samurai committing Hari Kiri. The stage is again shrouded in darkness, and the piercing notes of a flute sound. The dancers appear in a circle of light. They seem haunted, wraith-like with scant leotards and shredded white cloth, faces smeared with translucent white paint. Beautiful, strange and distant, their expressions offer no emotion, lost in a trance (or dream). They move. An untrained eye may consider their performance stilted and random, but I can see the discipline, focus and skill....

Roland Auctions of New York City will be selling the estate of legendary playwright, director, and screenwriter, Arthur Laurents on Saturday, June 2, 2012. Mr. Laurents, whose credits include West Side Story, Gypsy, La Cage Aux Folles, Hallelujah, Baby and The Way We Were, amongst many others, had a long and distinguished career, both on Broadway and in Hollywood. See photos below for sample pieces available as well as as list of items slated to be auctioned.

Kumu Kahua Theatre, dedicated to producing works by Hawai‘i writers and about Hawai‘i's culture, announced their 42nd season at a press conference on Sunday, May 6th at 5:00 PM at their home on the corner Merchant and Bethel Streets.

Actors' Equity Association (AEA), the 50,000-strong union of stage actors and stage managers founded in 1913, has just announced a celebration of 100 years of professional American theater on the occasion of their Centennial.

MAGIC/BIRD opened on Broadway Tuesday night, April 10. BroadwayWorld was there to catch the stars, including Larry Bird, Tug Coker, Kevin Daniels, Earvin 'Magic' Johnson and more, in action at the after party and brings you photos below!

Thornton Wilder's classic Our Town has been a part of my American cultural mindset since high school, practically all my life. And, of course, being a New Englander, it is not very hard to put myself into Grover's Corners, New Hampshire, even though the time period for the play 1901-1913 is about 30 + years before my existence. People are people and daily life was pretty much the same; things - except cars replacing horse and buggy - didn't really start changing until the middle of the 20th century. Now in this spaced out, high tech, faster-than-the-speed-of-light world we live in, it's nice to look back and see how it once was and reflect on what it maybe should be. On the Broad stage through February 12 only, David Cromer's fascinating staging puts his audience smack dab in the middle of the town and makes us believe we have time-traveled back to this simpler but just as psychologically complicated era. How inexpensive things cost, how people trusted one another, and how they amused themselves by reading, attending choir practice or actually conversing with one another instead of being glued to the TV set or sidetracked by other low quality, insignificant perversions! But there were some who just could not cope, like Mr. Stimson, the alcoholic choir director, who ended up committing suicide. We've all known people like him. So, the play is timeless. And somehow contemporary dress for the actors is not a hindrance to our accepting who and where they are, as it makes them like us, as we all fit together into one big macrocosm.

The Roy Arias Studios & Theaters, located in the Times Square Arts Center at 300 West 43rd Street, will present the first Times Square International Theater Festival from January 16 to 22, 2012.

Thornton Wilder's classic Our Town has been a part of my American cultural mindset since high school, practically all my life. And, of course, being a New Englander, it is not very hard to put myself into Grover's Corners, New Hampshire, even though the time period for the play 1901-1913 is about 30 + years before my existence. People are people and daily life was pretty much the same; things - except cars replacing horse and buggy - didn't really start changing until the middle of the 20th century. Now in this spaced out, high tech, faster-than-the-speed-of-light world we live in, it's nice to look back and see how it once was and reflect on what it maybe should be. On the Broad stage through February 12 only, David Cromer's fascinating staging puts his audience smack dab in the middle of the town and makes us believe we have time-traveled back to this simpler but just as psychologically complicated era. How inexpensive things cost, how people trusted one another, and how they amused themselves by reading, attending choir practice or actually conversing with one another instead of being glued to the TV set or sidetracked by other low quality, insignificant perversions! But there were some who just could not cope, like Mr. Stimson, the alcoholic choir director, who ended up committing suicide. We've all known people like him. So, the play is timeless. And somehow contemporary dress for the actors is not a hindrance to our accepting who and where they are, as it makes them like us, as we all fit together into one big macrocosm.