And On We Go - 1937 - West End Articles Page 13

Here is the exciting new list of events from TheMenEvent: Macy's Celebrates Pride, TheMenEvent Annual Pride Parade Party, Gay Walking Tour: Central Park (New Event) and more!

Tickets go on sale today for New York City Center Encores! Off-Center, a new series featuring seminal Off-Broadway musicals filtered through the lens of today's most innovative artists, opening on July 10. In keeping with City Center's founding mission to make the arts accessible to all, the majority of tickets will be $25.

New York City Center goes Off-Broadway this summer with the launch of Encores! Off-Center, a new series featuring seminal Off-Broadway musicals filtered through the lens of today's most innovative artists. In keeping with City Center's founding mission to make the arts accessible to all, the majority of tickets will be $25.

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'South Pacific' at the Marriott, two shows with Gene Kelly's vibe, cabarets from Porchlight, Brown Paper Box and Darrian Ford, 2014 premieres from Marc Blitzstein and Alan Schmuckler, lots of Doug Peck and more!

The Goodman Theatre just announced its 2013/2014 season. For tickets or more information, visit: http://www.goodmantheatre.org/upcoming-season/?id=&epslanguage=en

The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated: a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.

The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated: a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.

The Metropolitan Opera's 2013-14 season will feature many of the world's greatest singers, conductors, and theater artists in 26 operas, including six new productions, of a varied repertory that ranges from the Baroque era to the 21st century. Met Music Director James Levine will return to the Met podium for the first time in two years, conducting three operas with which he has long been associated: a new production of Verdi's final masterpiece Falstaff, Mozart's Cosi fan tutte, and Berg's Wozzeck. Met Principal Conductor Fabio Luisi will be conducting two operas in the 2013-14 season, Rossini's La Cenerentola and Puccini's Madama Butterfly.

THE DEVIL'S MUSIC is a very entertaining evening of theatre, highlighted by the performance of Miche Braden, but is somewhat burdened by the format of the script.

In every other interpretation of Tom Wingfield that I have ever seen, Tom is always played to show tenderness and solicitude at times for his mother and sister, and a fundamental understanding of their plight, even as he chafes at their dysfunction and lashes out at them. When, at the end, he says he is haunted by his sister even in his flight, this is not just about being unable to spit a bad taste out of his mouth. Yet Matt Lee's Tom gives just that impression.

Russia's profound and far-reaching impact on 20th-century culture will be explored at the 2013 annual Bard SummerScape festival, which once again offers an extraordinary summer of music, opera, theater, dance, film, and cabaret, keyed to the theme of the 24th annual Bard Music Festival, Stravinsky and His World. Presented in the striking Richard B. Fisher Center for the Performing Arts and other venues on Bard College's bucolic Hudson River campus, the seven-week festival opens on July 6 with the first of two performances of A Rite (2013) by the Bill T. Jones/Arnie Zane Dance Company and SITI Company, and closes on August 18 with a party in Bard's beloved Spiegeltent, which returns for the full seven weeks. Complementing the Bard Music Festival's exploration of “Stravinsky and His World,” some of the great Russian-born composer's most captivating compatriots provide key SummerScape highlights. These include the first fully-staged American production of Sergey Taneyev's opera Oresteia; the world premiere of an original stage adaptation of Mikhail Bulgakov's seminal novel The Master and Margarita; and a film festival titled “Between Traditions: Stravinsky's Legacy and Russian Emigré Cinema.” Together, SummerScape's offerings will continue Bard's yearlong tenth-anniversary celebrations for the Frank Gehry-designed Fisher Center, which commence with a month of special performances in April.

Danny Mastrogiorgio, a member of a heavyweight ensemble cast, explains why GOLDEN BOY still packs a punch with audiences.

Peter Jackson's THE HOBBIT: AN UNEXPECTED JOURNEY opened in theaters on Friday, December 14 in 3D, 2D and IMAX 3D.

Opening Night is tonight, Thursday, December 6, for Lincoln Center Theater's 75th Anniversary production of the Clifford Odets classic Golden Boy, directed by Bartlett Sher, at the Belasco Theatre (111 West 44 Street), the same theatre where the play premiered in 1937. Let's see what the critics had to say...

