Take It Easy 1996 - Articles Page 5

Lifeline Theatre Artistic Director Dorothy Milne and former Live Bait Theater Artistic Director Sharon Evans are pleased to announce the 21st Annual Fillet of Solo Festival, running January 12 28, 2018. Celebrating the breadth of Chicago's enduring storytelling and live lit scene, Lifeline brings 12 storytelling collectives and seven solo performers together for a three-week, multi-venue selection of powerful personal stories.

The success of THE KING AND I over the years has been nothing short of remarkable. The movie version from the 1950's brought Yul Brynner to center stage as he played the role of this famous king. With so many incarnations of the iconic musical there have been quite a few actors who have worked hard to shed the Brynner version of the King and portray him in the way it's most comfortable for them. One such actor is veteran performer Jose Llana. BWW had the opportunity recently to chat with Llana as he is out on tour with THE KING AND I.

Works selected across the new Indie Episodic, Shorts and Special Events sections of the 2018 Sundance Film Festival were announced today, underlining Sundance Institute's commitment to showcasing bold independent storytelling, regardless of form, format or length.

Works selected across the new Indie Episodic, Shorts and Special Events sections of the 2018 Sundance Film Festival were announced today, underlining Sundance Institute's commitment to showcasing bold independent storytelling, regardless of form, format or length.

As far as our fickle adult memory is concerned, there could be very few child roles in major Broadway and West End musicals that captured our hearts: Annie, Oliver, Mary Lennox, and Dorothy. Matilda is the latest welcome addition.

Lifeline Theatre Artistic Director Dorothy Milne and former Live Bait Theater Artistic Director Sharon Evans are pleased to announce the 21st Annual Fillet of Solo Festival, running January 12 28, 2018. Celebrating the breadth of Chicago's enduring storytelling and live lit scene, Lifeline brings 12 storytelling collectives and seven solo performers together for a three-week, multi-venue selection of powerful personal stories.

Arthur Miller still has a message for post-2016 America in THE CRUCIBLE, and CPCC tre iTheatre s serving it up hot.

Before HELLO AGAIN hits theater November 8th, Ushkowitz speaks with BWW about her sexy role in the film, her amazing co-stars and her next move in her busy career.

AEG Presents is proud to announce that guitar superstar Joe Satriani is bringing the 2018 incarnation of his massively popular G3 tour to the Pompano Beach Amp on February 18, 2018. Satriani will be joined by fellow six-string legends, John Petrucci of Dream Theater and

The Broadway League has announced the recipients of its 22nd annual National Education and Engagement Grants. These grants support inspiring and inventive programs for a wide range of participants to experience and understand Broadway performances as a form of artistic expression and a powerful educational tool.

Pig Iron Theatre Company, the internationally acclaimed, Philadelphia-based organization, has announced that the world premiere of its ambitious, timely production A Period of Animate Existence will take place September 22-24 at the Annenberg Center for the Performing Arts at the University of Pennsylvania in the 2017 Fringe Festival, co-presented by FringeArts and Annenberg Center Live.

WaterTower Theatre Board President Paul Shultz announced today that Managing Director Gregory Patterson will be leaving WaterTower Theatre at the conclusion of his current contract on September 30, 2017.

How do you take hundreds of kids (ages 7 to 17) and put up over a dozen shows (mostly musicals, plus a few plays) in as little as three weeks, with rehearsals limited to maybe just 12 or 13 days, with all or most of the cast rehearsing just slightly more than two hours each day, and many campers working on multiple shows at once? And I'm talking about completely staged shows with full production values, including sets, lighting, sound, costumes and live orchestras. Not only that, imagine repeating this same frenzied process four times over the course of a single summer.

Pig Iron Theatre Company, the internationally acclaimed, Philadelphia-based organization, has announced that the world premiere of its ambitious, timely production A Period of Animate Existence will take place September 22-24 at the Annenberg Center for the Performing Arts at the University of Pennsylvania in the 2017 Fringe Festival, co-presented by FringeArts and Annenberg Center Live.