Peter Jackson's THE HOBBIT: AN UNEXPECTED JOURNEY sas been screened for select media in Los Angeles and New York over the weekend. The film hits theaters on December 14 in 3D, 2D and IMAX 3D. Let's see what the critics had to say

Continuing the tradition of preserving and celebrating great recordings,The Recording Academy(®) announces the newest additions to its legendary GRAMMY Hall Of Fame(® )collection.

Beginning this month, the University of Cincinnati College-Conservatory of Music (CCM) will celebrate the iconic work and enduring legacy of composer Kurt Weill with an unprecedented series of events. Opening on Friday, Oct. 19, and running through Tuesday, March 12, CCM's Kurt Weill Festival will incorporate the renowned theatre composer into a broad range of both public performances and classroom exercises.

Today we are talking to a charismatic leading man who has made quite a mark on Broadway over the last few seasons, having participated in the original Broadways casts of Kander & Ebb's THE SCOTTSBORO BOYS (for which he received a Tony nomination for Best Actor), Green Day's AMERICAN IDIOT (as Favorite Son) and, most recently, the rapturously-received revival of THE GERSHWINS' PORGY & BESS (as Jake), which won the 2012 Tony Award for Best Revival - the multi-talented Joshua Henry. Discussing the creation, casting, rehearsal and reception of each of the aforementioned musicals, as well as working with his collaborators on said projects - John Kander, Susan Stroman, Billie Joe Armstrong, Tom Kitt, Michael Mayer, Audra McDonald, Norm Lewis, Diane Paulus and more included - Henry illustrates the process of bringing the three wildly different entities to the stage and how he shaped his disparate characters within them. Additionally, Henry also discusses his role in the original production of Lin-Manuel Miranda's IN THE HEIGHTS and that Tony-winning Best Musical's inception and legacy. Plus, Henry expounds on his new self-composed family-friendly musical, AMIGO DUENDE, directed by Luis Salgado, which begins performances October 5 at El Musio Del Barrio and also shares the inspiration behind it. All of that, first news on his starring role in COTTON CLUB PARADE at City Center (co-starring GLEE's Amber Riley), sharing the screen with Oscar-winner Jennifer Hudson and the Fab Four in SEX & THE CITY: THE MOVIE, his role in the recent MOTOWN workshop (as Marvin Gaye), future plans and much, much more!

The Kennedy Center hosts its 11th annual Page-to-Stage new play festival from today, September 1, 2012 to Monday, September 3, 2012, featuring more than 40 theaters from the D.C. metropolitan area, all with a mission to produce and support new work. The three-day, Center-wide event offers a series of free readings and open rehearsals of plays and musicals being developed by local, regional, and national playwrights, librettists, and composers.

The Kennedy Center hosts its 11th annual Page-to-Stage new play festival from Saturday, September 1, 2012 to Monday, September 3, 2012, featuring more than 40 theaters from the D.C. metropolitan area, all with a mission to produce and support new work. The three-day, Center-wide event offers a series of free readings and open rehearsals of plays and musicals being developed by local, regional, and national playwrights, librettists, and composers.

SAG-AFTRA today received a new, national charter from the American Federation of Labor and Congress of Industrial Organizations. SAG-AFTRA joins 55 other unions, comprising more than 12 million working men and women, under the AFL-CIO banner.

Four well-known shows and the return of a holiday classic make up the 2012-13 season for Studio Tenn, the professional theatre troupe that calls the historic Franklin Theatre home. Artistic director Matt Logan and managing director Jake Speck made the season announcement during a lively afternoon event, which featured performances from the shows included in the line-up, at the historic theatre in downtown Franklin.

Supported by a superb 10-piece orchestra (including six horn players), Catherine Russell's set at the Allen Room for Jazz at Lincoln Center was a tribute to songs her dad Luis recorded or performed with the great Louis Armstrong from the late 1920s through the 1930s. By the end of her show, Russell had clearly proven that she has become one of the finest interpreters of jazz and blues on the contemporary music scene.

Seattle Repertory Theatre and Artistic Director Jerry Manning announced today its full 50th Anniversary Season. The Seattle Rep artistic team has spent years putting together this landmark season-one that showcases what the Rep does best and celebrates its history. Seattle Rep's 50th Anniversary season will run from September 2012-May 2013.

People's Light & Theatre presents John Steinbeck's Of Mice and Men, running through March 25, 2012 on the Main Stage.