On Today, July 27, at 8:00 p.m., the Skirball Cultural Center launches its twenty-first season of Sunset Concerts with American Tune Featuring Sean Watkins & Friends: A Singer-Songwriter Celebration of Paul Simon, featuring the Grammy-winning musician and songwriter Sean Watkins (Nickel Creek, Watkins Family Hour, Works Progress Administration) and friends Cary Brothers, Gaby Moreno, Joey Ryan, The Bee Eaters, plus other special guests.

On Thursday, July 27, at 8:00 p.m., the Skirball Cultural Center launches its twenty-first season of Sunset Concerts with American Tune Featuring Sean Watkins & Friends: A Singer-Songwriter Celebration of Paul Simon, featuring the Grammy-winning musician and songwriter Sean Watkins (Nickel Creek, Watkins Family Hour, Works Progress Administration) and friends Cary Brothers, Gaby Moreno, Joey Ryan, The Bee Eaters, plus other special guests.

The Shakespeare Theatre Company (STC) Free For All, one of the capital's most beloved annual traditions offering free performances of a Shakespearean classic to the general public each summer, will return next month with the Company's 2016 production of William Shakespeare's Othello. Helmed by internationally acclaimed director Ron Daniels and starring screen actor Faran Tahir in the titular role, the production will run at Sidney Harman Hall (610 F St. NW) from August 15-27, offering more than 12,000 people the chance to see the play free of charge.

Opening tonight at the Arts Center of Cannon County in Woodbury is the newest iteration of the beloved musical Annie, directed by Matthew Hayes Hunter and featuring an all-star cast of actors bringing the show to life. Featuring songs that have become musical theater standards since the show's premiere on Broadway in 1977 - including "Tomorrow," "Maybe," "Easy Street" and "Hard Knock Life."

After nearly four decades of leadership, co-founder Howard Shalwitz will step down as the artistic director of Woolly Mammoth Theatre Company. He will continue in his position through the end of the 2017-18 season. A national search for his successor will begin this summer.

What could be better than SOMETHING ROTTEN! coming to the Orpheum in Omaha, Nebraska next week? SOMETHING ROTTEN! with Adam Pascal as Shakespeare! Now that's something to get excited about!

There is something magical, and just a little bit naughty, in the air at the Dr. Phillips Center for the Performing Arts this week. Starting tonight and running through Sunday, May 14th, the national tour of MATILDA THE MUSICAL sets up shop in Orlando. With a book by Dennis Kelly and music and lyrics by Tim Minchin, the Tony-winning production ran for nearly four years on Broadway, closing this past January.

American Conservatory Theater (A.C.T.) Artistic Director Carey Perloff announced today the final four productions that will comprise the lineup of the company's 2017-18 subscription season. The 2017-18 season marks the 25th anniversary of Perloff's arrival at A.C.T.; the longtime artistic director recently announced she would depart following the 2017-18 season.

The wild project has just announced its current and upcoming spring lineup. Scroll down for details!

Avant Media's Tangets Series, NY No Limits Film Series, The CURRENT SESSIONS, and Spotlight On fest included the East Village venue's April programming.

Over halfway through DECONSTRUCTION, Jonathan Leaf's remarkable play about Paul De Man, Mary McCarthy (Fleur Alys Dobbins) tells Hannah Arendt (Karoline Fischer) that she sees no morality 'worthy of the name' in the philosophy of Martin Heidegger. 'There's a need to find authenticity,' McCarthy concedes, 'But it seems to me that you can be genuinely and perfectly evil.' However one feels about deconstruction as a method of reading--I happen to be a fan--we should all agree that De Man was a bad guy: a thoroughgoing liar, a bigamist, a swindler, a manipulator, and the author of some 200 pieces for the Nazi publication in Belgium, Le Soir. I've lingered over this literary-historical context (ironic, given that deconstruction deemphasizes extra-textual material, including authorial intent) because while Leaf's play works beautifully as a story about the (alleged) affair between De Man and McCarthy, the play's real triumph is how deftly it evokes the intellectual minefields on which these personal relationships developed. DECONSTRUCTION is far better, to say nothing of smarter, than most of the ideologically-driven caricatures of the play suggest. This is all the more remarkable given the play runs a mere 75 minutes.